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Too Late

Had we but met in other days,
Had we but loved in other ways,
Another light and hope had shone
On your life and my own.

In sweet but hopeless reveries
I fancy how your wistful eyes
Had saved me, had I known their power
In fate's imperious hour;

How loving you, beloved of God,
And following you, the path I trod
Had led me, through your love and prayers,
To God's love unawares:

And how our beings joined as one
Had passed through checkered shade and sun,
Until the earth our lives had given,

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Tomb of Iases

Iases here I lie. To whom this proud
City for youth and beauty gave much fame.
The learned wise admired me, and the crowd
Of simpletons. From both I had the same

Joy. But the Hermes and Narcissus fashion
Wasted and killed me. Traveller, you will not blame,
If Alexandrian. You know the passion
Of our life here, the pleasure and the flame.

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To What Serves Mortal Beauty

To what serves mortal beauty ' —dangerous; does set danc-
ing blood—the O-seal-that-so ' feature, flung prouder form
Than Purcell tune lets tread to? ' See: it does this: keeps warm
Men’s wits to the things that are; ' what good means—where a glance
Master more may than gaze, ' gaze out of countenance.
Those lovely lads once, wet-fresh ' windfalls of war’s storm,
How then should Gregory, a father, ' have gleanèd else from swarm-
ed Rome? But God to a nation ' dealt that day’s dear chance.
To man, that needs would worship ' block or barren stone,

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To This Moment a Rebel

To this moment a rebel I throw down my arms,
Great Love, at first sight of Olinda's bright charms.
Make proud and secure by such forces as these,
You may now play the tyrant as soon as you please.

When Innocence, Beauty, and Wit do conspire
To betray, and engage, and inflame my Desire,
Why should I decline what I cannot avoid?
And let pleasing Hope by base Fear be destroyed?

Her innocence cannot contrive to undo me,
Her beauty's inclined, or why should it pursue me?
And Wit has to Pleasure been ever a friend,

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To This Moment a Rebel

I

To this moment a rebel I throw down my arms,
Great Love, at first sight of Olinda's bright charms.
Make proud and secure by such forces as these,
You may now play the tyrant as soon as you please.
II
When Innocence, Beauty, and Wit do conspire
To betray, and engage, and inflame my Desire,
Why should I decline what I cannot avoid?
And let pleasing Hope by base Fear be destroyed?
III
Her innocence cannot contrive to undo me,
Her beauty's inclined, or why should it pursue me?
And Wit has to Pleasure been ever a friend,

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To the United States of America

Brothers in blood! They who this wrong began
To wreck our commonwealth, will rue the day
When first they challenged freeman to the fray,
And with the Briton dared the American.
Now are we pledged to win the Rights of man:
Labour and Justice now shall have their way,
And in a League of Peace -- God grant we may --
Transform the earth, not patch up the old plan.

Sure is our hope since he who led your nation
Spake for mankind, and ye arose in awe
Of that high call to work the world's salvation;

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To The Pious Memory Of The Accomplished Young Lady Mrs. Anne Killigrew

Thou youngest virgin-daughter of the skies,
Made in the last promotion of the Blest;
Whose palms, new pluck'd from Paradise,
In spreading branches more sublimely rise,
Rich with immortal green above the rest:
Whether, adopted to some neighbouring star,
Thou roll'st above us, in thy wand'ring race,
Or, in procession fix'd and regular,
Mov'd with the Heavens' majestic pace:
Or, call'd to more superior bliss,
Thou tread'st, with seraphims, the vast abyss.
What ever happy region is thy place,

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To the Painter Preparing to Draw M.M.H

Be not too forward, painter; 'tis
More for thy fame, and art, to miss
All other faces, than come near
The Lady, that expecteth here.
Be wise, and think it less disgrace
To draw an angel, than her face;
For in such forms, who is so wise
To tell thee where thy error lies?
But since all beauty (that is known)
Is in her virgin sweetness one,
How can it be, that painting her
But every look should make thee err?
But thou art resolute I see;
Yet let my fancy walk with thee:
Compose a ground more dark and sad,

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To The Painter Of An Ill-drawn Picture of Cleone

Sooner I'd praise a Cloud which Light beguiles,
Than thy rash Hand which robs this Face of Smiles;
And does that sweet and pleasing Air control,
Which to us paints the fair CLEONE's Soul.
'Tis vain to boast of Rules or labour'd Art;
I miss the Look that captivates my Heart,
Attracts my Love, and tender Thoughts inspires;
Nor can my Breast be warm'd by common Fires;
Nor can ARDELIA love but where she first admires.
Like Jupiter's, thy Head was sure in Pain
When this Virago struggl'd in thy Brain;

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To the Old Gods

O YE, who rode the gales of Sicily,
Sandalled with flame,
Spread on the pirate winds; o ye who broke
No wind-flower as ye came--
Though Pelion shivered when the thunder spoke
The gods' decree!--

Into the twilight of the ancient days
Have not ye flown!--
Ye, whom the happy Greeks inspired hand
Struck from the frenzied stone:
That, ye withdrawn, your images should stand
To take their praise.

Smeared into clay, and frozen into stone!
Ye, that do now
Face eyes unworshipful in plunder's halls,

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