The Author's Only Pet Yowe

An Unco Mournfu' Tale

As Mailie, an' her lambs thegither,
Was ae day nibbling on the tether,
Upon her cloot she coost a hitch,
An owre she warsl'd in the ditch:
There, groaning, dying, she did lie,
When Hughoc he cam doytin by.

Wi' glowrin een, and lifted han's
Poor Hughoc like a statue stan's;
He saw her days were near-hand ended,
But, wae's my heart! he could na mend it!
He gaped wide, but naething spak,
At length poor Mailie silence brak.

Poor Tray charmant!
Poor Tray de mon Ami!
-- Dog-bury, and Vergers.


Oh! where shall I bury my poor dog Tray,
Now his fleeting breath has pass'd away?
Seventeen years, I can venture to say,
Have I seen him gambol, and frolic, and play,
Evermore happy, and frisky, and gay,
As though every one of his months was May,
And the whole of his life one long holiday --
Now he's a lifeless lump of clay,
Oh! where shall I bury my faithful Tray?

I am almost tempted to think it hard

I had a fellow as my guest,
Not knowing he was such a pest,
And gave him just my usual fare;
He ate his fill of what was there,

And for desert my best things swallow'd,
Soon as his meal was o'er, what follow'd?
Led by the Deuce, to a neighbour he went,
And talk'd of my food to his heart's content:
"The soup might surely have had more spice,
The meat was ill-brown'd, and the wine wasn't nice."
A thousand curses alight on his head!
'Tis a critic, I vow! Let the dog be struck dead!

The biggest crane on earth, it lifts
Two hundred ton more easily
Than I can lift my heavy head:
And when it swings, the whole world shifts,
Or so, at least, it seems to me,
As, day and night, adream I lie
Upon my crippled back in bed,
And watch it against the sky.

My mother, hunching in her chair,
Day-long, and stitching trousers there--
At three-and-three the dozen pair . . .
She'd sit all night, and stitch for me,
Her son, if I could only wear . . .
She never lifts her eyes to see

Hard light bathed them-a whole nation of eyeless men,
Dark bipeds not aware how they were maimed. A long
Process, clearly, a slow curse,
Drained through centuries, left them thus.

At some transitional stage, then, a luckless few,
No doubt, must have had eyes after the up-to-date,
Normal type had achieved snug
Darkness, safe from the guns of heavn;

Whose blind mouths would abuse words that belonged to their
Great-grandsires, unabashed, talking of light in some
Eunuch'd, etiolated,

What you have heard is true. I was in his house.
His wife carried a tray of coffee and sugar. His
daughter filed her nails, his son went out for the
night. There were daily papers, pet dogs, a pistol
on the cushion beside him. The moon swung bare on
its black cord over the house. On the television
was a cop show. It was in English. Broken bottles
were embedded in the walls around the house to
scoop the kneecaps from a man's legs or cut his
hands to lace. On the windows there were gratings

Yesterday I drew myself from the noisome throngs and proceeded into the field until I reached a knoll upon which Nature had spread her comely garments. Now I could breathe.

I looked back, and the city appeared with its magnificent mosques and stately residences veiled by the smoke of the shops.

Hey, there! Hoop-la! the circus is in town!
Have you seen the elephant? Have you seen the clown?
Have you seen the dappled horse gallop round the ring?
Have you seen the acrobats on the dizzy swing?
Have you seen the tumbling men tumble up and down?
Hoop-la! Hoop-la! the circus is in town!

Hey, there! Hoop-la! Here's the circus troupe!
Here's the educated, dog jumping through the hoop.
See the lady Blondin with the parasol and fan,
The lad upon the ladder and the india-rubber man.
See the joyful juggler and the boy who loops the loop.

As I was lying in my bed
I heard the church-bell ring;
Before one solemn word was said
A bird began to sing.

I heard a dog begin to bark
And a bold crowing cock;
The bell, between the cold and dark,
Tolled. It was five o'clock.

The church-bell tolled, and the bird sang,
A clear true voice he had;
The cock crew, and the church-bell rang,
I knew it had gone mad.

A hand reached down from the dark skies,
It took the bell-rope thong,
The bell cried "Look! Lift up your eyes!"
The clapper shook to song.

At intermission I find her backstage
still practicing the piece coming up next.
She calls it the "solo in high dreary."
Her bow niggles at the string like a hand
stroking skin it never wanted to touch.
Probably under her scorn she is sick
that she can't do better by it. As I am,
at the dreary in me, such as the disparity
between all the tenderness I've received
and the amount I've given, and the way
I used to shrug off the imbalance
simply as how things are, as if the male
were constituted like those coffeemakers