To you, who look below,
   Where little candles glow --
Who listen in a narrow street,
Confused with noise of passing feet --

To you 'tis wild and dark;
   No light, no guide, no ark,
For travellers lost on moor and lea,
And ship-wrecked mariners at sea.

But they who stand apart,
   With hushed but wakeful heart --
They hear the lulling of the gale,
And see the dawn-rise faint and pale.

A dawn whereto they grope
   In trembling faith and hope,

And what is Life? An hour-glass on the run,
A mist retreating from the morning sun,
A busy, bustling, still-repeated dream.
Its length? A minute's pause, a moment's thought.
And Happiness? A bubble on the stream,
That in the act of seizing shrinks to nought.

And what is Hope? The puffing gale of morn,
That of its charms divests the dewy lawn,
And robs each flow'ret of its gem -and dies;
A cobweb, hiding disappointment's thorn,
Which stings more keenly through the thin disguise.

And what is Death? Is still the cause unfound?

We were supposed to do a job in Italy
and, full of our feeling for
ourselves (our sense of being
Poets from America) we went
from Rome to Fano, met
the Mayor, mulled a couple
matters over. The Italian literati seemed
bewildered by the language of America: they asked us
what does "flat drink" mean? and the mysterious
"cheap date" (no explanation lessened
this one's mystery). Among Italian writers we

could recognize our counterparts: the academic,
the apologist, the arrogant, the amorous,
the brazen and the glib. And there was one

The construction of a woman:
a woman is not made of flesh
of bone and sinew
belly and breasts, elbows and liver and toe.
She is manufactured like a sports sedan.
She is retooled, refitted and redesigned
every decade.
Cecile had been seduction itself in college.
She wriggled through bars like a satin eel,
her hips and ass promising, her mouth pursed
in the dark red lipstick of desire.

She visited in '68 still wearing skirts
tight to the knees, dark red lipstick,
while I danced through Manhattan in mini skirt,

To live in Wales is to be conscious
At dusk of the spilled blood
That went into the making of the wild sky,
Dyeing the immaculate rivers
In all their courses.
It is to be aware,
Above the noisy tractor
And hum of the machine
Of strife in the strung woods,
Vibrant with sped arrows.
You cannot live in the present,
At least not in Wales.
There is the language for instance,
The soft consonants
Strange to the ear.
There are cries in the dark at night
As owls answer the moon,
And thick ambush of shadows,

Sat in the corner of her dark, disturbed room
Hiding from the careless lackadais
of the outside worldly folk
The thoughtless gesture, the idle look
The conversations that glanced across the heart
like a bullet

By a candle’s dim flicker
She soothed the wounds, took
restitution in the solace of a word
Found majesty in a syllable
Tuned an ear to the rhythms
of the heart

And from the stillness of the shadows
Plucked brilliant shafts of reverberating
light.

Intricate and untraceable
weaving and interweaving,
dark strand with light:

designed, beyond
all spiderly contrivance,
to link, not to entrap:

elation, grief, joy, contrition, entwined;

shaking, changing,

forever

forming,

transforming:

all praise,

all praise to the

great web.

Some praise the Lord for Light,
The living spark;
I thank God for the Night
The healing dark.
When wearily I lie,
With aching sight,
With what thanksgiving I
Turn out the light!

When to night's drowsy deep
Serene I sink,
How glad am I to sleep,
To cease to think!
From care and fret set free,
In sweet respite,
With joy I peacefully
Turn out the light.

Lie down thou weary one,
And sink to rest;
Nay, grieve not for the sun,

958

We met as Sparks—Diverging Flints
Sent various—scattered ways—
We parted as the Central Flint
Were cloven with an Adze—
Subsisting on the Light We bore
Before We felt the Dark—
A Flint unto this Day—perhaps—
But for that single Spark.

The decorum of fire...
-- Pablo Neruda

We learned the decorum of fire,
the flame's curious symmetry,
the blue heat at the center of the thighs,
the flickering red of the hips,
& the tallow gold of the breasts
lit from within
by the lantern in the ribs.

You tear yourself out of me
like a branch that longs to be grafted
onto a fruit tree,
peach & pear
crossed with each other,
fig & banana served on one plate,
the leaf & the luminous snail
that clings to it.

We learned that the tearing