There is a Reaper whose name is Death,
And, with his sickle keen,
He reaps the bearded grain at a breath,
And the flowers that grow between.

``Shall I have nought that is fair?'' saith he;
``Have nought but the bearded grain?
Though the breath of these flowers is sweet to me,
I will give them all back again.''

He gazed at the flowers with tearful eyes,
He kissed their drooping leaves;
It was for the Lord of Paradise
He bound them in his sheaves.

``My Lord has need of these flowerets gay,''
The Reaper said, and smiled;

While yet my lip was breathing youth's first breath,
I all too young to know their deepest spell,
I saw Medea and Phædra in Rachel;
Later I saw the great Elizabeth.
Rachel, Ristori -- we shall speak with death
Ere we meet souls like these. In one age dwell
Not many such: a century shall tell
Its hundred beads before it braid a wreath
For two so queenly foreheads. If it take
Æons to form a diamond, grain on grain,
Æons to crystallize its fire and dew,
By what slow processes must Nature make

She said: the pitying audience melt in tears,
But Fate and Jove had stopp'd the Baron's ears.
In vain Thalestris with reproach assails,
For who can move when fair Belinda fails?
Not half so fix'd the Trojan could remain,
While Anna begg'd and Dido rag'd in vain.
Then grave Clarissa graceful wav'd her fan;
Silence ensu'd, and thus the nymph began.
"Say, why are beauties prais'd and honour'd most,
The wise man's passion, and the vain man's toast?
Why deck'd with all that land and sea afford,

Watch the white dawn gleam,
To the thunder of hidden guns.
I hear the hot shells scream
Through skies as sweet as a dream
Where the silver dawn-break runs.
And stabbing of light
Scorches the virginal white.
But I feel in my being the old, high, sanctified thrill,
And I thank the gods that the dawn is beautiful still.

From death that hurtles by
I crouch in the trench day-long,
But up to a cloudless sky
From the ground where our dead men lie
A brown lark soars in song.
Through the tortured air,
Rent by the shrapnel's flare,

The rain and the wind, the wind and the rain --
They are with us like a disease:
They worry the heart, they work the brain,
As they shoulder and clutch at the shrieking pane,
And savage the helpless trees.

What does it profit a man to know
These tattered and tumbling skies
A million stately stars will show,
And the ruining grace of the after-glow
And the rush of the wild sunrise?

Ever the rain -- the rain and the wind!
Come, hunch with me over the fire,
Dream of the dreams that leered and grinned,

Fly, son of Banquo! Fleance, fly!
Leave thy guilty sire to die.
O'er the heath the stripling fled,
The wild storm howling round his head.
Fear mightier thro' the shades of night
Urged his feet, and wing'd his flight;
And still he heard his father cry
Fly, son of Banquo! Fleance, fly.

Fly, son of Banquo! Fleance, fly
Leave thy guilty sire to die.
On every blast was heard the moan
The anguish'd shriek, the death-fraught groan;
Loathly night-hags join the yell
And see--the midnight rites of Hell.

Forms of magic! spare my life!

When you're lost in the Wild, and you're scared as a child,
And Death looks you bang in the eye,
And you're sore as a boil, it's according to Hoyle
To cock your revolver and . . . die.
But the Code of a Man says: "Fight all you can,"
And self-dissolution is barred.
In hunger and woe, oh, it's easy to blow . . .
It's the hell-served-for-breakfast that's hard.

"You're sick of the game!" Well, now, that's a shame.
You're young and you're brave and you're bright.
"You've had a raw deal!" I know -- but don't squeal,

THE ORB I like is not the one
That dazzles with its lightning gleam;
That dares to look upon the sun,
As though it challenged brighter beam.
That orb may sparkle, flash, and roll;
Its fire may blaze, its shaft may fly;
But not for me: I prize the soul
That slumbers in a quiet eye.

There ’s something in its placid shade
That tells of calm, unworldly thought;
Hope may be crown’d, or joy delay’d—
No dimness steals, no ray is caught.
Its pensive language seems to say,

1916


Brethren, how shall it fare with me
When the war is laid aside,
If it be proven that I am he
For whom a world has died?

If it be proven that all my good,
And the greater good I will make,
Were purchased me by a multitude
Who suffered for my sake?

That I was delivered by mere mankind
Vowed to one sacrifice,
And not, as I hold them, battle-blind,
But dying with open eyes?

That they did not ask me to draw the sword
When they stood to endure their lot --
That they only looked to me for a word,

Beside us in our seeking after pleasures,
Through all our restless striving after fame,
Thorough all our search for worldly gains and treasures
There walketh one whom no man likes to name.
Silent he follows, veiled of form and feature,
Indifferent if we sorrow or rejoice,
Yet that day comes when every living creature
Must look upon his face and hear his voice.

When that day comes to you, and Death, unmasking,
Shall bar your path, and say, “Behold the end, ”
What are the questions that he will be asking