Dear native brook! wild streamlet of the West!
How many various-fated years have passed,
What happy and what mournful hours, since last
I skimmed the smooth thin stone along thy breast,
Numbering its light leaps! Yet so deep impressed
Sink the sweet scenes of childhood, that mine eyes
I never shut amid the sunny ray,
But straight with all their tints thy waters rise,
Thy crossing plank, thy marge with willows grey,
And bedded sand that, veined with various dyes,
Gleamed through thy bright transparence! On my way,

This single link was else respected
By people of the days that gone –
There’s written on its tablet sacred
That Love and Life is one.
But you’re not they, you live like arrows
Of dreams that fly through skies and earth,
And in your flight, unite, my fellows,
The Love and Death.

They said in their pledge eternal
That they are slaves of the bad past,
That they were born in dust infernal,
And will return again to dust.
Your heedless brightness was aroused
By songs of lyre, mad and fine,

O thou who from the mountain's height
Roll'st down thy clouds with all their weight
Of waters to old Niles majestic tide;
Or o'er the dark sepulchral plain
Recallest thy Palmyra's ancient pride,
Amid whose desolated domes
Secure the savage chacal roams,
Where from the fragments of the hallow'd fane
The Arabs rear their miserable homes!

Hear Genius hear thy children's cry!
Not always should'st thou love to brood
Stern o'er the desert solitude
Where seas of sand toss their hot surges high;
Nor Genius should the midnight song

[Inscribed to Lady Duncannon.]


SWEET blushing Nymph, who loves to dwell
In the dark forest's silent gloom;
Who smiles within the Hermit's cell,
And sighs upon the rustic's tomb;
Who, pitying, sees the busy throng,
The slaves of fashion's giddy sway;
Who in a wild and artless song,
Warbles the feath'ry hours away.

Oft have I flown thy steps to trace,
In the low valley's still retreat,
Oft have I view'd thy blooming face,
In the small cottage, proudly neat!
I've seen thee, veil'd in vestal lawn,

At four o'clock in late October
I sat alone in the country school-house
Back from the road 'mid stricken fields,
And an eddy of wind blew leaves on the pane,
And crooned in the flue of the cannon-stove,
With its open door blurring the shadows
With the spectral glow of a dying fire.
In an idle mood I was running the planchette --
All at once my wrist grew limp,
And my hand moved rapidly over the board,
Till the name of "Charles Guiteau" was spelled,
Who threatened to materialize before me.
I rose and fled from the room bare-headed

"I am a landscape," he said.
"a landscape and a person walking in that landscape.
There are daunting cliffs there,
And plains glad in their way
of brown monotony. But especially
there are sinkholes, places
of sudden terror, of small circumference
and malevolent depths."
"I know," she said. "When I set forth
to walk in myself, as it might be
on a fine afternoon, forgetting,
sooner or later I come to where sedge
and clumps of white flowers, rue perhaps,
mark the bogland, and I know
there are quagmires there that can pull you

Air -- "Drummer Boy of Waterloo"

I
Young Henry was as faithful boy
As ever stood on the American soil,
And he did enlist, without a doubt,
When the rebellion was broke out.
II
He was his parents' only son,
And only child he was but one,
That was a girl aged seventeen,
Henry called her his May Queen.
III
Young Henry said, "Dear sister May,
What do you think my friends will say?
For now my name is on the roll,
And I down south will have to go."
IV
"I hear my country's call," said he,

(Español)
Hombres necios que acusáis
a la mujer sin razón,
sin ver que sois la ocasión
de lo mismo que culpáis:

si con ansia sin igual
solicitáis su desdén,
¿por qué quereis que obren bien
si las incitáis al mal?

Combatís su resistencia
y luego, con gravedad,
decís que fue liviandad
lo que hizo la diligencia.

Parecer quiere el denuedo
de vuestro parecer loco,
al niño que pone el coco
y luego le tiene miedo.

Queréis, con presunción necia,
hallar a la que buscáis,

My brother comes home from work
and climbs the stairs to our room.
I can hear the bed groan and his shoes drop
one by one. You can have it, he says.

The moonlight streams in the window
and his unshaven face is whitened
like the face of the moon. He will sleep
long after noon and waken to find me gone.

Thirty years will pass before I remember
that moment when suddenly I knew each man
has one brother who dies when he sleeps
and sleeps when he rises to face this life,

and that together they are only one man

Oh, "rorty" was a mid-Victorian word
Which meant "fine, splendid, jolly,"
And often to me it has reoccurred
In moments melancholy.
For instance, children, I think it rorty
To be with people over forty.

I can't say which, come eventide,
More tedious I find;
Competing with the juvenile stride,
Or meeting the juvenile mind.
So I think it rorty, yes, and nifty,
To be with people over fifty.

The pidgin talk the youthful use
Bypasses conversation.
I can't believe the code they choose
Is a means of communication.