evil

Because I was a woman lone
And had of friends so few,
I made two little ones my own,
Whose parents no one knew;
Unwanted foundlings of the night,
Left at the convent door,
Whose tiny hands in piteous plight
Seemed to implore.
II
By Deed to them I gave my name,
And never will they know
That from the evil slums they came,
Two waifs of want and woe;
I fostered them with love and care
As if they were my own:

The storm is done--the lightning with its lust
To rend the unhallowed dome in ruin dire;
The purple heaps, from the rank chaos thrust
On sheets of fell and inauspicious fire;
The thunder bellowing loud on every bound;
The hissing bolt, so tossed as to complete
All permutations of Satanic sound;
The flood that opened heaven and ransomed it.
Benign now is that beatific blue.
The flame that fires the hill is now remote
From aught in evil. Clemency anew
--Crowns every leaf, and sings in every throat.

With words, with countenance, and with manners
I shall build an excellent panoply;
and in this way I shall face evil men
without having any fear or weakness.

They will want to harm me. But of those
who approach me none will know
where my wounds are, my vulnerable parts,
under all the lies that will cover me. --


Boastful words of Aemilianus Monae.
Did he ever build this panoply?
In any case, he did not wear it much.
He died in Sicily, at the age of twenty-seven.

(after he has been extemporizing upon the musical instrument of his invention)


Would that the structure brave, the manifold music I build,
Bidding my organ obey, calling its keys to their work,
Claiming each slave of the sound, at a touch, as when Solomon willed
Armies of angels that soar, legions of demons that lurk,
Man, brute, reptile, fly,---alien of end and of aim,
Adverse, each from the other heaven-high, hell-deep removed,---
Should rush into sight at once as he named the ineffable Name

The firmament breaks up. In black eclipse
Light after light goes out. One evil star,
Luridly glaring through the smoke of war,
As in the dream of the Apocalypse,
Drags others down. Let us not weakly weep
Nor rashly threaten. Give us grace to keep
Our faith and patience; wherefore should we leap
On one hand into fratricidal fight,
Or, on the other, yield eternal right,
Frame lies of laws, and good and ill confound?
What fear we? Safe on freedom's vantage ground
Our feet are planted; let us there remain

Among the dwellings framed by birds
In field or forest with nice care,
Is none that with the little Wren's
In snugness may compare.

II
No door the tenement requires,
And seldom needs a laboured roof;
Yet is it to the fiercest sun
Impervious, and storm-proof.

III
So warm, so beautiful withal,
In perfect fitness for its aim,
That to the Kind by special grace
Their instinct surely came.

IV
And when for their abodes they seek

Would that the structure brave, the manifold music I build,
Bidding my organ obey, calling its keys to their work,
Claiming each slave of the sound, at a touch, as when Solomon willed
Armies of angels that soar, legions of demons that lurk,
Man, brute, reptile, fly,--alien of end and of aim,
Adverse, each from the other heaven-high, hell-deep removed,--
Should rush into sight at once as he named the ineffable Name,
And pile him a palace straight, to pleasure the princess he loved!

1
I was sleeping when Namdeo and Vitthal Stepped into my dream.
'Your job is to make poems. Stop wasting time,' Namdeo said.
Vitthal gave me the measure and gently aroused me from a dream inside a dream.
Namdeo vowed to write one billion poems.
'Tuka, all the unwritten ones are your responsibility.'

2
To repeat Your name is to string pearls together.
The pleasure in your manifested form is always new.
I have ceased to desire the unembodied God.
Your worshippers do not seek liberation.

I commend myself and my love to you,
Aurelius. I ask for modest indulgence,
so, if you’ve ever had a desire in your mind
you’ve pursued chastely and purely,
keep this boy of mine modestly safe,
I don’t speak to the masses – nothing to fear
from those who pass to and fro in the streets
occupied with their business –
truly the fear’s of you and your cock
dangerous to both good and bad boys.
Shake it about as you please, and with as much
force as you please, wherever you choose, outside:

I have been reading Pomfret's "Choice" this spring,
A pretty kind of--sort of--kind of thing,
Not much a verse, and poem none at all,
Yet, as they say, extremely natural.
And yet I know not. There's an art in pies,
In raising crusts as well as galleries;
And he's the poet, more or less, who knows
The charm that hallows the least truth from prose,
And dresses it in its mild singing clothes.
Not oaks alone are trees, nor roses flowers;
Much humble wealth makes rich this world of ours.