It fell upon a summer night
The village folk were soundly sleeping,
Unconscious of the glamour white
In which the moon all things was steeping;
One window only showed a light;
Behind it, silent vigil keeping,
Sat Margaret, as one in trance—
The dark-eyed daughter of the Manse.
A flood of strange, sweet thoughts was surging
Her passionate heart and brain within.
At last, some secret impulse urging,
She laid aside her garment thin,
And from its snowy folds emerging,
Like Lamia from the serpent-skin,

Seven stars in the still water,
And seven in the sky;
Seven sins on the King's daughter,
Deep in her soul to lie.

Red roses are at her feet,
(Roses are red in her red-gold hair)
And O where her bosom and girdle meet
Red roses are hidden there.

Fair is the knight who lieth slain
Amid the rush and reed,
See the lean fishes that are fain
Upon dead men to feed.

Sweet is the page that lieth there,
(Cloth of gold is goodly prey,)
See the black ravens in the air,
Black, O black as the night are they.

O thou, the wonder of all days!
O paragon, and pearl of praise!
O Virgin-martyr, ever blest
Above the rest
Of all the maiden-train! We come,
And bring fresh strewings to thy tomb.

Thus, thus, and thus, we compass round
Thy harmless and unhaunted ground;
And as we sing thy dirge, we will
The daffadil,
And other flowers, lay upon
The altar of our love, thy stone.

Thou wonder of all maids, liest here,
Of daughters all, the dearest dear;
The eye of virgins; nay, the queen
Of this smooth green,

[And here is a suggestion: Did you ever try dictating your stories or articles to the dictaphone for the first draft? I would be glad to have you come down and make the experiment.--From a shorthand reporter's circular letter.]
(As "The Ballad of the Tempest" would have to issue from the dictaphone to the stenographer)


We were crowded in the cabin comma
Not a soul would dare to sleep dash comma
It was midnight on the waters comma
And a storm was on the deep period

Apostrophe Tis a fearful thing in capital Winter

Up yonder in Buena Park
There is a famous spot,
In legend and in history
Yclept the Waller Lot.

There children play in daytime
And lovers stroll by dark,
For 't is the goodliest trysting-place
In all Buena Park.

Once on a time that beauteous maid,
Sweet little Sissy Knott,
Took out her pretty doll to walk
Within the Waller Lot.

While thus she fared, from Ravenswood
Came Injuns o'er the plain,
And seized upon that beauteous maid
And rent her doll in twain.

Oh, 't was a piteous thing to hear

We're taking Marie Toro to her home in Père-La-Chaise;
We're taking Marie Toro to her last resting-place.
Behold! her hearse is hung with wreaths till everything is hid
Except the blossoms heaping high upon her coffin lid.
A week ago she roamed the street, a draggle and a slut,
A by-word of the Boulevard and everybody's butt;
A week ago she haunted us, we heard her whining cry,
We brushed aside the broken blooms she pestered us to buy;
A week ago she had not where to rest her weary head . . .
But now, oh, follow, follow on, for Marie Toro's dead.

A pathetic tragedy I will relate,
Concerning poor Fred. Marsden's fate,
Who suffocated himself by the fumes of gas,
On the 18th of May, and in the year of 1888, alas!

Fred. Marsden was a playwright, the theatrical world knows,
And was highly esteemed by the people, and had very few foes;
And in New York, in his bedroom, he took his life away,
And was found by his servant William in his bedroom where he lay.

The manner in which he took his life : first he locked the door,
Then closed down the window, and a sheet to shreds he tore

ARGUMENT.

In the taxi alone, home from the airport,
I could not believe you were gone. My palm kept
creeping over the smooth plastic
to find your strong meaty little hand and
squeeze it, find your narrow thigh in the
noble ribbing of the corduroy,
straight and regular as anything in nature, to
find the slack cool cheek of a
child in the heat of a summer morning—
nothing, nothing, waves of bawling
hitting me in hot flashes like some
change of life, some boiling wave
rising in me toward your body, toward
where it should have been on the seat, your

This, then, is she,
My mother as she looked at seventeen,
When she first met my father. Young incredibly,
Younger than spring, without the faintest trace
Of disappointment, weariness, or tean
Upon the childlike earnestness and grace
Of the waiting face.
Those close-wound ropes of pearl
(Or common beads made precious by their use)
Seem heavy for so slight a throat to wear;
But the low bodice leaves the shoulders bare
And half the glad swell of the breast, for news
That now the woman stirs within the girl.
And yet,