There comes a time when the story turns into twenty
different stories and soon after that he academy of shadows
retreats to the cave of a solitary boy in a thriving

metropolis where no one remembers the original story
whic is, of course, a sign of its great success: to be forgotten
implies you were once known, and that is something we

can prize more than the gesture greater than the achievement:
but I wander from the main point: the main point is one
among many fine dots so fine you need a microscope to see them

Queen Cram went straying
Where Tait was swaying,
In just hands weighing,
With care immense,
Dry proofs made pleasant
By Routh or Besant
For one who hasn’t
Got too much sense.
Nor marked how, quicker
Than mounts the liquor
In brains made thicker
By College beer,
The murderous maiden,
Mistake, walks laden
With tips forgotten and slips so queer.

How, like a spider,
She still spreads wider,
O’er bookwork, rider,
And problem too,
Her flimsy curtain
Of terms uncertain,
Till all seems dirt in

TO show the lab'ring bosom's deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learnt from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight?
Still, wond'rous youth! each noble path pursue,
On deathless glories fix thine ardent view:
Still may the painter's and the poet's fire
To aid thy pencil, and thy verse conspire!
And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!

I dreamt last night; and in that dream
My boyhood's heart was mine again;
These latter years did nothing seem
With all their mingled joy and pain,
Their thousand deeds of good and ill,
Their hopes which time did not fulfil,
Their glorious moments of success,
Their love that closed in bitterness,
Their hate that grew with growing strength,
Their darling projects -- dropped at length,
And higher aims that still prevail, --
For I must perish ere they fail, --
That crowning object of my life,
The end of all my toil and strife,

Your hand full of hours, you came to me – and I said:
‘Your hair is not brown.’
You lifted it, lightly,
on to the balance of grief,
it was heavier than I.

They come to you on their ships, and make it their load,
then put it on sale in the markets of lust.
You smile at me from the deep.
I weep at you from the scale that’s still light.
I weep: Your hair is not brown.
They offer salt-waves of the sea,
and you give them spume.
You whisper: ‘They’re filling the world with me now,
and for you I’m still a hollow way in the heart!

You, you only, exist.
We pass away, till at last,
our passing is so immense
that you arise: beautiful moment,
in all your suddenness,
arising in love, or enchanted
in the contraction of work.

To you I belong, however time may
wear me away. From you to you
I go commanded. In between
the garland is hanging in chance; but if you
take it up and up and up: look:
all becomes festival!

You thought I was that type:
That you could forget me,
And that I'd plead and weep
And throw myself under the hooves of a bay mare,

Or that I'd ask the sorcerers
For some magic potion made from roots and send you a terrible gift:
My precious perfumed handkerchief.

Damn you! I will not grant your cursed soul
Vicarious tears or a single glance.

And I swear to you by the garden of the angels,
I swear by the miracle-working icon,
And by the fire and smoke of our nights:
I will never come back to you.

You mustn't show weakness
and you've got to have a tan.
But sometimes I feel like the thin veils
of Jewish women who faint
at weddings and on Yom Kippur.

You mustn't show weakness
and you've got to make a list
of all the things you can load
in a baby carriage without a baby.

This is the way things stand now:
if I pull out the stopper
after pampering myself in the bath,
I'm afraid that all of Jerusalem, and with it the whole world,
will drain out into the huge darkness.

In the daytime I lay traps for my memories

My brother comes home from work
and climbs the stairs to our room.
I can hear the bed groan and his shoes drop
one by one. You can have it, he says.

The moonlight streams in the window
and his unshaven face is whitened
like the face of the moon. He will sleep
long after noon and waken to find me gone.

Thirty years will pass before I remember
that moment when suddenly I knew each man
has one brother who dies when he sleeps
and sleeps when he rises to face this life,

and that together they are only one man

Oh, "rorty" was a mid-Victorian word
Which meant "fine, splendid, jolly,"
And often to me it has reoccurred
In moments melancholy.
For instance, children, I think it rorty
To be with people over forty.

I can't say which, come eventide,
More tedious I find;
Competing with the juvenile stride,
Or meeting the juvenile mind.
So I think it rorty, yes, and nifty,
To be with people over fifty.

The pidgin talk the youthful use
Bypasses conversation.
I can't believe the code they choose
Is a means of communication.