This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns—
O, any number—it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.

This is her room. On one side there is music—
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,

Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?

You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .

. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.

Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown

I paced alone on the road across the field while the sunset was
hiding its last gold like a miser.
The daylight sank deeper and deeper into the darkness, and the
widowed land, whose harvest had been reaped, lay silent.
Suddenly a boy's shrill voice rose into the sky. He traversed
the dark unseen, leaving the track of his song across the hush of
the evening.
His village home lay there at the end of the waste land,
beyond the sugar-cane field, hidden among the shadows of the banana

I threatened to observe the strict decree
Of my deare God with all my power and might:
But I was told by one, `It could not be;
Yet I might trust in God to be my light.'

`Then will I trust,' said I, `in Him alone.'
`Nay, ev'n to trust in Him, was also His:
We must confesse that nothing is our own.'
`Then I confesse that He my succour is.'

`But to have nought is ours, not to confesse
That we have nought.' I stood amaz'd at this,
Much troubled, till I heard a friend expresse
That all things were more ours by being His:

You speak to me, but does your speech
With truest truth your thought convey?
I listen to your words and each
Is what I wait to hear you say.
The pattern that your lips reveal,
How does it measure with your mind?
What undertones do you conceal?
Your smile is sweet - but what's behind?

I speak to you, but do I tell
The secret working of my brain?
Frank honesty would make life hell,
And truth be tantamount to pain.
When deep into the mind one delves,
Appalling verities we view;
If we betrayed our inner selves,

A milk-white Hind, immortal and unchang'd,
Fed on the lawns, and in the forest rang'd;
Without unspotted, innocent within,
She fear'd no danger, for she knew no sin.
Yet had she oft been chas'd with horns and hounds
And Scythian shafts; and many winged wounds
Aim'd at her heart; was often forc'd to fly,
And doom'd to death, though fated not to die.

Not so her young; for their unequal line
Was hero's make, half human, half divine.
Their earthly mold obnoxious was to fate,

O wonderful! How liquid clear
The molten gold of that ethereal tone,
Floating and falling through the wood alone,
A hermit-hymn poured out for God to hear!
0 holy, holy, holy! Hyaline,
Long light, low light, glory of eventide!
Love far away, far up. -- up, -- love divine!
Little love, too, for ever, ever, near,
Warm love, earth love, tender love of mine,
In the leafy dark where you hide,
You are mine, -- mine, -- mine!

Ah, my belovèd, do you feel with me
The hidden virtue of that melody,
The rapture and the purity of love,

WHAT moves that lonely man is not the boom
Of waves that break agains the cliff so strong;
Nor roar of thunder, when that travelling voice
Is caught by rocks that carry far along.

'Tis not the groan of oak tree i its prime,
When lightning strikes its solid heart to dust;
Nor frozen pond when, melted by the sun,
It suddenly doth break its sparkling crust.

What moves that man is when the blind bat taps
His window when he sits alone at night;
Or when the small bird sounds like some great beast