My mother was for woman's rights
And my father was the rich miller at London Mills.
I dreamed of the wrongs of the world and wanted to right them.
When my father died, I set out to see peoples and countries
In order to learn how to reform the world.
I traveled through many lands.
I saw the ruins of Rome,
And the ruins of Athens,
And the ruins of Thebes.
And I sat by moonlight amid the necropolis of Memphis.
There I was caught up by wings of flame,
And a voice from heaven said to me:
"Injustice, Untruth destroyed them. Go forth!

O why do you walk through the fields in boots,
Missing so much and so much?
O fat white woman whom nobody shoots,
Why do you walk through the fields in boots,
When the grass is soft as the breast of coots
And shivering-sweet to the touch?

Old women look intently at Nothing when the doctor
announces a cancer, dark fruit, under the
shrunk left breast.

Girls' hands hold Nothing when the train sucks their
men from the platform and scoops them down the
slipway of rail.

Nothing beats in deafened ears on the empty and
godless altars of mountain tops.

Nothing is the final strength of the strong: the
last poison on the crumpling lips of the weak.


Submitted by Stephen Fryer

Now listen to me and I'll tell you my views concerning the African war,
And the man who upholds any different views, the same is a ritten Pro-Boer!
(Though I'm getting a little bit doubtful myself, as it drags on week after week:
But it's better not ask any questions at all -- let us silence all doubts with a shriek!)
And first let us shriek the unstinted abuse that the Tory Press prefer --
De Wet is a madman, and Steyn is a liar, and Kruger a pitiful cur!
(Though I think if Oom Paul -- as old as he is -- were to walk down the Strand with his gun,

NOW list to my morning's romanza--I tell the signs of the Answerer;
To the cities and farms I sing, as they spread in the sunshine before
me.

A young man comes to me bearing a message from his brother;
How shall the young man know the whether and when of his brother?
Tell him to send me the signs.

And I stand before the young man face to face, and take his right
hand in my left hand, and his left hand in my right hand,
And I answer for his brother, and for men, and I answer for him that

Now let no charitable hope
Confuse my mind with images
Of eagle and of antelope:
I am by nature none of these.

I was, being human, born alone;
I am, being woman, hard beset;
I live by squeezing from a stone
What little nourishment I get.

In masks outrageous and austere
The years go by in single file;
But none has merited my fear,
And none has quite escaped my smile.

NOW bare to the beholder's eye
Your late denuded bindings lie,
Subsiding slowly where they fell,
A disinvested citadel;
The obdurate corset, Cupid's foe,
The Dutchman's breeches frilled below.
Those that the lover notes to note,
And white and crackling petticoat.

From these, that on the ground repose,
Their lady lately re-arose;
And laying by the lady's name,
A living woman re-became.
Of her, that from the public eye
They do enclose and fortify,
Now, lying scattered as they fell,
An indiscreeter tale they tell:

To the great archer--not to him

To meet whom flies the sun,
And who is wont his features dim

With clouds to overrun--

But to the boy be vow'd these rhymes,

Who 'mongst the roses plays,
Who hear us, and at proper times

To pierce fair hearts essays.

Through him the gloomy winter night,

Of yore so cold and drear,
Brings many a loved friend to our sight,

And many a woman dear.

Henceforward shall his image fair

Stand in yon starry skies,
And, ever mild and gracious there,

In memory of Father Flye, 1884-1985


The strange and wonderful are too much with us.
The protea of the antipodes—a great,
globed, blazing honeybee of a bloom—
for sale in the supermarket! We are in
our decadence, we are not entitled.
What have we done to deserve
all the produce of the tropics—
this fiery trove, the largesse of it
heaped up like cannonballs, these pineapples, bossed
and crested, standing like troops at attention,
these tiers, these balconies of green, festoons
grown sumptuous with stoop labor?

There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.

And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,
growing in the damp air like tears of rain.