Body my house
my horse my hound
what will I do
when you are fallen

Where will I sleep
How will I ride
What will I hunt

Where can I go
without my mount
all eager and quick
How will I know
in thicket ahead
is danger or treasure
when Body my good
bright dog is dead

How will it be
to lie in the sky
without roof or door
and wind for an eye

With cloud for shift
how will I hide?

Let me be at the place of the castle.
Let the castle be within me.
Let it rise foursquare from the moat's ring.
Let the moat's waters reflect green plumage of ducks, let
   the shells of swimming turtles break the surface or be
   seen through the rippling depths.
Let horsemen be stationed at the rim of it, and a dog,
   always alert on the brink of sleep.
Let the space under the first storey be dark, let the water
   lap the stone posts, and vivid green slime glimmer upon

Why is there no monument
To Porridge in our land?
It it's good enough to eat,
It's good enough to stand!

On a plinth in London
A statue we should see
Of Porridge made in Scotland
Signed, "Oatmeal, O.B.E."
(By a young dog of three)

Nurse, won't you let him in?
He's barkin' an' scratchen' the door,
Makin' so dreffel a din
I jest can't sleep any more;
Out there in the dark an' the cold,
Hark to him scrape an' whine,
Breakin' his heart o' gold,
Poor little pooch o' mine.

Nurse, I was sat in ma seat
In front o' the barber shop,
When there he was lickin' ma feet
As if he would never stop;
Then all of a sudden I see
That dog-catcher moseyin' by:
"Whose mongrel is that?" says he;
"It's ma pedigree pup," says I.

Nurse, he was starved an' a-stray,

The opening scene. The yellow, coal-fed fog
Uncurling over the tainted city river,
A young girl rowing and her anxious father
Scavenging for corpses. Funeral meats. The clever
Abandoned orphan. The great athletic killer
Sulking in his tent. As though all stories began
With someone dying.

When her mother died,
My mother refused to attend the funeral--
In fact, she sulked in her tent all through the year
Of the old lady's dying. I don't know why:
She said, because she loved her mother so much

'My age, my beast!' - Osip Mandelstam

On the lips a taste of tolling we are blind
The light drifts like dust over faces
We wear masks on our genitals
You've heard of lighting cigarettes with banknotes we used to light ours with Jews
History is made of bricks you can't go through it
And bricks are made of bones and blood and
Bones and blood are made of little tiny circles that nothing can go through
Except a piano with rabies
Blood gushes into, not from, our wounds
Vietnamese Cuban African bloods
Constellations of sperm upon our bodies

The murkiness of the local garage is not so dense
that you cannot make out the calendar of pinup
drawings on the wall above a bench of tools.
Your ears are ringing with the sound of
the mechanic hammering on your exhaust pipe,
and as you look closer you notice that this month's
is not the one pushing the lawn mower, wearing
a straw hat and very short blue shorts,
her shirt tied in a knot just below her breasts.
Nor is it the one in the admiral's cap, bending
forward, resting her hands on a wharf piling,

Us all sore cement was we.
Not warmed then with glares. Not glutting mush
under that pole the lightning's tied to.
No farrow-shit in milk to make us randy.
Us back in cool god-shit. We ate crisp.
We nosed up good rank in the tunnelled bush.
Us all fuckers then. And Big, huh? Tusked
the balls-biting dog and gutsed him wet.
Us shoved down the soft cement of rivers.
Us snored the earth hollow, filled farrow, grunted.
Never stopped growing. We sloughed, we soughed
and balked no weird till the high ridgebacks was us

Desponding Phillis was endu'd
With ev'ry Talent of a Prude,
She trembled when a Man drew near;
Salute her, and she turn'd her Ear:
If o'er against her you were plac't
She durst not look above your Wa[i]st;
She'd rather take you to her Bed
Than let you see her dress her Head;
In Church you heard her thro' the Crowd
Repeat the Absolution loud;
In Church, secure behind her Fan
She durst behold that Monster, Man:
There practic'd how to place her Head,
And bit her Lips to make them red:
Or on the Matt devoutly kneeling

Simson settled in the timber when his arm was strong and true,
And his form was straight and limber; and he wrought the long day through
In a struggle, single-handed, and the trees fell slowly back,
Twenty thousand giants banded ’gainst a solitary jack.

Through the fiercest days of summer you might hear his keen axe ring
And re-echo in the ranges, hear his twanging crosscut sing;
There the great gums swayed and whispered, and the birds were skyward blown,
As the circling hills saluted o’er a bush king overthrown.