Now long and long from wintry Strymon blew
The weary, hungry, anchor-straining blasts,
The winds that wandering seamen dearly rue,
Nor spared the cables worn and groaning masts;
And, lingering on, in indolent delay,
Slow wasted all the strength of Greece away.
But when the shrill-voiced prophet 'gan proclaim
That remedy more dismal and more dread
Than the drear weather blackening overhead,
And spoke in Artemis' most awful name,
The sons of Atreus, 'mid their armed peers,
Their sceptres dashed to earth, and each broke out in tears,

On the banks of the Mersey, o'er on Cheshire side,
Lies Runcorn that's best known to fame
By Transporter Bridge as takes folks over t'stream,
Or else brings them back across same.

In days afore Transporter Bridge were put up,
A ferryboat lay in the slip,
And old Ted the boatman would row folks across
At per tuppence per person per trip.

Now Runcorn lay over on one side of stream,
And Widnes on t'other side stood,
And, as nobody wanted to go either place,
Well, the trade wasn't any too good.

Oh, how good it is to be
Foot-loose and heart-free!
Just my dog and pipe and I, underneath the vast sky;
Trail to try and goal to win, white road and cool inn;
Fields to lure a lad afar, clear spring and still star;
Lilting feet that never tire, green dingle, fagot fire;
None to hurry, none to hold, heather hill and hushed fold;
Nature like a picture book, laughing leaf and bright brook;
Every day a jewel bright, set serenely in the night;
Every night a holy shrine, radiant for a day divine.

A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in

The roads also have their wistful rest,
When the weathercocks perch still and roost,
And the looks of men turn kind to clocks
And the trams go empty to their drome.
The streets also dream their dream.

The old houses muse of the old days
And their fond trees leaning on them doze.
On their steps chatter and clatter stops
For the cries of other times hold men
And they hear the unknown moan.

They remember alien ardours and far futures
And the smiles not seen in happy features.
Their begetters call them from the gutters;

Who is it lacks the knowledge? Who are the curs that dare
To whine and sneer that they do not fear the whelps in the Lion's lair?
But we of the North will answer, while life in the North remains,
Let the curs beware lest the whelps they dare are the Riders of the Plains;
For these are the kind whose muscle makes the power of the Lion's jaw,
And they keep the peace of our people and the honour of British law.

A woman has painted a picture,--'tis a neat little bit of art
The critics aver, and it roused up for her the love of the big British heart.

He'd been for years in Sydney "a-acting of the goat",
His name was Joseph Swallow, "the Great Australian Pote",
In spite of all the stories and sketches that he wrote.

And so his friends held meetings (Oh, narrow souls were theirs!)
To advertise their little selves and Joseph's own affairs.
They got up a collection for Joseph unawares.

They looked up his connections and rivals by the score –
The wife who had divorced him some twenty years before,
And several politicians he'd made feel very sore.

NO city I to Rheims would e'er prefer:
Of France the pride and honour I aver;
The Holy Ampoule and delicious wine,
Which ev'ry one regards as most divine,
We'll set apart, and other objects take:
The beauties round a paradise might make!
I mean not tow'rs nor churches, gates, nor streets;
But charming belles with soft enchanting sweets:
Such oft among the fair Rhemese we view:
Kings might be proud those graces to pursue.

ONE 'mong these belles had to the altar led,
A painter, much esteemed, and who had bread.

And there we were together again—
Together again, we three:
Morgan, Fingal, fiddle, and all,
They had come for the night with me.

The spirit of joy was in Morgan’s wrist,
There were songs in Fingal’s throat;
And secure outside, for the spray to drench,
Was a tossed and empty boat.

And there were the pipes, and there was the punch,
And somewhere were twelve years;
So it came, in the manner of things unsought,
That a quick knock vexed our ears.

The night wind hovered and shrieked and snarled,

The rest of us watch from beyond the fence
as the woman moves with her jagged stride
into her pain as if into a slow race.
We see her body in motion
but hear no sounds, or we hear
sounds but no language; or we know
it is not a language we know
yet. We can see her clearly
but for her it is running in black smoke.
The cluster of cells in her swelling
like porridge boiling, and bursting,
like grapes, we think. Or we think of
explosions in mud; but we know nothing.
All around us the trees
and the grasses light up with forgiveness,