Plunged in night, I sit alone
Eyeless on this dungeon stone,
Naked, shaggy, and unkempt,
Dreaming dreams no soul hath dreamt.

Rats and vermin round my feet
Play unharmed, companions sweet;
Spiders weave me overhead
Silken curtains for my bed.

Day by day the mould I smell
Of this fungus-blistered cell;
Nightly in my haunted sleep
O'er my face the lizards creep.

Gyves of iron scrape and burn
Wrists and ankles when I turn,
And my collared neck is raw
With the teeth of brass that gnaw.

Samson, the strongest of the children of men, I sing; how he was foiled by woman's arts, by a false wife brought to the gates of death! O Truth! that shinest with propitious beams, turning our earthly night to heavenly day, from presence of the Almighty Father, thou visitest our darkling world with blessed feet, bringing good news of Sin and Death destroyed! O whiterobed Angel, guide my timorous hand to write as on a lofty rock with iron pen the words of truth, that all who pass may read.

I reached the Alps: the soul within me burned
Italia, my Italia, at thy name:
And when from out the mountain's heart I came
And saw the land for which my life had yearned,
I laughed as one who some great prize had earned:
And musing on the story of thy fame
I watched the day, till marked with wounds of flame
The turquoise sky to burnished gold was turned
The pine-trees waved as waves a woman's hair,
And in the orchards every twining spray
Was breaking into flakes of blossoming foam:
But when I knew that far away at Rome

Guns on the battle lines have pounded now a year
between Brussels and Paris.
And, William Morris, when I read your old chapter on
the great arches and naves and little whimsical
corners of the Churches of Northern France--Brr-rr!
I'm glad you're a dead man, William Morris, I'm glad
you're down in the damp and mouldy, only a memory
instead of a living man--I'm glad you're gone.
You never lied to us, William Morris, you loved the
shape of those stones piled and carved for you to

Daily the cortege of crumpled
defunct cars
goes by by the lasagna-
layered flatbed
truckload: hardtop

reverting to tar smudge,
wax shine antiqued to crusted
winepress smear,
windshield battered to
intact ice-tint, a rarity

fresh from the Pleistocene.
I like it; privately
I find esthetic
satisfaction in these
ceremonial removals

from the category of
received ideas
to regions where pigeons'
svelte smoke-velvet
limousines, taxiing

in whirligigs, reclaim
a parking lot,

They brought me ambrotypes
Of the old pioneers to enlarge.
And sometimes one sat for me—
Some one who was in being
When giant hands from the womb of the world
Tore the republic.
What was it in their eyes?—
For I could never fathom
That mystical pathos of drooped eyelids,
And the serene sorrow of their eyes.
It was like a pool of water,
Amid oak trees at the edge of a forest,
Where the leaves fall,
As you hear the crow of a cock
From a far-off farm house, seen near the hills

In the slums of Tondo, people dwell
in shacks of cardboard, bits of bamboo,
corrugated metal, and a few cement blocks.

They come from all the provinces--
a farmer’s son from Cagayan,
a coal miner from Bulacan,

a field hand from the banana plantations
of Davao. They come to Manila
for work, for better pay.

The highest incidence of men
running amok is in Tondo,
or at least, that’s what the local tabloids

have for headlines every week. Amok in Tondo
kills seven! Police shoot him to death!

A True Incident of Pre-Revolutionary French History.


Now the lovely autumn morning breathes its freshness in earth's face,
In the crowned castle courtyard the blithe horn proclaims the chase;
And the ladies on the terrace smile adieux with rosy lips
To the huntsmen disappearing down the cedar-shaded groves,
Wafting delicate aromas from their scented finger tips,
And the gallants wave in answer, with their gold-embroidered gloves.
On they rode, past bush and bramble, on they rode, past elm and oak;

We're marchin' on relief over Injia's sunny plains,
A little front o' Christmas-time an' just be'ind the Rains;
Ho! get away you bullock-man, you've 'eard the bugle blowed,
There's a regiment a-comin' down the Grand Trunk Road;
With its best foot first
And the road a-sliding past,
An' every bloomin' campin'-ground exactly like the last;
While the Big Drum says,
With 'is "~rowdy-dowdy-dow!~" --
"~Kiko kissywarsti~ don't you ~hamsher argy jow?~"*

* Why don't you get on?

Sweet water-moons, blown into lights
   Of flying gold on pool and creek,
And many sounds and many sights
   Of younger days are back this week.
I cannot say I sought to face
   Or greatly cared to cross again
The subtle spirit of the place
   Whose life is mixed with Rose Lorraine.

What though her voice rings clearly through
   A nightly dream I gladly keep,
No wish have I to start anew
   Heart fountains that have ceased to leap.