In borrowed boots which don't fit
and an old olive greatcoat,
I hunt the corn-fed rabbit,
game fowl, squirrel, starved bobcat,
anything small. I bring down
young deer wandered from the doe's
gaze, and reload, and move on
leaving flesh to inform crows.

At dusk they seem to suspect
me, burrowed in a corn field
verging their stream. The unpecked
stalks call them. Nervous, they yield
to what they must: hunger, thirst,
habit. Closer and closer
comes the scratching which at first

he said, "I was working in Hollywood when Faulkner was
working in Hollywood and he was
the worst: he was too drunk to stand up at the
end of the afternoon and so I had to help him
into a taxi
day after day after day.

"but when he left Hollywood, I stayed on, and while I
didn't drink like that maybe I should have, I might have
had the guts then to follow him and get the hell out of
there."

I told him, "you write as well as
Faulkner.:

"you mean that?" he asked from the hospital
bed, smiling.

By day the skyscraper looms in the smoke and sun and
has a soul.
Prairie and valley, streets of the city, pour people into
it and they mingle among its twenty floors and are
poured out again back to the streets, prairies and
valleys.
It is the men and women, boys and girls so poured in and
out all day that give the building a soul of dreams
and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
for the building or speak its name or ask a policeman
the way to it?)

(for Elizabeth Bishop)

Nautilus Island's hermit
heiress still lives through winter in her Spartan cottage;
her sheep still graze above the sea.
Her son's a bishop. Her farmer is first selectman in our village;
she's in her dotage.

Thirsting for
the hierarchic privacy
of Queen Victoria's century
she buys up all
the eyesores facing her shore,
and lets them fall.

The season's ill--
we've lost our summer millionaire,
who seemed to leap from an L. L. Bean
catalogue. His nine-knot yawl

"Lord Byron" was an Englishman
A poet I believe,
His first works in old England
Was poorly received.
Perhaps it was "Lord Byron's" fault
And perhaps it was not.
His life was full of misfortunes,
Ah, strange was his lot.
II
The character of "Lord Byron"
Was of a low degree,
Caused by his reckless conduct,
And bad company.
He sprung from an ancient house,
Noble, but poor, indeed.
His career on earth, was marred
By his own misdeeds.
III
Generous and tender hearted,
Affectionate by extreme,

There are, who darkling and alone,
Would wish the weary night were gone,
Though dawning morn should only show
The secret of their unknown woe:
Who pray for sharpest throbs of pain
To ease them of doubt's galling chain:
"Only disperse the cloud," they cry,
"And if our fate be death, give light and let us die."

Unwise I deem them, Lord, unmeet
To profit by Thy chastenings sweet,
For Thou wouldst have us linger still
Upon the verge of good or ill.
That on Thy guiding hand unseen
Our undivided hearts may lean,

I boasted among men that I had known you.
They see your pictures in all works of mine.
They come and ask me, `Who is he?'
I know not how to answer them. I say, `Indeed, I cannot tell.'
They blame me and they go away in scorn.
And you sit there smiling.

I put my tales of you into lasting songs.
The secret gushes out from my heart.
They come and ask me, `Tell me all your meanings.'
I know not how to answer them.
I say, `Ah, who knows what they mean!'
They smile and go away in utter scorn.
And you sit there smiling.

I'd not complain of Sister Jane, for she was good and kind,
Combining with rare comeliness distinctive gifts of mind;
Nay, I'll admit it were most fit that, worn by social cares,
She'd crave a change from parlor life to that below the stairs,
And that, eschewing needlework and music, she should take
Herself to the substantial art of manufacturing cake.

At breakfast, then, it would befall that Sister Jane would say:
"Mother, if you have got the things, I'll make some cake to-day!"
Poor mother'd cast a timid glance at father, like as not--

This is the one song everyone
would like to learn: the song
that is irresistible:

the song that forces men
to leap overboard in squadrons
even though they see beached skulls

the song nobody knows
because anyone who had heard it
is dead, and the others can’t remember.
Shall I tell you the secret
and if I do, will you get me
out of this bird suit?
I don’t enjoy it here
squatting on this island
looking picturesque and mythical
with these two feathery maniacs,
I don’t enjoy singing
this trio, fatal and valuable.

Sorry I am, my God, sorry I am,
That my offences course it in a ring.
My thoughts are working like a busy flame,
Until their cockatrice they hatch and bring:
And when they once have perfected their draughts,
My words take fire from my inflamed thoughts.

My words take fire fro m my inflamed thoughts,
Which spit it forth like the Sicilian hill.
They vent their wares, and pass them with their faults,
And by their breathing ventilate the ill.
But words suffice not, where are lewd intentions: