"She loves with love that cannot tire:
And if, ah, woe! she loves alone,
Through passionate duty love flames higher,
As grass grows taller round a stone."
Coventry Patmore.
SO, the truth's out. I 'll grasp it like a snake, --
It will not slay me. My heart shall not break
Awhile, if only for the children's sake.
For his too, somewhat. Let him stand unblamed;
None say, he gave me less than honor claimed,
Except -- one trifle scarcely worth being named --
The heart. That 's gone. The corrupt dead might be

We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?
However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;

Mrs. Gabrielle Giovannitti comes along Peoria Street
every morning at nine o'clock
With kindling wood piled on top of her head, her eyes
looking straight ahead to find the way for her old feet.
Her daughter-in-law, Mrs. Pietro Giovannitti, whose
husband was killed in a tunnel explosion through
the negligence of a fellow-servant,
Works ten hours a day, sometimes twelve, picking onions
for Jasper on the Bowmanville road.
She takes a street car at half-past five in the morning,
Mrs. Pietro Giovannitti does,

ONCE I pass'd through a populous city, imprinting my brain, for
future use, with its shows, architecture, customs, and
traditions;
Yet now, of all that city, I remember only a woman I casually met
there, who detain'd me for love of me;
Day by day and night by night we were together,--All else has long
been forgotten by me;
I remember, I say, only that woman who passionately clung to me;
Again we wander--we love--we separate again;
Again she holds me by the hand--I must not go!

Hungry and cold, I stood in a doorway
on Delancey Street in 1946
as the rain came down. The worst part is this
is not from a bad movie. I'd read Dos Passos'
USA and thought, "Before the night ends
my life will change." A stranger would stop
to ask for my help, a single stranger
more needy than I, if such a woman
were possible. I still had cigarettes,
damp matches, and an inaccurate map
of Manhattan in my head, and the change
from the one $20 traveler's check
I'd cashed in a dairy restaurant where
the amazed owner actually proclaimed

Nightfall, that saw the morning-glories float
Tendril and string against the crumbling wall,
Nurses him now, his skeleton for grief,
His locks for comfort curled among the leaf.
Shuttles of moonlight weave his shadow tall,
Milkweed and dew flow upward to his throat.
Now catbird feathers plume the apple mound,
And starlings drowse to winter up the ground.
thickened away from speech by fear, I move
Around the body. Over his forepaws, steep
Declivities darken down the moonlight now,
And the long throat that bayed a year ago

We passed each other, turned and stopped for half an hour, then went our way,
I who make other women smile did not make you--
But no man can move mountains in a day.
So this hard thing is yet to do.

But first I want your life:--before I die I want to see
The world that lies behind the strangeness of your eyes,
There is nothing gay or green there for my gathering, it may be,
Yet on brown fields there lies
A haunting purple bloom: is there not something in grey skies
And in grey sea?
I want what world there is behind your eyes,

On the idle hill of summer,
Sleepy with the flow of streams,
Far I hear the steady drummer
Drumming like a noise in dreams.

Far and near and low and louder
On the roads of earth go by,
Dear to friends and food for powder,
Soldiers marching, all to die.

East and west on fields forgotten
Bleach the bones of comrades slain,
Lovely lads and dead and rotten;
None that go return again.

Far the calling bugles hollo,
High the screaming fife replies,
Gay the files of scarlet follow:
Woman bore me, I will rise.

On the desert
A silence from the moon's deepest valley.
Fire rays fall athwart the robes
Of hooded men, squat and dumb.
Before them, a woman
Moves to the blowing of shrill whistles
And distant thunder of drums,
While mystic things, sinuous, dull with terrible colour,
Sleepily fondle her body
Or move at her will, swishing stealthily over the sand.
The snakes whisper softly;
The whispering, whispering snakes,
Dreaming and swaying and staring,
But always whispering, softly whispering.

I WATCH’D her as she stoop’d to pluck
A wild flower in her hair to twine;
And wish’d that it had been my luck
To call her mine;

Anon I heard her rate with mad,
Mad words her babe within its cot,
And felt particularly glad
That it had not.

I knew (such subtle brains have men!)
That she was uttering what she shouldn’t;
And thought that I would chide, and then
I thought I would n’t.

Few could have gaz’d upon that face,
Those pouting coral lips, and chided: