When this young Land has reached its wrinkled prime,
And we are gone and all our songs are done,
And naught is left unchanged beneath the sun,
What other singers shall the womb of Time
Bring forth to reap the sunny slopes of rhyme?
For surely till the thread of life be spun
The world shall not lack poets, though but one
Make lonely music like a vesper chime
Above the heedless turmoil of the street.
What new strange voices shall be given to these,
What richer accents of melodious breath?
Yet shall they, baffled, lie at Nature's feet

He is a link between this and the coming world.
He is
A pure spring from which all thirsty souls may drink.


He is a tree watered by the River of Beauty, bearing
Fruit which the hungry heart craves;
He is a nightingale, soothing the depressed
Spirit with his beautiful melodies;
He is a white cloud appearing over the horizon,
Ascending and growing until it fills the face of the sky.
Then it falls on the flows in the field of Life,
Opening their petals to admit the light.
He is an angel, send by the goddess to

Said a people to a poet---' Go out from among us straightway!
While we are thinking earthly things, thou singest of divine.
There's a little fair brown nightingale, who, sitting in the gateways
Makes fitter music to our ears than any song of thine!'

The poet went out weeping---the nightingale ceased chanting;
'Now, wherefore, O thou nightingale, is all thy sweetness done?'
I cannot sing my earthly things, the heavenly poet wanting,
Whose highest harmony includes the lowest under sun.'

Sometimes the poem
doesn't want to come;
it hides from the poet
like a playful cat
who has run
under the house
& lurks among slugs,
roots, spiders' eyes,
ledge so long out of the sun
that it is dank
with the breath of the Troll King.

Sometimes the poem
darts away
like a coy lover
who is afraid of being possessed,
of feeling too much,
of losing his essential
loneliness-which he calls
freedom.

Sometimes the poem
can't requite
the poet's passion.

The poem is a dance

I've had my share of necessary losses,
Of dreams I know no longer can come true.
I'm done now with the whys and the becauses.
It's time to make things good, not just make do.
It's time to stop complaining and pursue
The pleasures of an ordinary life.

I used to rail against my compromises.
I yearned for the wild music, the swift race.
But happiness arrived in new disguises:
Sun lighting a child's hair. A friend's embrace.
Slow dancing in a safe and quiet place.
The pleasures of an ordinary life.

How bright the room seemed! It was as if a ray of light came from the book, a luminous tree whose branches spread out across the ceiling. The leaves were fresh and green and on each branch flowers bloomed and fruit hung. The flowers were faces of young maidens, some with radiant dark eyes and other(s) with clear blue ones. The fruits were sparkling stars. All the while the most beautiful music could be heard.

...................

Pipes of the misty moorlands,
Voice of the glens and hills;
The droning of the torrents,
The treble of the rills!
Not the braes of bloom and heather,
Nor the mountains dark with rain,
Nor maiden bower, nor border tower,
Have heard your sweetest strain!

Dear to the Lowland reaper,
And plaided mountaineer, -
To the cottage and the castle
The Scottish pipes are dear; -
Sweet sounds the ancient pibroch
O'er mountain, loch, and glade;
But the sweetest of all music
The pipes at Lucknow played.

I.

Hamelin Town's in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

II.

Rats!
They fought the dogs and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cooks' own ladles,
Split open the kegs of salted sprats,

My student-lamp is lighted,
The books and papers are spread;
A sound comes floating upwards,
Chasing the thoughts from my head.

I open the garret window,
Let the music in and the moon;
See the woman grin for coppers,
While the man grinds out the tune.

Grind me a dirge or a requiem,
Or a funeral-march sad and slow,
But not, O not, that waltz tune
I heard so long ago.

I stand upright by the window,
The moonlight streams in wan:--
O God! with its changeless rise and fall
The tune twirls on and on.

Let the bird of loudest lay,
On the sole Arabian tree,
Herald sad and trumpet be,
To whose sound chaste wings obey.

But thou, shrieking harbinger,
Foul pre-currer of the fiend,
Augur of the fever's end,
To this troop come thou not near.

From this session interdict
Every fowl of tyrant wing,
Save the eagle, feather'd king:
Keep the obsequy so strict.

Let the priest in surplice white,
That defunctive music can,
Be the death-defying swan,
Lest the requiem lack his right.

And thou, treble-dated crow,