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Any Night

Look, the eucalyptus, the Atlas pine,
the yellowing ash, all the trees
are gone, and I was older than
all of them. I am older than the moon,
than the stars that fill my plate,
than the unseen planets that huddle
together here at the end of a year
no one wanted. A year more than a year,
in which the sparrows learned
to fly backwards into eternity.
Their brothers and sisters saw this
and refuse to build nests. Before
the week is over they will all
have gone, and the chorus of love
that filled my yard and spilled

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Any Man Speaks

I, after difficult entry through my mother's blood
And stumbling childhood (hitting my head against the world);
I, intricate, easily unshipped, untracked, unaligned;
Cut off in my communications; stammering; speaking
A dialect shared by you, but not you and you;
I, strangely undeft, bereft; I searching always
For my lost rib (clothed in laughter yet understanding)
To come round the corner of Wardour Street into the Square
Or to signal across the Park and share my bed;
I, focus in night for star-sent beams of light,

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An Oath

(An Oath wrtitten during the Dawn Meditation)

Aiwaz! Confirm my troth with thee ! my will inspire
With secret sperm of subtle, free, creating Fire!
Mould thou my very flesh as Thine, renew my birth
In childhood merry as divine, enchenated earth!
Dissolve my rapture in Thine own, a sacred slaugther
Whereby to capture and atone the soul of water!
Fill thou my mind with gleaming Thought intense and rare
To One refined, outflung to naught, the Word of Air!
Most, bridal bound, my quintessentil Form thus freeing

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An Elegy on the Death of Kenneth Patchen

A poet is born
A poet dies
And all that lies between
is us
and the world

And the world lies about it
making as if it had got his message
even though it is poetry
but most of the world wishing
it could just forget about him
and his awful strange prophecies


Along with all the other strange things
he said about the world
which were all too true
and which made them fear him
more than they loved him
though he spoke much of love

Along with all the alarms he sounded
which turned out to be false

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All In The Golden Afternoon

All in the golden afternoon
Full leisurely we glide;
For both our oars, with little skill,
By little arms are plied,
While little hands make vain pretense
Our wanderings to guide.

Ah, cruel Three! In such an hour,
Beneath such dreamy weather,
To beg a tale of breath too weak
To stir the tiniest feather!
Yet what can one poor voice avail
Against three tongues together?

Imperious Prima flashes forth
Her edict to "begin it"--
In gentler tones Secunda hopes
"There will be nonsense in it"--

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Alan Dugan Telling Me I Have A Problem With Time

He reads my latest attempt at a poem
and is silent for a long time, until it feels
like that night we waited for Apollo,
my mother wandering in and out of her bedroom, asking,
Haven't they landed yet? At last
Dugan throws it on the table and says,
This reads like a cheap detective novel
and I've got nothing to say about it. It sits,
naked and white, with everyone's eyes
running over it. The week before
he'd said I had a problem with time,
that in my poems everything
kept happening at once. In 1969,
the voice of Mission Control

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Afar in the Desert

Afar in the Desert I love to ride,
With the silent Bush-boy alone by my side:
When the sorrows of life the soul o'ercast,
And, sick of the Present, I cling to the Past;
When the eye is suffused with regretful tears,
From the fond recollections of former years;
And shadows of things that have long since fled
Flit over the brain, like the ghosts of the dead:
Bright visions of glory -- that vanish too soon;
Day-dreams -- that departed ere manhood's noon;
Attachments -- by fate or by falsehood reft;

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Absences

It's snowing this afternoon and there are no flowers.
There is only this sound of falling, quiet and remote,
Like the memory of scales descending the white keys
Of a childhood piano--outside the window, palms!
And the heavy head of the cereus, inclining,
Soon to let down its white or yellow-white.

Now, only these poor snow-flowers in a heap,
Like the memory of a white dress cast down . . .
So much has fallen.

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A Wifeat daybreak I shall be

461

A Wife—at daybreak I shall be—
Sunrise—Hast thou a Flag for me?
At Midnight, I am but a Maid,
How short it takes to make a Bride—
Then—Midnight, I have passed from thee
Unto the East, and Victory—

Midnight—Good Night! I hear them call,
The Angels bustle in the Hall—
Softly my Future climbs the Stair,
I fumble at my Childhood's prayer
So soon to be a Child no more—
Eternity, I'm coming—Sire,
Savior—I've seen the face—before!

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A Song Of Despair

The memory of you emerges from the night around me.
The river mingles its stubborn lament with the sea.

Deserted like the wharves at dawn.
It is the hour of departure, oh deserted one!

Cold flower heads are raining over my heart.
Oh pit of debris, fierce cave of the shipwrecked.

In you the wars and the flights accumulated.
From you the wings of the song birds rose.

You swallowed everything, like distance.
Like the sea, like time. In you everything sank!

It was the happy hour of assault and the kiss.

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