OH! listen to the tale of little ANNIE PROTHEROE.
She kept a small post-office in the neighbourhood of BOW;
She loved a skilled mechanic, who was famous in his day -
A gentle executioner whose name was GILBERT CLAY.

I think I hear you say, "A dreadful subject for your rhymes!"
O reader, do not shrink - he didn't live in modern times!
He lived so long ago (the sketch will show it at a glance)
That all his actions glitter with the lime-light of Romance.

In busy times he laboured at his gentle craft all day -

Annie Marshall was a foundling, and lived in Downderry,
And was trained up by a coast-guardsman, kind-hearted and merry
And he loved Annie Marshall as dear as his life,
And he resolved to make her his own loving wife.

The night was tempestuous, most terrific, and pitch dark,
When Matthew Pengelly rescued Annie Marshall from an ill-fated barque,
But her parents were engulfed in the briny deep,
Which caused poor Annie at times to sigh and weep.

One day Matthew asked Annie if she would be his wife,

It's wonderful how I jog
on four honed-down ivory toes
my massive buttocks slipping
like oiled parts with each light step.

I'm to market. I can smell
the sour, grooved block, I can smell
the blade that opens the hole
and the pudgy white fingers

that shake out the intestines
like a hankie. In my dreams
the snouts drool on the marble,
suffering children, suffering flies,

suffering the consumers
who won't meet their steady eyes
for fear they could see. The boy
who drives me along believes

My brother Andy said, that for a soldier he would go,
So great excitement came upon the house of McElroe.
My father sold a bog-hole to equip him for the war.
And my mother sold the cushions of her Sunday jaunting car.
And when brave Andy reach'd the front, 'twas furious
work he made,
They appointed him a private in the Crocodile Brigade.
The sound of Andy's battle cry struck terror thro' the foe.
His foot was on the desert and his name was McElroe.
At least that's what the letter said that came across the foam.

At the noisy end of the cafe, head bent
over the table, an old man sits alone,
a newspaper in front of him.

And in the miserable banality of old age
he thinks how little he enjoyed the years
when he had strength, eloquence, and looks.

He knows he's aged a lot: he sees it, feels it.
Yet it seems he was young just yesterday.
So brief an interval, so brief.

And he thinks of Prudence, how it fooled him,
how he always believed - what madness -
that cheat who said: "Tomorrow. You have plenty of time."

After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted negro regiment, the Fifty-fourth Massachusetts.


I

Before the solemn bronze Saint Gaudens made
To thrill the heedless passer's heart with awe,
And set here in the city's talk and trade
To the good memory of Robert Shaw,
This bright March morn I stand,
And hear the distant spring come up the land;
Knowing that what I hear is not unheard
Of this boy soldier and his negro band,

(SAINT HELENA, 1821)


Take it away, and swallow it yourself.
Ha! Look you, there’s a rat.
Last night there were a dozen on that shelf,
And two of them were living in my hat.
Look! Now he goes, but he’ll come back—
Ha? But he will, I say …
Il reviendra-z-à Pâques,
Ou à la Trinité …
Be very sure that he’ll return again;
For said the Lord: Imprimis, we have rats,
And having rats, we have rain.—
So on the seventh day
He rested, and made Pain.
—Man, if you love the Lord, and if the Lord

Not yet!

I thought this time 'twas done at last,
the workings perfected, the life in it;
and there's the flaw again, the petty flaw,
the fretting small impossibility
that has to be made possible.

To work!
so many more months lost on a wrong tack;
and months and months may so be lost again,
who knows? until they swell a tale of years
counted by failures. No time to sit down
with folded arms to moan for the spent toil,
for on, on, glide the envious treacherous hours
that bring at last the night when none can work;

After all the Shakespeare, the book
of poems they type is the saddest
in history.

But before they can finish it,
they have to wait for that Someone
who is always

looking to look away. Only then
can they strike the million
keys that spell

humiliation and grief, which are
the great subjects of Monkey
Literature

and not, as some people still
believe, the banana
and the tire.

Early March.
The cold beach deserted. My kids
home in a bare house, bundled up
and listening to rock music
pirated from England. My wife
waiting for me in a bar, alone
for an hour over her sherry, and none
of us knows why I have to pace
back and forth on this flat
and birdless stretch of gleaming sand
while the violent air shouts
out its rags of speech. I recall
the calm warm sea of Florida
30 years ago, and my brother
and I staring out in the hope
that someone known and loved