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Sacrifices

All winter the fire devoured everything --
tear-stained elegies, old letters, diaries, dead flowers.
When April finally arrived,
I opened the woodstove one last time
and shoveled the remains of those long cold nights
into a bucket, ash rising
through shafts of sunlight,
as swirling in bright, angelic eddies.
I shoveled out the charred end of an oak log,
black and pointed like a pencil;
half-burnt pages
sacrificed
in the making of poems;
old, square handmade nails
liberated from weathered planks
split for kindling.

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Roundel

If he could know my songs are all for him,
At silver dawn or in the evening glow,
Would he not smile and think it but a whim,
If he could know?

Or would his heart rejoice and overflow,
As happy brooks that break their icy rim
When April's horns along the hillsides blow?

I may not speak till Eros' torch is dim,
The god is bitter and will have it so;
And yet to-night our fate would seem less grim
If he could know.

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Roses and Rue

Could we dig up this long-buried treasure,
Were it worth the pleasure,
We never could learn love's song,
We are parted too long

Could the passionate past that is fled
Call back its dead,
Could we live it all over again,
Were it worth the pain!

I remember we used to meet
By an ivied seat,
And you warbled each pretty word
With the air of a bird;

And your voice had a quaver in it,
Just like a linnet,
And shook, as the blackbird's throat
With its last big note;

And your eyes, they were green and grey

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Rome Building a New Street in the Ancient Quarter April, 1887

These numbered cliffs and gnarls of masonry
Outskeleton Time's central city, Rome;
Whereof each arch, entablature, and dome
Lies bare in all its gaunt anatomy.

And cracking frieze and rotten metope
Express, as though they were an open tome
Top-lined with caustic monitory gnome;
"Dunces, Learn here to spell Humanity!"

And yet within these ruins' very shade
The singing workmen shape and set and join
Their frail new mansion's stuccoed cove and quoin
With no apparent sense that years abrade,

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Rom On the Palatine April, 1887

We walked where Victor Jove was shrined awhile,
And passed to Livia's rich red mural show,
Whence, thridding cave and Criptoportico,
We gained Caligula's dissolving pile.

And each ranked ruin tended to beguile
The outer sense, and shape itself as though
It wore its marble hues, its pristine glow
Of scenic frieze and pompous peristyle.

When lo, swift hands, on strings nigh over-head,
Began to melodize a waltz by Strauss:
It stirred me as I stood, in Caesar's house,
Raised the old routs Imperial lyres had led,

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Riot Act, April 29, 1992

I'm going out and get something.
I don't know what.
I don't care.
Whatever's out there, I'm going to get it.
Look in those shop windows at boxes
and boxes of Reeboks and Nikes
to make me fly through the air
like Michael Jordan
like Magic.
While I'm up there, I see Spike Lee.
Looks like he's flying too
straight through the glass
that separates me
from the virtual reality
I watch everyday on TV.
I know the difference between
what it is and what it isn't.
Just because I can't touch it
doesn't mean it isn't real.

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Requiescant

In lonely watches night by night
Great visions burst upon my sight,
For down the stretches of the sky
The hosts of dead go marching by.

Strange ghostly banners o’er them float,
Strange bugles sound an awful note,
And all their faces and their eyes
Are lit with starlight from the skies.

The anguish and the pain have passed
And peace hath come to them at last,
But in the stern looks linger still
The iron purpose and the will.

Dear Christ, who reign’st above the flood
Of human tears and human blood,

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Rendezvous

Long before the dawn breaks

With a bird's cry,

I'll be hustling on the wind

Out where you lie -

Hurrying to our rendezvous

Under the April sky.

I'll step from out the sea again

To the shoulder of the land,

And pass the dead boy where he lies

Prone on the tideless strand,

Treading lightly lest I move

His fingers in the sand.

Do you remember how you stopped

After the sudden climb,

Sniffing the air as one who comes

On a holy thing sublime?

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Remorse

That scathing word I used in scorn
(Though half a century ago)
Comes back to me this April morn,
Like boomerang to work me woe;
Comes back to me with bitter blame
(Though apple boughs are blossoming),
And oh! the anguish of my shame
Is sharper than a serpent's sting!

Age sensitizes us to pain,
And when remembrance of some word
We spoke in wrath return again,
It stab is like a driven sword. . . .
And if in some celestial span
Our hearts in penitence may bleed
For all the hurt we've done to man -

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Rainy Night

Ghosts of all my lovely sins,
Who attend too well my pillow,
Gay the wanton rain begins;
Hide the limp and tearful willow.

Turn aside your eyes and ears,
Trail away your robes of sorrow,
You shall have my further years-
You shall walk with me tomorrow.

I am sister to the rain;
Fey and sudden and unholy,
Petulant at the windowpane,
Quickly lost, remembered slowly.

I have lived with shades, a shade;
I am hung with graveyard flowers.
Let me be tonight arrayed
In the silver of the showers.

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