She said

She said I should be patient
I would succeed in what I like doing
And I am saying
I am already starting to flourish
I am starting to rise from
A mental oppression invisible but real
To excel and date my dreams…

She said that I should be patient
I would succeed in what I like doing
And I am saying
I am already starting to flourish
I am starting to rise from
A mental warfare every single day
To stopped me creating my own reality

She said that I should be patient


Shakespeare And Cervantes

Obit 23rd April 1616

Is it not strange that on this common date,
Two titans of their age, aye of all Time,
Together should renounce this mortal state,
And rise like gods, unsullied and sublime?
Should mutually render up the ghost,
And hand n hand join Jove's celestial host?

What wondrous welcome from the scribes on high!
Homer and Virgil would be waiting there;
Plato and Aristotle standing nigh;
Petrarch and Dante greet the peerless pair:
And as in harmony they make their bow,


Shall I compare thee to a summer's day Sonnet 18

Shall I compare thee to a summer's day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature's changing course, untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow'st,
Nor shall death brag thou wand'rest in his shade,


Shall the Harp Then Be Silent

Shall the Harp then be silent, when he who first gave
To our country a name, is withdrawn from all eyes?
Shall a Minstrel of Erin stand mute by the grave
Where the first -- where the last of her Patriots lies?

No -- faint though the death-song may fall from his lips,
Though his Harp, like his soul, may with shadows be crost,
Yet, yet shall it sound, 'mid a nation's eclipse,
And proclaim to the world what a star hath been lost; --

What a union of all the affections and powers


Shameful Death

There were four of us about that bed;
The mass-priest knelt at the side,
I and his mother stood at the head,
Over his feet lay the bride;
We were quite sure that he was dead,
Though his eyes were open wide.

He did not die in the night,
He did not die in the day,
But in the morning twilight
His spirit pass'd away,
When neither sun nor moon was bright,
And the trees were merely grey.

He was not slain with the sword,
Knight's axe, or the knightly spear,
Yet spoke he never a word


Shakespeare

Standing alone, a study in itself,
How Shakespeare’s volume glorifies my shelf!
For thence his spirit forth on mine has shined,
Like a great morning on the hills of mind.
Sphered in the light of his creative powers,
A wonder-world, inorbing this of ours,
Gathers around us, like the peopled haze
That wraps some roamer in a dream’s wild ways.

Lean fatal hags ride in the troubled air,
And wing’d immortals meet us everywhere;
These of a silken loveliness that shows
Like the dim beauty of a moonlit rose;


Shake The Superflux

I like walking on streets as black and wet as this one
now, at two in the solemnly musical morning, when everyone else
in this town emptied of Lestrygonians and Lotus-eaters
is asleep or trying or worrying why
they aren't asleep, while unknown to them Ulysses walks
into the shabby apartment I live in, humming and feeling
happy with the avant-garde weather we're having,
the winds (a fugue for flute and oboe) pouring
into the windows which I left open although
I live on the ground floor and there have been


Shade

‘What does a certain woman know of the hour of her death?’ - Mandelstam



Tallest, suavest of us, why Memory,
forcing you to appear from the past, pass
down a train, swaying, to find me
clear profiled through the window-glass?
Angel or bird? How we debated!
The poet thought you like translucent straw.
Through dark lashes, your eyes, Georgian,
looking, with gentleness, on it all.
Shade, forgive. Blue skies, Flaubert,
Insomnia, late-blooming lilac flower,
bring you, and the magnificence of the year,


Service of all the Dead

Between the avenues of cypresses,
All in their scarlet cloaks, and surplices
Of linen, go the chaunting choristers,
The priests in gold and black, the villagers.

And all along the path to the cemetery
The round, dark heads of men crowd silently
And black-scarved faces of women-folk, wistfully
Watch at the banner of death, and the mystery.

And at the foot of a grave a father stands
With sunken head, and forgotten, folded hands;
And at the foot of a grave a woman kneels


Sentimental Hangman

'Tis hard to hang a husky lad
When larks are in the sky;
It hurts when daffydills are glad
To wring a neck awry,
When joy o' Spring is in the sap
And cheery in the sun,
'Tis sad to string aloft a chap,
No matter what he done.

And sittin' in the pub o' night
I hears that prison bell,
And wonders if it's reely right
To haste a man to hell,

For doin' what he had to do,
Through greed, or lust, or hate . . .
Aye, them seem rightful words to you,
But me, I calls it - Fate.


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