Within the great grey flapping tent
The damp crowd stood or stamped about;
And some came in, and some went out
To drink the moist November air;
None fainted, though a few looked spent
And eyed some empty unbought chair.
It was getting on. And all had meant
Not to go home with empty hands
But full of gain, at little cost,
Of mirror, vase, or vinaigrette.
Yet often, after certain sales,
Some looked relieved that they had lost,
Others, at having won, upset.
Two men from London sat apart,
Both from the rest and each from each,

Leonardo imagined the first one.
The next was a pole lathe with a drive cord,
illustrated in Plumier's L'art de tourner en perfection.
Then Ramsden, Vauconson, the great Maudslay,
his student Roberts, Fox, Clement, Whitworth.

The long line of machinists to my left
lean into their work, ungloved hands adjusting the calipers,
tapping the bit lightly with their fingertips.
Each man withdraws into his house of work:
the rough cut, shearing of iron by tempered steel,
blue-black threads lifting like locks of hair,

The ape, the monkey and baboon did meet,
And breaking of their fast in Friday street,
Two of them swore together solemnly
In their three natures was a sympathy.

Nay, quoth baboon,
I do deny that strain:
I have more knavery in me
than you twain.

Why, quoth the ape, I have a horse at will
In Paris Garden for to ride on still,
And there show tricks. Tush, quoth the monkey,
For better tricks in great men's houses lie.

Tush, quoth baboon,
when men do know I come,
For sport from city, country
they will run.

Ah, in the night, all music haunts me here. . . .
Is it for naught high Heaven cracks and yawns
And the tremendous Amaranth descends
Sweet with the glory of ten thousand dawns?

Does it not mean my God would have me say: —
"Whether you will or no, O city young,
Heaven will bloom like one great flower for you,
Flash and loom greatly all your marts among?"

Friends, I will not cease hoping though you weep.
Such things I see, and some of them shall come
Though now our streets are harsh and ashen-gray,

My window shews the travelling clouds,
Leaves spent, new seasons, alter'd sky,
The making and the melting crowds:
The whole world passes; I stand by.

They do not waste their meted hours,
But men and masters plan and build:
I see the crowning of their towers,
And happy promises fulfill'd.

And I - perhaps if my intent
Could count on prediluvian age,
The labours I should then have spent
Might so attain their heritage,

But now before the pot can glow
With not to be discover'd gold,

I speak to you across cities
I speak to you across plains

My mouth is upon your pillow

Both faces of the walls come meeting
My voice discovering you

I speak to you of eternity

O cities memories of cities
Cities wrapped in our desires
Cities come early cities come lately
Cities strong and cities secret
Plundered of their master's builders
All their thinkers all their ghosts

Fields pattern of emerald
Bright living surviving
The harvest of the sky over our earth
Feeds my voice I dream and weep

Gettin' together to smile an' rejoice,
An' eatin' an' laughin' with folks of your choice;
An' kissin' the girls an' declarin' that they
Are growin' more beautiful day after day;
Chattin' an' braggin' a bit with the men,
Buildin' the old family circle again;
Livin' the wholesome an' old-fashioned cheer,
Just for awhile at the end of the year.
Greetings fly fast as we crowd through the door
And under the old roof we gather once more
Just as we did when the youngsters were small;

Air -- "Perhaps"

I
Some enterprising people,
In our cities and towns,
Have gone to organizing clubs
Of men that's fallen down;
In estimation fallen low --
Now they may rise again,
And be respected citizens
Throughout our native land.
II
CHORUS:

The temperance reform club,
Forever may it stand,
And everyone that loves strong drink
Pray, join it heart and hand.
Then many a home will be bright,
And many a heart made glad,
It will be the greatest blessing
This nation ever had.
III

What festival is ancient Rome preparing?
Where flow the crowds in noisy waves?
Why these aromas, myrrh's sweet smoke
And censers all around abrim with fragrant herbs?
From Capitoline Hill to Tiber's waves,
Above universal city's streets,
Why are the priceless rugs and purple stuffs
Spread among garlands, laurels?
Why all this noise? The crash and thump of timpani?
Are these heralds of joy or triumph?
Why wearing the miter hastes the holy father
With gonfalon to the prayer house?

Patrizia doesn't want to
Talk about love she
Says she just
Wants to make
Love but she talks
About it almost endlessly to me.

It is horrible it
Is the worst thing in life
Says Patrizia
Nothing
Not death not sickness
Is as bad as love

I am always
In love I am always
Suffering from love
Says Patrizia. Now
I am used to it
But I am suffering all the same

Do you know what I did to her
Once?--speaking
Of her girlfriend--I kicked her out
I literally kicked her she was down on the floor and I