Initial Love

Venus, when her son was lost,
Cried him up and down the coast,
In hamlets, palaces, and parks,
And told the truant by his marks,
Golden curls, and quiver, and bow;—
This befell long ago.
Time and tide are strangely changed,
Men and manners much deranged;
None will now find Cupid latent
By this foolish antique patent.
He came late along the waste,
Shod like a traveller for haste,
With malice dared me to proclaim him,
That the maids and boys might name him.

Boy no more, he wears all coats,


Isaiah LXIII

Say, heav'nly muse, what king or mighty God,
That moves sublime from Idumea's road?
In Bosrah's dies, with martial glories join'd,
His purple vesture waves upon the wind.
Why thus enrob'd delights he to appear
In the dread image of the Pow'r of war?
Compres'd in wrath the swelling wine-press groan'd,
It bled, and pour'd the gushing purple round.

"Mine was the act," th' Almighty Saviour said,
And shook the dazzling glories of his head,
"When all forsook I trod the press alone,


Isabella or The Pot of Basil

I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,


Irregular Verses to Truth

Written at Fourteen Years of Age.


Where, lovely Goddess, dost thou dwell?
In what remote and silent shade?
Within what cave or lonely cell?
With what old hermit, or unpractis'd maid?
In vain I've sought thee all around,
But thy unfashionable sound
In crowds was never heard,
Nor ever has thy form in town or court appear'd.

The sanctuary is not safe to thee,
Chas'd thence by endless mystery;
Thy own professors chase thee thence,
And wage eternal war with thee and sense;


Irish Peasant Song

I try to knead and spin, but my life is low the while.
Oh, I long to be alone, and walk abroad a mile;
Yet if I walk alone, and think of naught at all,
Why from me that's young should the wild tears fall?

The shower-sodden earth, the earth-colored streams,
They breathe on me awake, and moan to me in dreams,
And yonder ivy fondling the broke castle-wall,
It pulls upon my heart till the wild tears fall.

The cabin-door looks down a furze-lighted hill,
And far as Leighlin Cross the fields are green and still;


Invitation to the Voyage

Imagine, ma petite,
Dear sister mine, how sweet
Were we to go and take our pleasure
Leisurely, you and I—
To lie, to love, to die
Off in that land made to your measure!
A land whose suns' moist rays,
Through the skies' misty haze,
Hold quite the same dark charms for me
As do your scheming eyes
When they, in their like wise,
Shine through your tears, perfidiously.

There all is order, naught amiss:
Comfort and beauty, calm and bliss.

Treasure galore—ornate,
Time-glossed—would decorate


Invita Minerva

Not of desire alone is music born,
Not till the Muse wills is our passion crowned;
Unsought she comes; if sought, but seldom found,
Repaying thus our longing with her scorn.
Hence is it poets often are forlorn,
In super-subtle chains of silence bound,
And mid the crowds that compass them around
Still dwell in isolation night and morn,
With knitted brow and cheek all passion-pale
Showing the baffled purpose of the mind.
Hence is it I, that find no prayers avail
To move my Lyric mistress to be kind,


Interregnum

Butcher the evil millionaire, peasant,
And leave him stinking in the square.
Torture the chancellor. Leave the ambassador
Strung by his thumbs from the pleasant
Embassy wall, where the vines were.
Then drill your hogs and sons for another war.

Fire on the screaming crowd, ambassador,
Sick chancellor, brave millionaire,
And name them by the name that is your name.
Give privilege to the wound, and maim
The last resister. Poison the air
And mew for peace, for order, and for war.


Interpretation Ravel's Bolero

Softly, slyly, flute and drum begin to weave their net
Of notes; the slow seductive beat evokes the stomp of gypsy feet
Inside some smoky dim cantina, where a woman's silhouette
Is dancing with abandon to the pulsing, pounding theme
Of the flamenco or fandango...the bolero or beguine.
It's unremitting rhythm, darkly sensual in tone,
Restrains a fierce and frenzied spirit in it's own
Measured meter...persistent and alone
Beneath the sultry overtones
Of the trumpets and trombones,


Inspiration

Whate'er we leave to God, God does,
And blesses us;
The work we choose should be our own,
God leaves alone.

If with light head erect I sing,
Though all the Muses lend their force,
From my poor love of anything,
The verse is weak and shallow as its source.

But if with bended neck I grope
Listening behind me for my wit,
With faith superior to hope,
More anxious to keep back than forward it;

Making my soul accomplice there
Unto the flame my heart hath lit,


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