Come with me, little maid,
Nay, shrink not, thus afraid -
I'll harm thee not!
Fly not, my love, from me -
I have a home for thee -
A fairy grot,
Where mortal eye
Can rarely pry,
There shall thy dwelling be!

List to me, while I tell
The pleasures of that cell,
Oh, little maid!
What though its couch be rude,
Homely the only food
Within its shade?
No thought of care
Can enter there,
No vulgar swain intrude!

Come with me, little maid,
Come to the rocky shade
I love to sing;

WHILE others chant of gay Elysian scenes,
Of balmy zephyrs, and of flow'ry plains,
My song more happy speaks a greater name,
Feels higher motives and a nobler flame.
For thee, O R-----, the muse attunes her strings,
And mounts sublime above inferior things.
I sing not now of green embow'ring woods,
I sing not now the daughters of the floods,
I sing not of the storms o'er ocean driv'n,
And how they howl'd along the waste of heav'n.
But I to R----- would paint the British shore,
And vast Atlantic, not untry'd before:

COURAGE yet! my brother or my sister!
Keep on! Liberty is to be subserv'd, whatever occurs;
That is nothing, that is quell'd by one or two failures, or any
number of failures,
Or by the indifference or ingratitude of the people, or by any
unfaithfulness,
Or the show of the tushes of power, soldiers, cannon, penal statutes.

Revolt! and still revolt! revolt!
What we believe in waits latent forever through all the continents,
and all the islands and archipelagos of the sea;

You come along. . . tearing your shirt. . . yelling about
Jesus.
Where do you get that stuff?
What do you know about Jesus?
Jesus had a way of talking soft and outside of a few
bankers and higher-ups among the con men of Jerusalem
everybody liked to have this Jesus around because
he never made any fake passes and everything
he said went and he helped the sick and gave the
people hope.


You come along squirting words at us, shaking your fist

Tossed like a falcon from the hunter's wrist,
A sweeping plunge, a sudden shattering noise,
And thou hast dared, with a long spiral twist,
The elastic stairway to the rising sun.
Peril below thee and above, peril
Within thy car; but peril cannot daunt
Thy peerless heart: gathering wing and poise,
Thy plane transfigured, and thy motor-chant
Subduéd to a whisper -- then a silence, --
And thou art but a disembodied venture
In the void.

But Death, who has learned to fly,
Still matchless when his work is to be done,

Think not, not for a moment let your mind,
Wearied with thinking, doze upon the thought
That the work's done and the long day behind,
And beauty, since 'tis paid for, can be bought.
If in the moonlight from the silent bough
Suddenly with precision speak your name
The nightingale, be not assured that now
His wing is limed and his wild virtue tame.
Beauty beyond all feathers that have flown
Is free; you shall not hood her to your wrist,
Nor sting her eyes, nor have her for your own
In an fashion; beauty billed and kissed

"And will you cut a stone for him,
To set above his head?
And will you cut a stone for him--
A stone for him?" she said.

Three days before, a splintered rock
Had struck her lover dead--
Had struck him in the quarry dead,
Where, careless of a warning call,
He loitered, while the shot was fired--
A lively stripling, brave and tall,
And sure of all his heart desired . . .
A flash, a shock,
A rumbling fall . . .
And, broken 'neath the broken rock,
A lifeless heap, with face of clay,

O flower at my window
Why blossom you so fair,
With your green and purple cup
Upturned to sun and air?
'I bloom, blithesome Bessie,
To cheer your childish heart;
The world is full of labor,
And this shall be my part.'
Whirl, busy wheel, faster,
Spin, little thread, spin;
The sun shines fair without,
And we are gay within.

O robin in the tree-top,
With sunshine on your breast,
Why brood you so patiently
Above your hidden nest?
'I brood, blithesome Bessie,
And sing my humble song,

208

The Rose did caper on her cheek—
Her Bodice rose and fell—
Her pretty speech—like drunken men—
Did stagger pitiful—

Her fingers fumbled at her work—
Her needle would not go—
What ailed so smart a little Maid—
It puzzled me to know—

Till opposite—I spied a cheek
That bore another Rose—
Just opposite—Another speech
That like the Drunkard goes—

A Vest that like her Bodice, danced—
To the immortal tune—
Till those two troubled—little Clocks
Ticked softly into one.

Another armored animal–scale
lapping scale with spruce-cone regularity until they
form the uninterrupted central
tail row! This near artichoke with head and legs and
grit-equipped gizzard,
the night miniature artist engineer is,
yes, Leonardo da Vinci’s replica–
impressive animal and toiler of whom we seldom hear.
Armor seems extra. But for him,
the closing ear-ridge–
or bare ear licking even this small
eminence and similarly safe
contracting nose and eye apertures
impenetrably closable, are not;–a true ant-eater,