Little white love, your way you've taken;
Now I am left alone, alone.
Little white love, my heart's forsaken.
(Whom shall I get by telephone?)
Well do I know there's no returning;
Once you go out, it's done, it's done.
All of my days are gray with yearning.
(Nevertheless, a girl needs fun.)

Little white love, perplexed and weary,
Sadly your banner fluttered down.
Sullen the days, and dreary, dreary.
(Which of the boys is still in town?)
Radiant and sure, you came a-flying;
Puzzled, you left on lagging feet.

I.

No one's serious at seventeen.
--On beautiful nights when beer and lemonade
And loud, blinding cafés are the last thing you need
--You stroll beneath green lindens on the promenade.

Lindens smell fine on fine June nights!
Sometimes the air is so sweet that you close your eyes;
The wind brings sounds--the town is near--
And carries scents of vineyards and beer. . .

II.

--Over there, framed by a branch
You can see a little patch of dark blue
Stung by a sinister star that fades

There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.

And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,
growing in the damp air like tears of rain.

after Rene Char

Let's agree that the night is a blank canvas, a station
break, a bridge of a song.

Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.

I have come to regard these two statements as
contradictory. Let me explain.

First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.

The in-between aspect of night need not spark a flurry of
activity, is all I'm saying.

Not in a silver casket cool with pearls
Or rich with red corundum or with blue,
Locked, and the key withheld, as other girls
Have given their loves, I give my love to you;
Not in a lovers'-knot, not in a ring
Worked in such fashion, and the legend plain—
Semper fidelis, where a secret spring
Kennels a drop of mischief for the brain:
Love in the open hand, no thing but that,
Ungemmed, unhidden, wishing not to hurt,
As one should bring you cowslips in a hat
Swung from the hand, or apples in her skirt,
I bring you, calling out as children do:

In Memoriam: Robert Lowell

I can make out the rigging of a schooner
a mile off; I can count
the new cones on the spruce. It is so still
the pale bay wears a milky skin; the sky
no clouds except for one long, carded horse¹s tail.

The islands haven't shifted since last summer,
even if I like to pretend they have--
drifting, in a dreamy sort of way,
a little north, a little south, or sidewise--
and that they¹re free within the blue frontiers of bay.

This month our favorite one is full of flowers:

Down by the beautiful Lakes of Killarney,
Off times I have met my own dear Barney,
In the sweet summer time of the year,
In the silvery moonlight so clear,
I've rambled with my sweetheart Barney,
Along the green banks of the Lakes of Killarney.

The Lakes of Killarney are most lovely to be seen
In the summer season when nature's face is green,
Especially in the beautiful silvery moonlight,
When its waters do shine like silver bright;
Such was the time when me and my Barney
Went to walk by the purty Lakes of Killarney.

My mother never heard of Freud
and she decided as a little girl
that she would call her husband Dick
no matter what his first name was
and did. He called her Ditty. They
called me Bud, and our generic names
amused my analyst. That must, she said,
explain the crazy times I had in bed
and quoted Freud: "Life is pain."
"What do women want?" and "My
prosthesis does not speak French."

Aurelius & Furius, true comrades,
whether Catullus penetrates to where in
outermost India booms the eastern ocean's
wonderful thunder;

whether he stops with Arabs or Hyrcani,
Parthian bowmen or nomadic Sagae;
or goes to Egypt, which the Nile so richly
dyes, overflowing;

even if he should scale the lofty Alps, or
summon to mind the mightiness of Caesar
viewing the Gallic Rhine, the dreadful Britons
at the world's far end--

you're both prepared to share in my adventures,

704

No matter—now—Sweet—
But when I'm Earl—
Won't you wish you'd spoken
To that dull Girl?

Trivial a Word—just—
Trivial—a Smile—
But won't you wish you'd spared one
When I'm Earl?

I shan't need it—then—
Crests—will do—
Eagles on my Buckles—
On my Belt—too—

Ermine—my familiar Gown—
Say—Sweet—then
Won't you wish you'd smiled—just—
Me upon?