APRILL: Ægloga QuartaTHENOT & HOBBINOLL
Tell me good Hobbinoll, what garres thee greete?
What? hath some Wolfe thy tender Lambes ytorne?
Or is thy Bagpype broke, that soundes so sweete?
Or art thou of thy loved lasse forlorne?

Or bene thine eyes attempred to the yeare,
Quenching the gasping furrowes thirst with rayne?
Like April shoure, so stremes the trickling teares
Adowne thy cheeke, to quenche thy thristye payne.

HOBBINOLL
Nor thys, nor that, so muche doeth make me mourne,

Or, The Solitude Of Binnorie

SEVEN Daughter had Lord Archibald,
All children of one mother:
You could not say in one short day
What love they bore each other.
A garland, of seven lilies, wrought!
Seven sisters that together dwell;
But he, bold Knight as ever fought,
Their Father, took of them no thought,
He loved the wars so well.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!

Fresh blows the wind, a western wind,
And from the shores of Erin,
Across the wave, a Rover brave

Into the world you sent her, mother,
Fashioned her body of coral and foam,
Combed a wave in her hair's warm smother,
And drove her away from home

In the dark of the night she crept to the town
And under a doorway she laid her down,
The little blue child in the foam-fringed gown.

And never a sister and never a brother
To hear her call, to answer her cry.
Her face shone out from her hair's warm smother
Like a moonkin up in the sky.

She sold her corals; she sold her foam;
Her rainbow heart like a singing shell

The sea took pity: it interposed with doom:
‘I have tall daughters dear that heed my hand:
Let Winter wed one, sow them in her womb,
And she shall child them on the New-world strand.’
. . . . . . . .

The sea, my mother, is singing to me,
   She is singing the old refrain,
Of passion, of love, and of mystery,
   And her world-old song of pain;
Of the mirk midnight and the dazzling day,
That trail their robes o'er the wet sea-way.

The sea, my mother, is singing to me
   With the white foam caught in her hair,
With the seaweed swinging its long arms free,
   To grapple the blown sea air:
The sea, my mother, with billowy swell,

Her gown was simple woven wool,
But, in repayment,
Her body sweet made beautiful
The simplest raiment:
For all its fine, melodious curves
With life a-quiver
Were graceful as the bends and swerves
Of her own river.

Her round arms, from the shoulders down
To sweet hands slender,
The sun had kissed them amber-brown
With kisses tender.

For though she loved the secret shades
Where ferns grow stilly,
And wild vines droop their glossy braids,
And gleams the lily,

To Certain Poets About to Die

Take your fill of intimate remorse, perfumed sorrow,
Over the dead child of a millionaire,
And the pity of Death refusing any check on the bank
Which the millionaire might order his secretary to
scratch off
And get cashed.

Very well,
You for your grief and I for mine.
Let me have a sorrow my own if I want to.

I shall cry over the dead child of a stockyards hunky.
His job is sweeping blood off the floor.
He gets a dollar seventy cents a day when he works

Plains, plains, and the prairie land which the sunlight floods and fills,
To the north the open country, southward the Cyprus Hills;
Never a bit of woodland, never a rill that flows,
Only a stretch of cactus beds, and the wild, sweet prairie rose;
Never a habitation, save where in the far south-west
A solitary tepee lifts its solitary crest,
Where Neykia in the doorway, crouched in the red sunshine,
Broiders her buckskin mantle with the quills of the porcupine.

Neykia, the Sioux chief's daughter, she with the foot that flies,

QUEEN GULNAAR sat on her ivory bed,
Around her countless treasures were spread;

Her chamber walls were richly inlaid
With agate, porphory, onyx and jade;

The tissues that veiled her delicate breast,
Glowed with the hues of a lapwing's crest;

But still she gazed in her mirror and sighed
"O King, my heart is unsatisfied."

King Feroz bent from his ebony seat:
"Is thy least desire unfulfilled, O Sweet?

"Let thy mouth speak and my life be spent
To clear the sky of thy discontent."

Between the rice swamps and the fields of tea
I met a sacred elephant, snow-white.
Upon his back a huge pagoda towered
Full of brass gods and food of sacrifice.
Upon his forehead sat a golden throne,
The massy metal twisted into shapes
Grotesque, antediluvian, such as move
In myth or have their broken images
Sealed in the stony middle of the hills.
A peacock spread his thousand dyes to screen
The yellow sunlight from the head of one
Who sat upon the throne, clad stiff with gems,
Heirlooms of dynasties of buried kings,--