alone

"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.

And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."

Hear I the creaking gate unclose?
The gleaming latch uplifted?
No--'twas the wind that, whirring, rose,
Amidst the poplars drifted!
Adorn thyself, thou green leaf-bowering roof,
Destined the bright one's presence to receive,
For her, a shadowy palace-hall aloof
With holy night, thy boughs familiar weave.
And ye sweet flatteries of the delicate air,
Awake and sport her rosy cheek around,
When their light weight the tender feet shall bear,
When beauty comes to passion's trysting-ground.

So it is the duty of the artist to discourage all traces of shame
To extend all boundaries
To fog them in right over the plate
To kill only what is ridiculous
To establish problem
To ignore solutions
To listen to no one
To omit nothing
To contradict everything
To generate the free brain
To bear no cross
To take part in no crucifixion
To tinkle a warning when mankind strays
To explode upon all parties
To wound deeper than the soldier
To heal this poor obstinate monkey once and for all

How gracefully, O man, with thy palm-bough,
Upon the waning century standest thou,
In proud and noble manhood's prime,
With unlocked senses, with a spirit freed,
Of firmness mild,--though silent, rich in deed,
The ripest son of Time,
Through meekness great, through precepts strong,
Through treasures rich, that time had long
Hid in thy bosom, and through reason free,--
Master of Nature, who thy fetters loves,
And who thy strength in thousand conflicts proves,
And from the desert soared in pride with thee!

If you ask him he will talk for hours--
how at fourteen he hammered signs, fingers
raw with cold, and later painted bowers
in ladies' boudoirs; how he played checkers
for two weeks in jail, and lived on dark bread;
how he fled the border to a country
which disappeared wars ago; unfriended
crossed a continent while this century
began. He seldom speaks of painting now.
Young men have time and theories; old men work.
He has painted countless portraits. Sallow
nameless faces, made glistening in oil, smirk

...Short partings do best, though: time wears out affections,
The absent love fades, a new one takes its place.
With Menelaus away, Helen's disinclination for sleeping
Alone led her into her guest's
Warm bed at night. Were you crazy, Menelaus?
Why go off leaving your wife
With a stranger in the house? Do you trust doves to falcons,
Full sheepfolds to mountain wolves?
Here Helen's not at fault, the adulterer's blameless -
He did no more than you, or any man else,
Would do yourself. By providing place and occasion

For Robert Lowell

This is the time of year
when almost every night
the frail, illegal fire balloons appear.
Climbing the mountain height,

rising toward a saint
still honored in these parts,
the paper chambers flush and fill with light
that comes and goes, like hearts.

Once up against the sky it's hard
to tell them from the stars--
planets, that is--the tinted ones:
Venus going down, or Mars,

or the pale green one. With a wind,
they flare and falter, wobble and toss;

'Tis true I write and tell me by what Rule
I am alone forbid to play the fool
To follow through the Groves a wand'ring Muse
And fain'd Idea's for my pleasures chuse
Why shou'd it in my Pen be held a fault
Whilst Mira paints her face, to paint a thought
Whilst Lamia to the manly Bumper flys
And borrow'd Spiritts sparkle in her Eyes
Why shou'd itt be in me a thing so vain
To heat with Poetry my colder Brain?
But I write ill and there-fore shou'd forbear
Does Flavia cease now at her fortieth year

That which Grecian art created,
Let the Frank, with joy elated,
Bear to Seine's triumphant strand,
And in his museums glorious
Show the trophies all-victorious
To his wondering fatherland.

They to him are silent ever,
Into life's fresh circle never
From their pedestals come down.
He alone e'er holds the Muses
Through whose breast their power diffuses,--
To the Vandal they're but stone!

DAN CUPID, though the god of soft amour,
In ev'ry age works miracles a store;
Can Catos change to male coquets at ease;
And fools make oracles whene'er he please;
Turn wolves to sheep, and ev'ry thing so well,
That naught remains the former shape to tell:
Remember, Hercules, with wond'rous pow'r,
And Polyphemus, who would men devour:
The one upon a rock himself would fling,
And to the winds his am'rous ditties sing;
To cut his beard a nymph could him inspire;
And, in the water, he'd his face admire.