children

There is a city, upbuilt on the quays of the turbulent Arno,
Under Fiesole's heights,--thither are we to return?
There is a city that fringes the curve of the inflowing waters,
Under the perilous hill fringes the beautiful bay,--
Parthenope, do they call thee?--the Siren, Neapolis, seated
Under Vesevus's hill,--are we receding to thee?--
Sicily, Greece, will invite, and the Orient;--or are we turn to
England, which may after all be for its children the best?

Eastward, or Northward, or West? I wander and ask as I wander;
Weary, yet eager and sure, Where shall I come to my love?
Whitherward hasten to seek her? Ye daughters of Italy, tell me,
Graceful and tender and dark, is she consorting with you?
Thou that out-climbest the torrent, that tendest thy goats to the summit,
Call to me, child of the Alp, has she been seen on the heights?
Italy, farewell I bid thee! for whither she leads me, I follow.
Farewell the vineyard! for I, where I but guess her, must go;

Over the great windy waters, and over the clear-crested summits,
Unto the sun and the sky, and unto the perfecter earth,
Come, let us go,--to a land wherein gods of the old time wandered,
Where every breath even now changes to ether divine.
Come, let us go; though withal a voice whisper, 'The world that we live in,
Whithersoever we turn, still is the same narrow crib;
'Tis but to prove limitation, and measure a cord, that we travel;
Let who would 'scape and be free go to his chamber and think;

I walk among the rows of bowed heads--
the children are sleeping through fourth grade
so as to be ready for what is ahead,
the monumental boredom of junior high
and the rush forward tearing their wings
loose and turning their eyes forever inward.
These are the children of Flint, their fathers
work at the spark plug factory or truck
bottled water in 5 gallon sea-blue jugs
to the widows of the suburbs. You can see
already how their backs have thickened,
how their small hands, soiled by pig iron,

Nor force nor fraud shall sunder us! O ye
Who north or south, on east or western land,
Native to noble sounds, say truth for truth,
Freedom for freedom, love for love, and God
For God; O ye who in eternal youth
Speak with a living and creative flood
This universal English, and do stand
Its breathing book; live worthy of that grand
Heroic utterance—parted, yet a whole,
Far yet unsever’d,—children brave and free
Of the great Mother-tongue, and ye shall be
Lords of an empire wide as Shakespeare’s soul,

I have loved colours, and not flowers;
Their motion, not the swallows wings;
And wasted more than half my hours
Without the comradeship of things.

How is it, now, that I can see,
With love and wonder and delight,
The children of the hedge and tree,
The little lords of day and night?

How is it that I see the roads,
No longer with usurping eyes,
A twilight meeting-place for toads,
A mid-day mart for butterflies?

I feel, in every midge that hums,
Life, fugitive and infinite,

Hover
the imagined center, our tongues
grew long to please it, licking

the walls, a chamber built of scent,

a moment followed by a lesser moment
& a hunger to return. It couldn't last. Resin

flowed glacially from wounds in the bark
pinned us in our entering
as the orchids opened wider. First,

liquid, so we swam until we couldn't.
Then it felt like sleep, the taste of nectar

still inside us. Sometimes a flower

became submerged with us. A million years

ONCE a poet—long ago—
Wrote a song as void of art
As the songs that children know,
And as pure as a child’s heart.
With a sigh he threw it down,
Saying, “This will never shed
Any glory or renown
On my name when I am dead.

“I will sing a lordly song
Men shall hear, when I am gone,
Through the years sound clear and strong
As a golden clarion.”

So this lordly song he sang
That would gain him deathless fame—
When the death-knell o’er him rang

Altarwise by owl-light in the half-way house
The gentleman lay graveward with his furies;
Abaddon in the hangnail cracked from Adam,
And, from his fork, a dog among the fairies,
The atlas-eater with a jaw for news,
Bit out the mandrake with to-morrows scream.
Then, penny-eyed, that gentlemen of wounds,
Old cock from nowheres and the heaven's egg,
With bones unbuttoned to the half-way winds,
Hatched from the windy salvage on one leg,
Scraped at my cradle in a walking word
That night of time under the Christward shelter:

All in the golden afternoon
Full leisurely we glide;
For both our oars, with little skill,
By little arms are plied,
While little hands make vain pretense
Our wanderings to guide.

Ah, cruel Three! In such an hour,
Beneath such dreamy weather,
To beg a tale of breath too weak
To stir the tiniest feather!
Yet what can one poor voice avail
Against three tongues together?

Imperious Prima flashes forth
Her edict to "begin it"--
In gentler tones Secunda hopes