SINCE there 's no help, come let us kiss and part--
Nay, I have done, you get no more of me;
And I am glad, yea, glad with all my heart,
That thus so cleanly I myself can free.
Shake hands for ever, cancel all our vows,
And when we meet at any time again,
Be it not seen in either of our brows
That we one jot of former love retain.
Now at the last gasp of Love's latest breath,
When, his pulse failing, Passion speechless lies,
When Faith is kneeling by his bed of death,
And Innocence is closing up his eyes,

1

The chestnut steed stood by the gate
His noble master's will to wait,
The woody park so green and bright
Was glowing in the morning light,
The young leaves of the aspen trees
Were dancing in the morning breeze.
The palace door was open wide,
Its lord was standing there,
And his sweet lady by his side
With soft dark eyes and raven hair.
He smiling took her wary hand
And said, 'No longer here I stand;
My charger shakes his flowing mane
And calls me with impatient neigh.
Adieu then till we meet again,

Water-fetching goes the noble
Brahmin's wife, so pure and lovely;
He is honour'd, void of blemish.
And of justice rigid, stern.
Daily from the sacred river
Brings she back refreshments precious;--
But where is the pail and pitcher?
She of neither stands in need.
For with pure heart, hands unsullied,
She the water lifts, and rolls it
To a wondrous ball of crystal
This she bears with gladsome bosom,
Modestly, with graceful motion,
To her husband in the house.

She to-day at dawn of morning
Praying comes to Ganges' waters,

I am the mother of sorrows,
I am the ender of grief;
I am the bud and the blossom,
I am the late-falling leaf.

I am thy priest and thy poet,
I am thy serf and thy king;
I cure the tears of the heartsick,
When I come near they shall sing.

White are my hands as the snowdrop;
Swart are my fingers as clay;
Dark is my frown as the midnight,
Fair is my brow as the day.

Battle and war are my minions,
Doing my will as divine;
I am the calmer of passions,
Peace is a nursling of mine.

PAGE.

WHERE goest thou? Where?
Miller's daughter so fair!

Thy name, pray?--

MILLER'S DAUGHTER.

'Tis Lizzy.

PAGE.
Where goest thou? Where?
With the rake in thy hand?

MILLER'S DAUGHTER.
Father's meadows and land

To visit, I'm busy.

PAGE.
Dost go there alone?

MILLER'S DAUGHTER.
By this rake, sir, 'tis shown

That we're making the hay;
And the pears ripen fast
In the garden at last,

So I'll pick them to-day.

PAGE.

The sun is banished,
The daylight vanished,
No rosy traces
Are left behind.
Here in the meadow
I watch the shadow
Of forms and faces
Upon your blind.

Through swift transitions,
In new positions,
My eyes still follow
One shape most fair.
My heart delaying
Awhile, is playing
With pleasures hollow,
Which mock despair.

I feel so lonely,
I long once only
To pass an hour
With you, O sweet!
To touch your fingers,
Where fragrance lingers
From some rare flower,
And kiss your feet.

"Gather around me, children dear;
The wind is high and the night is cold;
Closer, little ones, snuggle near;
Let's seek a story of ages old;
A magic tale of a bygone day,
Of lovely ladies and dragons dread;
Come, for you're all so tired of play,
We'll read till it's time to go to bed."

So they all are glad, and they nestle in,
And squat on the rough old nursery rug,
And they nudge and hush as I begin,
And the fire leaps up and all's so snug;
And there I sit in the big arm-chair,
And how they are eager and sweet and wise,

In a wild moraine of forgotten books,
On the glacier of years gone by,
As I plied my rake for order's sake,
There was one that caught my eye:
And I sat by the shelf till I lost myself.
And roamed in the crowded mist,
And heard lost voices and saw lost looks,
As I pored on an Old School List.

What a jumble of names! there were some that I knew,
As a brother is known: to-day
Gone I know not where, nay I hardly care,
For their places are full: and, they--
What climes they have ranged: how much they're changed!

The beautiful and slender young New Moon,
In trailing robes of pink and palest blue,
Swept close to Venus, and breathed low: 'A boon,
A precious boon, I ask, dear friend, of you.'

'O queen of light and beauty, you have known
The pangs of love - its passions and alarms;
Then grant me this one favour, let my own -
My lost Old Moon be once more in my arms.'

Swift thro' the vapours and the golden mist -
The Full Moon's shadowy shape shone on the night,
The New Moon reached out clasping arms and kissed

Neglected now is the old guitar
And moldering into decay;
Fretted with many a rift and scar
That the dull dust hides away,
While the spider spins a silver star
In its silent lips to-day.

The keys hold only nerveless strings--
The sinews of brave old airs
Are pulseless now; and the scarf that clings
So closely here declares
A sad regret in its ravelings
And the faded hue it wears.

But the old guitar, with a lenient grace,
Has cherished a smile for me;
And its features hint of a fairer face
That comes with a memory