I

The bronze General Grant riding a bronze horse in Linc-
oln Park
Shrivels in the sun by day when the motor cars whirr
by in long processions going somewhere to keep ap-
pointment for dinner and matineés and buying and
selling
Though in the dusk and nightfall when high waves are
piling
On the slabs of the promenade along the lake shore near
by
I have seen the general dare the combers come closer
And make to ride his bronze horse out into the hoofs
and guns of the storm.

II

Under Grand Central's tattered vault
--maybe half a dozen electric stars still lit--
one saxophone blew, and a sheer black scrim

billowed over some minor constellation
under repair. Then, on Broadway, red wings
in a storefront tableau, lustrous, the live macaws

preening, beaks opening and closing
like those animated knives that unfold all night
in jewelers' windows. For sale,

glass eyes turned outward toward the rain,
the birds lined up like the endless flowers
and cheap gems, the makeshift tables

". . . and will supply details to guard the Blood River Bridge." District Orders-Lines of Communication, South African War.


Sudden the desert changes,
The raw glare softens and clings,
Till the aching Oudtshoorn ranges
Stand up like the thrones of Kings --

Ramparts of slaughter and peril --
Blazing, amazing, aglow --
'Twixt the sky-line's belting beryl
And the wine-dark flats below.

Royal the pageant closes,
Lit by the last of the sun --
Opal and ash-of-roses,
Cinnamon, umber, and dun.

All those times I was bored
out of my mind. Holding the log
while he sawed it. Holding
the string while he measured, boards,
distances between things, or pounded
stakes into the ground for rows and rows
of lettuces and beets, which I then (bored)
weeded. Or sat in the back
of the car, or sat still in boats,
sat, sat, while at the prow, stern, wheel
he drove, steered, paddled. It
wasn't even boredom, it was looking,
looking hard and up close at the small
details. Myopia. The worn gunwales,
the intricate twill of the seat

We've travelled per Joe Gardiner, a humping of our swag
In the country of the Gidgee and Belar.
We've swum the Di'mantina with our raiment in a bag,
And we've travelled per superior motor car,
But when we went to Germany we hadn't any choice,
No matter what our training or pursuits,
For they gave us no selection 'twixt a Ford or Rolls de Royce
So we did it in our good Australian boots.
They called us "mad Australians"; they couldn't understand
How officers and men could fraternise,

In Dublin town I was brought up, in that city of great fame.
My decent friends and parents, they will tell to you the same.
It was for the sake of five hundred pounds I was sent across the main,
For seven long years in New South Wales to wear a convict's chain.
Chorus: Then come, my hearties, we'll roam the mountains high,
Together we will plunder, together we will die.
We'll wander over valleys, and gallop over plains,
For we scorn to live in slavery, bound down in iron chains.

'Twas of a valiant highwayman and outlaw of disdain
Who'd scorn to live in slavery or wear a convicts chain;
His name it was Jack Donahoe of courage and renown -
He'd scorn to live in slavery or humble to the Crown.
This bold, undaunted highwayman, as you may understand,
Was banished for his natural life from Erin's happy land.
In Dublin city of renoun, where his first breath he drew,
It's there they titled him the brave and bold Jack Donahoe.
He scarce had been a twelvemonth on the Australian shore,

I waited today for a freight train to pass.
Cattle cars with steers butting their horns against the
bars, went by.
And a half a dozen hoboes stood on bumpers between
cars.
Well, the cattle are respectable, I thought.
Every steer has its transportation paid for by the farmer
sending it to market,
While the hoboes are law-breakers in riding a railroad
train without a ticket.
It reminded me of ten days I spent in the Allegheny
County jail in Pittsburgh.
I got ten days even though I was a veteran of the

The body man is in a job
That he's been in for years.
He gets it done, as they all do,
With muscle, sweat.... and beers.

Well, first he checks the damage done,
And tallies up the count;
Then writes it down and shows us how
It dents our bank account.

The craftsman, the mechanic,
And the artist do their thing.
The painter sprays and touches up
The job with coloring.

Each one will set his private pride
On everything he does.
In answer to my question, 'Why? '
He shrugs, ' Well, just because.'

I stopped the car
to let the children down
where the streets end
in the sun
at the marsh edge
and the reeds begin
and there are small houses
facing the reeds
and the blue mist in the distance
with grapevine trellises
with grape clusters
small as strawberries
on the vines
and ditches
running springwater
that continue the gutters
with willows over them.
The reeds begin
like water at a shore
their pointed petals waving
dark green and light.
But blueflags are blossoming