Thou art the goal for which my spirit longs;
As dove on dove,
Bound for one home, I send thee all my songs
With all my love.

Thou art the haven with fair harbour lights;
Safe locked in thee,
My heart would anchor after stormful nights
Alone at sea.

Thou art the rest of which my life is fain,
The perfect peace;
Absorbed in thee the world, with all its pain
And toil, would cease.

Thou art the heaven to which my soul would go!
O dearest eyes,
Lost in your light you would turn hell below
To Paradise.

If I were gusty April now,
How I would blow at laughing Rose;
I'd make her ribbons slip their knots,
And all her hair come loose.

If I were merry April now,
How I would pelt her cheeks with showers;
I'd make carnations, rich and warm,
Of her vermillion flowers.

Since she will laugh in April's face
No matter how he rains or blows --
Then O that I wild April were,
To play with laughing Rose.

Tell you what I like the best --
'Long about knee-deep in June,
'Bout the time strawberries melts
On the vine, -- some afternoon
Like to jes' git out and rest,
And not work at nothin' else!

Orchard's where I'd ruther be --
Needn't fence it in fer me! --
Jes' the whole sky overhead,
And the whole airth underneath --
Sort o' so's a man kin breathe
Like he ort, and kind o' has
Elbow-room to keerlessly
Sprawl out len'thways on the grass
Where the shadders thick and soft
As the kivvers on the bed

XLVI
Three times he strove to view Heaven's golden ray,
And raised him on his feeble elbow thrice,
And thrice he tumbled on the lowly lay,
And three times closed again his dying eyes,
He speaks no word, yet makes his signs to pray;
He sighs, he faints, he groans, and then he dies;
Argantes proud to spoil the corpse disdained,
But shook his sword with blood of Dudon stained.

XLVII
And turning to the Christian knights, he cried:
"Lordlings, behold, this bloody reeking blade
Last night was given me by your noble guide,

January jumps about
in the frying pan
trying to heat
his frozen feet
like a Canadian.

February scuttles under
any dish's lid
and she thinks she's dry because she's
thoroughly well hid
but it still rains all month long
and it always did.

March sits in the bath tub
with the taps turned on.
Hot and cold, cold or not,
Has the Winter gone?
In like a lion, out like a lamb
March on, march on, march on.

April slips about
sometimes indoors
and sometimes out
sometimes sheltering from a little

BE HIS rest the rest he sought:
Calm and deep.
Let no wayward word or thought
Vex his sleep.
Peace—the peace that no man knows—
Now remains
Where the wasted woodwind blows,
Wakes and wanes.

Latter leaves, in Autumn’s breath,
White and sere,
Sanctify the scholar’s death,
Lying here.

Soft surprises of the sun—
Swift, serene—
O’er the mute grave-grasses run,
Cold and green.

Wet and cold the hillwinds moan;
Let them rave!

It was an April morning: fresh and clear
The Rivulet, delighting in its strength,
Ran with a young man's speed; and yet the voice
Of waters which the winter had supplied
Was softened down into a vernal tone.
The spirit of enjoyment and desire,
And hopes and wishes, from all living things
Went circling, like a multitude of sounds.
The budding groves seemed eager to urge on
The steps of June; as if their various hues
Were only hindrances that stood between
Them and their object: but, meanwhile, prevailed

I traced the Circus whose gray stones incline
Where Rome and dim Etruria interjoin,
Till came a child who showed an ancient coin
That bore the image of a Constantine.

She lightly passed; nor did she once opine
How, better than all books, she had raised for me
In swift perspective Europe's history
Through the vast years of Caesar's sceptred line.

For in my distant plot of English loam
'Twas but to delve, and straightway there to find
Coins of like impress. As with one half blind

CHORUS
Come we shepherds whose blest sight
Hath met love's noon in nature's night;
Come lift we up our loftier song
And wake the sun that lies too long.

To all our world of well-stol'n joy
He slept, and dreamt of no such thing,
While we found out heav'n's fairer eye,
And kiss'd the cradle of our King.
Tell him he rises now too late
To show us aught worth looking at.

Tell him we now can show him more
Than he e'er show'd to mortal sight,
Than he himself e'er saw before,

Is it, then, regret for buried time
That keenlier in sweet April wakes,
And meets the year, and gives and takes
The colours of the crescent prime?
Not all: the songs, the stirring air,
The life re-orient out of dust,
Cry thro' the sense to hearten trust
In that which made the world so fair.
Not all regret: the face will shine
Upon me, while I muse alone;
And that dear voice, I once have known,
Still speak to me of me and mine:

Yet less of sorrow lives in me