Is it dirty
does it look dirty
that's what you think of in the city

does it just seem dirty
that's what you think of in the city
you don't refuse to breathe do you

someone comes along with a very bad character
he seems attractive. is he really. yes. very
he's attractive as his character is bad. is it. yes

that's what you think of in the city
run your finger along your no-moss mind
that's not a thought that's soot

and you take a lot of dirt off someone
is the character less bad. no. it improves constantly

O FLY not, Pleasure, pleasant-hearted Pleasure;
   Fold me thy wings, I prithee, yet and stay:
   For my heart no measure
   Knows, nor other treasure
To buy a garland for my love to-day.

And thou, too, Sorrow, tender-hearted Sorrow,
   Thou gray-eyed mourner, fly not yet away:
   For I fain would borrow
   Thy sad weeds to-morrow,
   To make a mourning for love's yesterday.

The voice of Pity, Time's divine dear Pity,

At her Junior High School graduation,
she sings alone
in front of the lot of us--

her voice soprano, surprising,
almost a woman's. It is
the Our Father in French,

the new language
making her strange, out there,
fully fledged and

ready for anything. Sitting
together -- her separated
mother and father -- we can

hear the racket of traffic
shaking the main streets
of Jersey City as she sings

Deliver us from evil,
and I wonder can she see me
in the dark here, years

from belief, on the edge

we've ignored eachother for a long time
and I'm strictly an indoor man
anytime to call would be the wrong time
I'll avoid you as long as I can

When I was a boy we were good friends
I made pies out of you when you were wet
And in childhood's remembered summer weather
We roughandtumbled together
We were very close

just you and me and the sun
the world a place for having fun
always so much to be done

But gradually I grew away from you
Of course you were still there
During my earliest sexcapades

Down out of heaven,
Frost-kissed
And wind driven,
Flake upon flake,
Over forest and lake,
Cometh the snow.

Folding the forest,
Folding the farms,
In a mantle of white;
And the river’s great arms,
Kissed by the chill night
From clamor to rest,
Lie all white and shrouded
Upon the world’s breast.

Falling so slowly
Down from above,
So white, hushed, and holy,
Folding the city
Like the great pity
Of God in His love; 20
Sent down out of heaven
On its sorrow and crime,

Can you imagine the air filled with smoke?
It was. The city was vanishing before noon
or was it earlier than that? I can't say because
the light came from nowhere and went nowhere.
This was years ago, before you were born, before
your parents met in a bus station downtown.
She'd come on Friday after work all the way
from Toledo, and he'd dressed in his only suit.

Back then we called this a date, some times
a blind date, though they'd written back and forth
for weeks. What actually took place is now lost.

By day the skyscraper looms in the smoke and sun and
has a soul.
Prairie and valley, streets of the city, pour people into
it and they mingle among its twenty floors and are
poured out again back to the streets, prairies and
valleys.
It is the men and women, boys and girls so poured in and
out all day that give the building a soul of dreams
and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
for the building or speak its name or ask a policeman
the way to it?)

Now burst above the city's cold twilight
The piercing whistles and the tower-clocks:
For day is done. Along the frozen docks
The workmen set their ragged shirts aright.
Thro' factory doors a stream of dingy light
Follows the scrimmage as it quickly flocks
To hut and home among the snow's gray blocks. --
I love you, human labourers. Good-night!
Good-night to all the blackened arms that ache!
Good-night to every sick and sweated brow,
To the poor girl that strength and love forsake,
To the poor boy who can no more! I vow

(A. D. 1066)


I followed my Duke ere I was a lover,
To take from England fief and fee;
But now this game is the other way over--
But now England hath taken me!

I had my horse, my shield and banner,
And a boy's heart, so whole and free;
But now I sing in another manner--
But now England hath taken me!

As for my Father in his tower,
Asking news of my ship at sea,
He will remember his own hour--
Tell him England hath taken me!

As for my Mother in her bower,
That rules my Father so cunningly,

I have known the silence of the stars and of the sea,
And the silence of the city when it pauses,
And the silence of a man and a maid,
And the silence of the sick
When their eyes roam about the room.
And I ask: For the depths,
Of what use is language?
A beast of the field moans a few times
When death takes its young.
And we are voiceless in the presence of realities --
We cannot speak.

A curious boy asks an old soldier
Sitting in front of the grocery store,
"How did you lose your leg?"