Propped on a stick he viewed the August weald;
Squat orchard trees and oasts with painted cowls;
A homely, tangled hedge, a corn-stalked field,
And sound of barking dogs and farmyard fowls.

And he’d come home again to find it more
Desirable than ever it was before.
How right it seemed that he should reach the span
Of comfortable years allowed to man!
Splendid to eat and sleep and choose a wife,
Safe with his wound, a citizen of life.
He hobbled blithely through the garden gate,

She sits in her glass garden
and awaits the guests -
The sailor with the blue tangerines
the fish clothed in languages
the dolphin with a revolver in its teeth.

Dusk enters from stage left:
its voice falls like dew on the arbor.
Tiny bells
sway in the catalpa tree.

What is it she hopes to catch in her net
of love? Petals? Conch-shells?
The night-moth? She does not speak.
Tonight, I tell her, no one comes;
you wait in vain.

Yet at eight precisely
the moon opens its theatric doors,

Save for a lusterless honing-stone of moon
The sky stretches its flawless canopy
Blue as the blue silk of the Jewish flag
Over the valley and out to sea.
It is bluest just above the olive tree.
You cannot find in twisted Italy
So straight a one; it stands not on a crag,
Is not humpbacked with bearing in scored stone,
But perfectly erect in my front yard,
Oblivious of its fame. The fruit is hard,
Multitudinous, acid, tight on the stem;
The leaves ride boat-like in the brimming sun,
Going nowhere and scooping up the light.

(Rainer Maria Rilke)

He went up under the gray leaves
All gray and lost in the olive lands
And laid his forehead, gray with dust,
Deep in the dustiness of his hot hands.
After everything this. And this was the end.
-- Now I must go, as I am going blind.
And why is it Thy will that I must say
Thou art, when I myself no more can find Thee.
I find Thee no more. Not in me, no.
Not in others. Not in this stone,
I find Thee no more. I am alone.
I am alone with all men's sorrow --
All that, through Thee, I thought to lighten,

He sat beneath the curling vines
That round the gay verandah twined,
His forehead seamed with sorrow’s lines,
An old man with a weary mind.

His young wife, with a rosy face
And brown arms ambered by the sun,
Went flitting all about the place—
Master and mistress both in one.

What caused that old man’s look of care?
Was she not blithe and fair to see?
What blacker than her raven hair,
What darker than her eyes might be?

The old man bent his weary head;
The sunlight on his gray hair shone;

He's an old grey horse, with his head bowed sadly,
   And with dim old eyes and a queer roll aft,
With the off-fore sprung and the hind screwed badly,
   And he bears all over the brands of graft;
And he lifts his head from the grass to wonder
   Why by night and day the whim is still,
Why the silence is, and the stampers' thunder
   Sounds forth no more from the shattered mill.

In that whim he worked when the night winds bellowed

The sheep were shorn and the wool went down
At the time of our local racing;
And I'd earned a spell -- I was burnt and brown --
So I rolled my swag for a trip to town
And a look at the steeplechasing.
Twas rough and ready--an uncleared course
As rough as the blacks had found it;
With barbed-wire fences, topped with gorse,
And a water-jump that would drown a horse,
And the steeple three times round it.

There was never a fence the tracks to guard, --
Some straggling posts defined 'em:

1 Oh! the old swimmin'-hole! whare the crick so still and deep
2 Looked like a baby-river that was laying half asleep,
3 And the gurgle of the worter round the drift jest below
4 Sounded like the laugh of something we onc't ust to know
5 Before we could remember anything but the eyes
6 Of the angels lookin' out as we left Paradise;
7 But the merry days of youth is beyond our controle,
8 And it's hard to part ferever with the old swimmin'-hole.

9 Oh! the old swimmin'-hole! In the happy days of yore,

Make it where the winds may sweep
Through the pine boughs soft and deep,
And the murmur of the sea
Come across the orient lea,
And the falling raindrops sing
Gently to his slumbering.

Make it where the meadows wide
Greenly lie on every side,
Harvest fields he reaped and trod,
Westering slopes of clover sod,
Orchard lands where bloom and blow
Trees he planted long ago.

Make it where the starshine dim
May be always close to him,
And the sunrise glory spread
Lavishly around his bed.

DEAR old road, wheel-worn and broken,
Winding through the forest green,
Barred with shadows and with sunshine,
Misty vistas drawn between.
Grim, scarred bluegums ranged austerely,
Lifting blackened columns each
To the large, fair fields of azure,
Stretching ever out of reach.
See the hardy bracken growing
Round the fallen limbs of trees;
And the sharp reeds from the marshes,
Washed across the flooded leas;
And the olive rushes, leaning
All their pointed spears to cast
Slender shadows on the roadway,