From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;

But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.

This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process.

A MIDDLE-AGE INTERLUDE.

ROSA MUNDI; SEU, FULCITE ME FLORIBUS.
A CONCEIT OF MASTER GYSBRECHT,
CANON-REGULAR OF SAID JODOCUS-BY-THE-BAR,
YPRES CITY. CANTUQUE, Virgilius.
AND HATH OFTEN BEEN SUNG
AT HOCK-TIDE AND FESTIVALES. GAVISUS
ERAM, Jessides.

(It would seem to be a glimpse from the
burning of Jacques du Bourg-Mulay, at Paris,
A. D. 1314; as distorted by the refraction from
Flemish brain to brain, during the course of
a couple of centuries.)

[Molay was Grand Master of the Templars

this fear of being what they are:
dead.

at least they are not out on the street, they
are careful to stay indoors, those
pasty mad who sit alone before their tv sets,
their lives full of canned, mutilated laughter.

their ideal neighborhood
of parked cars
of little green lawns
of little homes
the little doors that open and close
as their relatives visit
throughout the holidays
the doors closing
behind the dying who die so slowly
behind the dead who are still alive
in your quiet average neighborhood

There were only a few of them
In all the earth
Each one thought he was alone
They sang, they were right
To sing
But they sang the way you sack a city
The way you kill yourself.

Frayed moist night
Shall we endure you
Longer
Shall we not shake
Your cloacal evidence
We shall not wait for a morning
Made to measure
We wanted to see in other people's eyes
Their nights of love exhausted
They dream only of dying
Their lovely flesh forgotten
Bees caught in their honey
They are ignorant of life

There are places I go when I am strong.
One is a marsh pool where I used to go
with a long-ear hound-dog.
One is a wild crabapple tree; I was there
a moonlight night with a girl.
The dog is gone; the girl is gone; I go to these
places when there is no other place to go.

Bulkeley, Hunt, Willard, Hosmer, Meriam, Flint,
Possessed the land which rendered to their toil
Hay, corn, roots, hemp, flax, apples, wool and wood.
Each of these landlords walked amidst his farm,
Saying, "'Tis mine, my children's and my name's.
How sweet the west wind sounds in my own trees!
How graceful climb those shadows on my hill!
I fancy these pure waters and the flags
Know me, as does my dog: we sympathize;
And, I affirm, my actions smack of the soil.'

Where are these men? Asleep beneath their grounds:

Drinking my tea
Without sugar-
No difference.

The sparrow shits
upside down
--ah! my brain & eggs

Mayan head in a
Pacific driftwood bole
--Someday I'll live in N.Y.

Looking over my shoulder
my behind was covered
with cherry blossoms.

Winter Haiku
I didn't know the names
of the flowers--now
my garden is gone.

Shake out my pockets! Harken to the call
Of that calm voice that makes no sound at all!
Take of me all you can; my average weight
May make amends for this, my low estate.
But do not shake, Green Thumb, as once you did
My heart and liver, or my prostate bid
Good Morning to -- leave it, the savage gland
Content within the mercy of my hand.

The world was safe in winter, I was spring,
Enslaved and rattling to the slightest thing
That she might give. If planter were my trade
Why was I then not like a planter made:

In Collins Street standeth a statute tall,
A statue tall, on a pillar of stone,
Telling its story, to great and small,
Of the dust reclaimed from the sand waste lone;
Weary and wasted, and worn and wan,
Feeble and faint, and languid and low,
He lay on the desert a dying man;
Who has gone, my friends, where we all must go.

There are perils by land, and perils by water,
Short, I ween, are the obsequies
Of the landsman lost, but they may be shorter
With the mariner lost in the trackless seas;
And well for him, when the timbers start,

Ef the way a man lights out of this world
Helps fix his heft for the other sp'ere,
I reckon my old friend Golyer's Ben
Will lay over lots of likelier men
For one thing he done down here.

You did n't know Ben? He driv a stage
On the line they called the Old Sou'-west;
He wa'n't the best man that ever you seen,
And he wa'n't so ungodly pizen mean,
No better nor worse than the rest.

He was hard on women and rough on his friends;
And he did n't have many, I'll let you know;
He hated a dog and disgusted a cat,