--Was it for this
That one, the fairest of all Rivers, lov'd
To blend his murmurs with my Nurse's song,
And from his alder shades and rocky falls,
And from his fords and shallows, sent a voice
That flow'd along my dreams? For this, didst Thou,
O Derwent! travelling over the green Plains
Near my 'sweet Birthplace', didst thou, beauteous Stream
Make ceaseless music through the night and day
Which with its steady cadence, tempering
Our human waywardness, compos'd my thoughts
To more than infant softness, giving me,

Not done, but near its ending,
Is the work that our eyes desired;
Not yet fulfilled, but near the goal,
Is the hope that our worn hearts fired.
And on the Alban Mountains,
Where the blushes of dawn increase,
We see the flash of the beautiful feet
Of Freedom and of Peace!

How long were our fond dreams baffled!-
Novara's sad mischance,
The Kaiser's sword and fetter-lock,
And the traitor stab of France;
Till at last came glorious Venice,
In storm and tempest home;
And now God maddens the greedy kings,

From the wheel and the drift of Things
Deliver us, Good Lord,
And we will face the wrath of Kings,
The faggot and the sword!

Lay not thy Works before our eyes
Nor vex us with thy Wars,
Lest we should feel the straining skies
O'ertrod by trampling stars.

Hold us secure behind the gates
Of saving flesh and bone,
Lest we should dream what Dream awaits
The Soul escaped alone.

Thy Path, thy Purposes conceal
From our beleaguered realm
Lest any shattering whisper steal
Upon us and o'erwhelm.

The foaming stream from out the rock
With thunder roar begins to rush,--
The oak falls prostrate at the shock,
And mountain-wrecks attend the gush.
With rapturous awe, in wonder lost,
The wanderer hearkens to the sound;
From cliff to cliff he hears it tossed,
Yet knows not whither it is bound:
'Tis thus that song's bright waters pour
From sources never known before.

In union with those dreaded ones
That spin life's thread all-silently,
Who can resist the singer's tones?

Not human art, but living gods alone
Can fashion beauties that by changing live,--
Her buds to spring, his fruits to autumn give,
To earth her fountains in her heart of stone;
But these in their begetting are o'erthrown,
Nor may the sentenced minutes find reprieve;
And summer in the blush of joy must grieve
To shed his flaunting crown of petals blown.
We to our works may not impart our breath,
Nor them with shifting light of life array;
We show but what one happy moment saith;
Yet may our hands immortalize the day

The portrait there above my bed
They tell me is a work of art;
My Wife,--since twenty years she's dead:
Her going nearly broke my heart.
Alas! No little ones we had
To light our hearth with joy and glee;
Yet as I linger lone and sad
I know she's waiting me.

The picture? Sargent painted it,
And it has starred in many a show.
Her eyes are on me where I sit,
And follow me where'er I go.
She'll smile like that when I am gone,
And I am frail and oh so ill!
Aye, when I'm waxen, cold and wan,

NOW spent the alter'd King, in am'rous Cares,
The Hours of sacred Hymns and solemn Pray'rs:
In vain the Alter waits his slow returns,
Where unattended Incense faintly burns:
In vain the whisp'ring Priests their Fears express,
And of the Change a thousand Causes guess.
Heedless of all their Censures He retires,
And in his Palace feeds his secret Fires;
Impatient, till from Rabbah Tydings tell,
That near those Walls the poor Uriah fell,
Led to the Onset by a Chosen Few,
Who at the treacherous Signal, soon withdrew;

He lies on his back, the idling smith,
A lazy, dreaming fellow is he;
The sky is blue, or the sky is gray,
He lies on his back the livelong day,
Not a tool in sight, say what they may,
A curious sort of smith is he.

The powers of the air are in league with him;
The country around believes it well;
The wondering folk draw spying near;
Never sight nor sound do they see or hear;
No wonder they feel a little fear;
When is it his work is done so well?

Never sight nor sound to see or hear;

CARE is a Poet fine:
He works in shade or shine,
And leaves—you know his sign!—
No day without its line.

He writes with iron pen
Upon the brows of men;
Faint lines at first, and then
He scores them in again.

His touch at first is light
On Beauty’s brow of white;
The old churl loves to write
On foreheads broad and bright.

A line for young love crossed,
A line for fair hopes lost
In an untimely frost—
A line that means Thou Wast.

Then deeper script appears:
The furrows of dim fears,

The riches of the poet are equal to his poetry
His power is his left hand
It is idle weak and precious
His poverty is his wealth, a wealth which may destroy him
like Midas Because it is that laziness which is a form of impatience
And this he may be destroyed by the gold of the light
which never was
On land or sea.
He may be drunken to death, draining the casks of excess
That extreme form of success.
He may suffer Narcissus' destiny
Unable to live except with the image which is infatuation
Love, blind, adoring, overflowing