Two old crows sat on a fence rail.
Two old crows sat on a fence rail,
Thinking of effect and cause,
Of weeds and flowers,
And nature's laws.
One of them muttered, one of them stuttered,
One of them stuttered, one of them muttered.
Each of them thought far more than he uttered.
One crow asked the other crow a riddle.
One crow asked the other crow a riddle:
The muttering crow
Asked the stuttering crow,
"Why does a bee have a sword to his fiddle?
Why does a bee have a sword to his fiddle?"
"Bee-cause," said the other crow,

Memory of you is . . . a blue spear of flower.
I cannot remember the name of it.
Alongside a bold dripping poppy is fire and silk.
And they cover you.

The scent of the earth is moist and good
In the dewy shade
Of the tall, dark poplars whose slender tops
Against the sunset bloom are laid,
And a robin is whistling in the copse
By the dim spruce wood.

The west wind blowing o'er branch and flower
Out of the wold,
Steals through the honeysuckle bower
And bears away on its airy wings
Odors that breath of paradise;
Dim are the poppies' splendid dyes,
But many a pallid primrose swings
Its lamp of gold.

A white moth flits from tree to tree

I took my heart in my hand
(O my love, O my love),
I said: Let me fall or stand,
Let me live or die,
But this once hear me speak-
(O my love, O my love)-
Yet a woman's words are weak;
You should speak, not I.

You took my heart in your hand
With a friendly smile,
With a critical eye you scanned,
Then set it down,
And said: It is still unripe,
Better wait a while;
Wait while the skylarks pipe,
Till the corn grows brown

As you set it down it broke-
Broke, but I did not wince;

Red o'er the forest peers the setting sun,
The line of yellow light dies fast away
That crowned the eastern copse: and chill and dun
Falls on the moor the brief November day.

Now the tired hunter winds a parting note,
And Echo hide good-night from every glade;
Yet wait awhile, and see the calm heaves float
Each to his rest beneath their parent shade.

How like decaying life they seem to glide!
And yet no second spring have they in store,
But where they fall, forgotten to abide
Is all their portion, and they ask no more.

The line
that remained, that
became true: . . . your
house in Paris -- become
the alterpiece of your hands.

Breathed through thrice,
shone through thrice.
...................

It's turning dumb, turning deaf
behind our eyes.
I see the poison flower
in all manner of words and shapes.

Go. Come.
Love blots out its name: to
you it ascribes itself.


translated by Michael Hamburger

My walls outside must have some flowers,
My walls within must have some books;
A house that's small; a garden large,
And in it leafy nooks.

A little gold that's sure each week;
That comes not from my living kind,
But from a dead man in his grave,
Who cannot change his mind.

A lovely wife, and gentle too;
Contented that no eyes but mine
Can see her many charms, nor voice
To call her beauty fine.

Where she would in that stone cage live,
A self-made prisoner, with me;
While many a wild bird sang around,

Dogs have a sense beyond our ken -
At least my little Trixie had:
Tail-wagging when I laughed, and when
I sighed, eyes luminously sad.
And if I planned to go away,
She'd know, oh, days and days before:
Aye, dogs I think are sometimes fey,
They seem to sense our fate in store.

Now take the case of old Tome Low;
With flowers each week he'd call on me.
Dear Trixie used to love him so,
With joyous jump upon his knee.
Yet when he wandered in one day,
Her hair grew sudden stark with dread;
She growled, she howled, she ran away . . .

Creator, Saviour, strengthening Guide,
Now on Thy mercy's ocean wide
Far out of sight we seem to glide.

Help us, each hour, with steadier eye
To search the deepening mystery,
The wonders of Thy sea and sky.

The blessed Angels look and long
To praise Thee with a worthier song,
And yet our silence does Thee wrong. -

Along the Church's central space
The sacred weeks, with unfelt pace,
Hath borne us on from grace to grace.

As travellers on some woodland height,
When wintry suns are gleaming bright,

DRAMATIS PERSONAE

THE LEARNED JUDGE
THE PLAINTIFF
THE DEFENDANT
COUNSEL FOR THE PLAINTIFF
USHER
FOREMAN OF THE JURY
ASSOCIATE
FIRST BRIDESMAID


SCENE - A Court of Justice, Barristers, Attorney, and Jurymen
discovered.

CHORUS

Hark, the hour of ten is sounding:
Hearts with anxious fears are bounding,
Hall of Justice, crowds surrounding,
Breathing hope and fear--
For to-day in this arena,