Within my house of patterned horn
I sleep in such a bed
As men may keep before they're born
And after when they're dead.

Sticks and stones may break their bones,
And words may make them bleed;
There is not one of them who owns
An armour to his need.

Tougher than hide or lozenged bark,
Snow-storm and thunder proof,
And quick with sun, and thick with dark,
Is this my darling roof.

Men's troubled dreams of death and birth
Puls mother-o'-pearl to black;
I bear the rainbow bubble Earth

By the mossy weed-flowered column,
Where the setting moonbeam's glance
Streams a radiance cold and solemn
On the haunts of old romance:
Know'st thou what those shafts betoken,
Scattered on that tablet lone,
Where the ivory bow lies broken
By the monumental stone?

When true knighthood's shield, neglected,
Mouldered in the empty hall;
When the charms that shield protected
Slept in death's eternal thrall;
When chivalric glory perished
Like the pageant of a dream,
Love in vain its memory cherished,

Sure thou didst flourish once! and many springs,
Many bright mornings, much dew, many showers,
Pass'd o'er thy head; many light hearts and wings,
Which now are dead, lodg'd in thy living bowers.

And still a new succession sings and flies;
Fresh groves grow up, and their green branches shoot
Towards the old and still enduring skies,
While the low violet thrives at their root.

But thou beneath the sad and heavy line
Of death, doth waste all senseless, cold, and dark;
Where not so much as dreams of light may shine,

The First Voice

He trilled a carol fresh and free,
He laughed aloud for very glee:
There came a breeze from off the sea:

It passed athwart the glooming flat -
It fanned his forehead as he sat -
It lightly bore away his hat,

All to the feet of one who stood
Like maid enchanted in a wood,
Frowning as darkly as she could.

With huge umbrella, lank and brown,
Unerringly she pinned it down,
Right through the centre of the crown.

Then, with an aspect cold and grim,
Regardless of its battered rim,

That Barret, the painter of pictures, what feeling for color he had!
And Fanning, the maker of music, such melodies mirthful and mad!
And Harley, the writer of stories, so whimsical, tender and glad!

To hark to their talk in the trenches, high heart unfolding to heart,
Of the day when the war would be over, and each would be true to his part,
Upbuilding a Palace of Beauty to the wonder and glory of Art . . .

Yon's Barret, the painter of pictures, yon carcass that rots on the wire;
His hand with its sensitive cunning is crisped to a cinder with fire;

AS o'er their wine one day, three gossips sat,
Discoursing various pranks in pleasant chat,
Each had a loving friend, and two of these
Most clearly managed matters at their ease.

SAID one, a princely husband I have got.
A better in the world there's surely not;
With him I can adjust as humour fits,
No need to rise at early dawn, like cits,
To prove to him that two and three make four,
Or ask his leave to ope or shut the door.

UPON my word, replied another fair,
If he were mine, I openly declare,

Our life is a fire dampened, or a fire shut up in stone.
--Jacob Boehme, De Incarnatione Verbi

Outside everything visible and invisible a blazing maple.
Daybreak: a seam at the curve of the world. The trousered legs of the women
shimmered.
They held their arms in front of them like ghosts.

The coal bones of the house clinked in a kimono of smoke.
An attention hovered over the dream where the world had been.

For if Hiroshima in the morning, after the bomb has fallen,

Reality is a question
of realizing how real
the world is already.

Time is Eternity,
ultimate and immovable;
everyone's an angel.

It's Heaven's mystery
of changing perfection :
absolute Eternity

changes! Cars are always
going down the street,
lamps go off and on.

It's a great flat plain;
we can see everything
on top of a table.

Clams open on the table,
lambs are eaten by worms
on the plain. The motion

of change is beautiful,
as well as form called

Once more he sees his companions' faces
Livid in the first faint light,
Gray with cement dust,
Nebulous in the mist,
Tinged with death in their uneasy sleep.
At night, under the heavy burden
Of their dreams, their jaws move,
Chewing a non-existant turnip.
'Stand back, leave me alone, submerged people,
Go away. I haven't dispossessed anyone,
Haven't usurped anyone's bread.
No one died in my place. No one.
Go back into your mist.
It's not my fault if I live and breathe,
Eat, drink, sleep and put on clothes.'

When I was with a Shakespeare show
I played the part of Guildenstern,
Or Rosenkrantz - at least I know
It wasn't difficult to learn;
By Reader, do not at me scoff,
For futhermore I should explain
I was the understudy of
The understudy of the Dane.

Oh how it crabbed me just to think
They barred me from that role divine;
And how I longed to have them drink
A cup of slightly poisoned wine!
At every night with struts and rants
I strove my quid a week to earn,
And put my soul in Rosenkrantz -
Or was it haply, Guildenstern.