I take what never can be taken,
Touch what cannot be;
I wake what never could awaken,
But for me.

I go where only winds are going,
Kiss what fades away;
I know a thing too strange for knowing,
I, the clay.

LAST night I saw the Pleiades again,
Faint as a drift of steam
From some tall chimney-stack;
And I remembered you as you were then:
Awoke dead worlds of dream,
And Time turned slowly back.

I saw the Pleiades through branches bare,
And close to mine your face
Soft glowing in the dark;
For Youth and Hope and Love and You were there
At our dear trysting-place
In that bleak London park.

And as we kissed the Pleiades looked down
From their immeasurable

Too late, alas! the song
To remedy the wrong; --
The rooms are taken from us, swept and
garnished for their fate.
But these tear-besprinkled pages
Shall attest to future ages
That we cried against the crime of it --
too late, alas! too late!


"What have we ever done to bear this grudge?"
Was there no room save only in Benmore
For docket, duftar, and for office drudge,
That you usurp our smoothest dancing floor?
Must babus do their work on polished teak?
Are ball-rooms fittest for the ink you spill?

I could love thee till I die,
Would'st thou love me modestly,
And ne'er press, whilst I live,
For more than willingly I would give:
Which should sufficient be to prove
I'd understand the art of love.

I hate the thing is called enjoyment:
Besides it is a dull employment,
It cuts off all that's life and fire
From that which may be termed desire;
Just like the bee whose sting is gone
Converts the owner to a drone.

I love a youth will give me leave
His body in my arms to wreathe;
To press him gently, and to kiss;

I could love thee till I die,
Would'st thou love me modestly,
And ne'er press, whilst I live,
For more than willingly I would give:
Which should sufficient be to prove
I'd understand the art of love.
II
I hate the thing is called enjoyment:
Besides it is a dull employment,
It cuts off all that's life and fire
From that which may be termed desire;
Just like the bee whose sting is gone
Converts the owner to a drone.
III
I love a youth will give me leave
His body in my arms to wreathe;
To press him gently, and to kiss;

They say that Monte Carlo is
A sunny place for shady people;
But I'm not in the gambling biz,
And sober as a parish steeple.
so though this paradisal spot
The devil's playground of the rich is,
I love it and I love it not,
As men may sometimes fall for bitches.

I lazed beneath the sky's blue bliss,
The sea swooned with a sequin glimmer;
The breeze was shy as maiden kiss,
The palms sashayed in silken shimmr.
The peace I soaked in every pore
did me more good than ten religions . . .
And then: Bang! Bang! my joy was o'er;

There is a fork in a branch
of an ancient, enormous maple,
one of a grove of such trees,
where I climb sometimes and sit and look out
over miles of valleys and low hills.
Today on skis I took a friend
to show her the trees. We set out
down the road, turned in at
the lane which a few weeks ago,
when the trees were almost empty
and the November snows had not yet come,
lay thickly covered in bright red
and yellow leaves, crossed the swamp,
passed the cellar hole holding
the remains of the 1850s farmhouse

Lend me, a little while, the key
That locks your heavy heart, and I'll give you back--
Rarer than books and ribbons and beads bright to see,
This little Key of Dreams out of my pack.

The road, the road, beyond men's bolted doors,
There shall I walk and you go free of me,
For yours lies North across the moors,
And mine lies South. To what seas?

How if we stopped and let our solemn selves go by,
While my gay ghost caught and kissed yours, as ghosts don't do,
And by the wayside, this forgotten you and I
Sat, and were twenty-two?

To-day's most trivial act may hold the seed
Of future fruitfulness, or future dearth;
Oh, cherish always every word and deed!
The simplest record of thyself hath worth.

If thou hast ever slighted one old thought,
Beware lest Grief enforce the truth at last;
The time must come wherein thou shalt be taught
The value and the beauty of the Past.

Not merely as a warner and a guide,
"A voice behind thee," sounding to the strife;
But something never to be put aside,
A part and parcel of thy present life.

When Music, heav'nly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Throng'd around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting;
By turns they felt the glowing mind
Disturb'd, delighted, rais'd, refin'd:
Till once, 'tis said, when all were fir'd,
Fill'd with fury, rapt, inspir'd,
From the supporting myrtles round
They snatch'd her instruments of sound;
And as they oft had heard apart