Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?

Snow falls. The sky is grey, and sullenly glares
With purple lights in the canyoned street.
The fiery sign on the dark tower wreathes and flares . . .
The trodden grass in the park is covered with white,
The streets grow silent beneath our feet . . .
The city dreams, it forgets its past to-night.

And one, from his high bright window looking down
Over the enchanted whiteness of the town,
Seeing through whirls of white the vague grey towers,
Desires like this to forget what will not pass,
The littered papers, the dust, the tarnished grass,

'Draw three cards, and I will tell your future . . .
Draw three cards, and lay them down,
Rest your palms upon them, stare at the crystal,
And think of time . . . My father was a clown,
My mother was a gypsy out of Egypt;
And she was gotten with child in a strange way;
And I was born in a cold eclipse of the moon,
With the future in my eyes as clear as day.'

I sit before the gold-embroidered curtain
And think her face is like a wrinkled desert.
The crystal burns in lamplight beneath my eyes.
A dragon slowly coils on the scaly curtain.

My boy's come back; he's here at last;
He came home on a special train.
My longing and my ache are past,
My only son is back again.
He's home with music, flags and flowers;
With peace and joy my heart's abrim;
He got here in the morning hours
With half the town to welcome him.

To hush my grief, night after night,
How I have digged my pillow deep,
And it would be the morning light
Before I sobbed myself to sleep.
And how I used to stare and stare
Across the harbour's yeasty foam,
Thinking he's fighting far out there . . .

Poetry is the supreme fiction, madame.
Take the moral law and make a nave of it
And from the nave build haunted heaven.Thus,
The conscience is converted into palms,
Like windy citherns hankering for hymns.
We agree in principle.That's clear.But take
The opposing law and make a peristyle,
And from the peristyle project a masque
Beyond the planets.Thus, our bawdiness,
Unpurged by epitaph, indulged at last,
Is equally converted into palms,
Squiggling like saxophones.And palm for palm,
Madame, we are where we began.Allow,

WHEN Venus and Hypocrisy combine,
Oft pranks are played that show a deep design;
Men are but men, and friars full as weak:
I'm not by Envy moved these truths to speak.
Have you a sister, daughter, pretty wife?
Beware the monks as you would guard your life;
If in their snares a simple belle be caught:
The trap succeeds: to ruin she is brought.
To show that monks are knaves in Virtue's mask;
Pray read my tale:--no other proof I ask.

A HERMIT, full of youth, was thought around,
A saint, and worthy of the legend found.

All the way
on the road to Gary
he could see
where the sky shone
just out of reach
and smell the rich
smell of work
as strong as money,
but when he got there
the night was over.

People were going
to work and back,
the sidewalks were lakes
no one walked on,
the diners were saying
time to eat
so he stopped
and talked to a woman
who'd been up late
making helmets.

There are white hands
the color of steel,
they have put their lives
into steel,

Sun on the mountain,
Shade in the valley,
Ripple and lightness
Leaping along the world,
Sun, like a gold sword
Plucked from the scabbard,
Striking the wheat-fields,
Splendid and lusty,
Close-standing, full-headed,
Toppling with plenty;
Shade, like a buckler
Kindly and ample,
Sweeping the wheat-fields
Darkening and tossing;
There on the world-rim
Winds break and gather
Heaping the mist
For the pyre of the sunset;
And still as a shadow,
In the dim westward,
A cloud sloop of amethyst
Moored to the world

Blats booted to blatant
dubbing the avenue dire
with rubbings of Sveinn Forkbeard
leading a black squall of Harleys
with Moe Snow-Whitebeard and

Possum Brushbeard and their ladies
and, sphincter-lipped, gunning,
massed in leather muscle on a run,
on a roll, Santas from Hell
like a whole shoal leaning

wide wristed, their tautness stable
in fluency, fast streetscape dwindling,
all riding astride, on the outside
of sleek grunt vehicles, woman-clung,
forty years on from Marlon.

Passing through huddled and ugly walls
By doorways where women
Looked from their hunger-deep eyes,
Haunted with shadows of hunger-hands,
Out from the huddled and ugly walls,
I came sudden, at the city's edge,
On a blue burst of lake,
Long lake waves breaking under the sun
On a spray-flung curve of shore;
And a fluttering storm of gulls,
Masses of great gray wings
And flying white bellies
Veering and wheeling free in the open.