The Kingdom of heaven is like unto a merchant man,
seeking goodly pearls; who, when he had found one,
sold all that he had and bought it.—Matthew 13.45


I know the ways of Learning; both the head
And pipes that feed the press, and make it run;
What reason hath from nature borrowed,
Or of itself, like a good huswife, spun
In laws and policy; what the stars conspire,
What willing nature speaks, what forced by fire;
Both th' old discoveries, and the new-found seas,
The stock and surplus, cause and history:

When Music, heav'nly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Throng'd around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting;
By turns they felt the glowing mind
Disturb'd, delighted, rais'd, refin'd:
Till once, 'tis said, when all were fir'd,
Fill'd with fury, rapt, inspir'd,
From the supporting myrtles round
They snatch'd her instruments of sound;
And as they oft had heard apart

An Ode for Music

When Music, heavenly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Thronged around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting:
By turns they felt the glowing mind
Disturbed, delighted, raised, refined;
Till once, 'tis said, when all were fired,
Filled with fury, rapt, inspired,
From the supporting myrtles round
They snatched her instruments of sound,
And, as they oft had heard apart
Sweet lessons of her forceful art,

I

Erewhile of music, and ethereal mirth,
Wherewith the stage of Air and Earth did ring,
And joyous news of heavenly Infant’s birth,
My muse with Angels did divide to sing;
But headlong joy is ever on the wing,
In wintry solstice like the shortened light
Soon swallowed up in dark and long outliving night.

II

For now to sorrow must I tune my song,
And set my Harp to notes of saddest woe,
Which on our dearest Lord did seize ere long,
Dangers, and snares, and wrongs, and worse than so,

There were no romping children at Doctor Quibble's door;
Long past the silver wedding, no toys lay on the floor,
But to relieve her longings, to soothe her vain regrets,
His good wife had contrived to raise a family of pets.

What! a family of pets?
Yes! a family of pets;
His good wife had contrived to raise a family of pets.

A Spanish alto, Polly, who sang from early morn;
A bearded actor, Billy, who play'd the double horn;
A mimic man, Falsetto, who scaled the treble staff,
And climb'd the ledger lines above, and made the people laugh.

The young girl stood beside me.
I Saw not what her young eyes could see:
- A light, she said, not of the sky
Lives somewhere in the Orange Tree.

- Is it, I said, of east or west?
The heartbeat of a luminous boy
Who with his faltering flute confessed
Only the edges of his joy?

Was he, I said, borne to the blue
In a mad escapade of Spring
Ere he could make a fond adieu
To his love in the blossoming?

- Listen! the young girl said. There calls
No voice, no music beats on me;

Lest he miss other children, lo!
His angel is his playfellow.
A riotous angel two years old,
With wings of rose and curls of gold.

There on the nursery floor together
They play when it is rainy weather,
Building brick castles with much pain,
Only to knock them down again.

Two golden heads together look
An hour long o'er a picture-book,
Or, tired of being good and still,
They play at horses with good will.

And when the boy laughs you shall hear
Another laughter silver-clear,

She sits in her glass garden
and awaits the guests -
The sailor with the blue tangerines
the fish clothed in languages
the dolphin with a revolver in its teeth.

Dusk enters from stage left:
its voice falls like dew on the arbor.
Tiny bells
sway in the catalpa tree.

What is it she hopes to catch in her net
of love? Petals? Conch-shells?
The night-moth? She does not speak.
Tonight, I tell her, no one comes;
you wait in vain.

Yet at eight precisely
the moon opens its theatric doors,

Friends, my heart is half aweary
Of its happiness to-night:
Though your songs are gay and cheery,
And your spirits feather-light,
There's a ghostly music haunting
Still the heart of every guest
And a voiceless chorus chanting
That the Old Times were the best.

CHORUS

All about is bright and pleasant
With the sound of song and jest,
Yet a feeling's ever present
That the Old Times were the best.

Following are several translations
of the 'Old Pond' poem, which may be
the most famous of all haiku:

Furuike ya
kawazu tobikomu
mizu no oto

-- Basho



Literal Translation

Fu-ru (old) i-ke (pond) ya,
ka-wa-zu (frog) to-bi-ko-mu (jumping into)
mi-zu (water) no o-to (sound)


Translated by Fumiko Saisho



The old pond--
a frog jumps in,
sound of water.


Translated by Robert Hass



Old pond...
a frog jumps in
water's sound.