children

And as long as I don’t see
You on the television
Or I don’t hear about
You on the radio

Or I don’t even read about
You on the national newspapers
Everything you are telling me
That it is happing to you

I would consider them
As a pure fantasy
As a pigmentation of your
Own imagination

I can even go as far as
To advice you to become a novelist
I can even get angry
If you still persist to talk to me

About the all situation
If you still want me to believe you

And wherefore have they come, this warlike band,
That o'er the ocean many a weary day
Have tossed; and now beside Suakim's Bay,
With faces stern and resolute, do stand,
Waking the desert's echoes with the drum --
Men of Australia, wherefore have ye come?
To keep the Puppet Khedive on the throne,
To strike a blow for tyranny and wrong,
To crush the weak and aid the oppressing strong!
Regardless of the hapless Fellah's moan,
To force the payment of the Hebrew loan,

I sat with a dynamiter at supper in a German saloon eating steak and onions.
And he laughed and told stories of his wife and children and the cause of labor and the working class.
It was laughter of an unshakable man knowing life to be a rich and red-blooded thing.
Yes, his laugh rang like the call of gray birds filled with a glory of joy ramming their winged flight through a rain storm.
His name was in many newspapers as an enemy of the nation and few keepers of churches or schools would open their doors to him.

Child of the Aztec gods,
how long must we listen here,
how long before we go?

The dust is deep on the lintels.
The dust is dark on the doors.
If the dreams shake our bones,
what can we say or do?

Since early morning we waited.
Since early, early morning, child.
There must be dreams on the way now.
There must be a song for our bones.

The dust gets deeper and darker.
Do the doors and lintels shudder?
How long must we listen here?
How long before we go?

We stand about this place -- we, the memories;
And shade our eyes because we dread to read:
"June 17th, 1884, aged 21 years and 3 days."
And all things are changed.
And we -- we, the memories, stand here for ourselves alone,
For no eye marks us, or would know why we are here.
Your husband is dead, your sister lives far away,
Your father is bent with age;
He has forgotten you, he scarcely leaves the house
Any more.
No one remembers your exquisite face,
Your lyric voice!

Naked and grey the Cotswolds stand
Beneath the summer sun,
And the stubble fields on either hand
Where Sour and Avon run.
There is no change in the patient land
That has bred us every one.

She should have passed in cloud and fire
And saved us from this sin
Of war--red war--'twixt child and sire,
Household and kith and kin,
In the heart of a sleepy Midland shire,
With the harvest scarcely in.

But there is no change as we meet at last
On the brow-head or the plain,

It fell about the Martinmas,
When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,
'We maun draw to a hauld.

'And whatna hauld sall we draw to,
My merry men and me?
We will gae to the house of the Rodes,
To see that fair ladye.'

The lady stood on her castle wa',
Beheld baith dale and down;
There she was aware of a host of men
Came riding towards the town.

'O see ye not, my merry men a',
O see ye not what I see?
Methinks I see a host of men;
I marvel who they be.'

It fell about the Martinmas,
   When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,
   'We maun draw to a hauld.

'And what a hauld sall we draw to,
   My merry men and me?
We will gae to the house o' the Rodes,
   To see that fair ladye.'

The lady stood on her castle wa',
   Beheld baith dale and down;
There she was ware of a host of men
   Cam riding towards the town.

'O see ye not, my merry men a',
   O see ye not what I see?
Methinks I see a host of men;

Those forms we fancy shadows, those strange lights
That flash on lone morasses, the quick wind
That smites us by the roadside are the Night's
Innumerable children. Unconfined
By shroud or coffin, disembodied souls,
Still on probation, steal into the air
From ancient battlefields and churchyard knolls
At the day's ending. Pestilence and despair
Fly with the startled bats at set of sun;
And wheresoever murders have been done,
In crowded palaces or lonely woods,
Where'er a soul has sold itself and lost

There is a shattered palm
on this fierce shore,
its plumes the rusting helm-
et of a dead warrior.

Numb Antony, in the torpor
stretching her inert
sex near him like a sleeping cat,
knows his heart is the real desert.

Over the dunes
of her heaving,
to his heart's drumming
fades the mirage of the legions,

across love-tousled sheets,
the triremes fading.
Ar the carved door of her temple
a fly wrings its message.

He brushes a damp hair
away from an ear