By day the skyscraper looms in the smoke and sun and
has a soul.
Prairie and valley, streets of the city, pour people into
it and they mingle among its twenty floors and are
poured out again back to the streets, prairies and
valleys.
It is the men and women, boys and girls so poured in and
out all day that give the building a soul of dreams
and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
for the building or speak its name or ask a policeman
the way to it?)

Our Skeeta was married, our Skeeta! the tomboy
and pet of the place,
No more as a maiden we'd greet her, no more
would her pert little face
Light up the chill gloom of the parlour; no more
would her deft little hands
Serve drinks to the travel-stained caller on his way
to more southerly lands;
No more would she chaff the rough drovers and
send them away with a smile,
No more would she madden her lovers, demurely,
with womanish guile -
The "prince" from the great Never-Never, with
light touch of lips and of hand

I
An old man sits
In the shadow of a pine tree
In China.
He sees larkspur,
Blue and white,
At the edge of the shadow,
Move in the wind.
His beard moves in the wind.
The pine tree moves in the wind.
Thus water flows
Over weeds.

II
The night is of the colour
Of a woman's arm:
Night, the female,
Obscure,
Fragrant and supple,
Conceals herself.
A pool shines,
Like a bracelet
Shaken in a dance.

III
I measure myself
Against a tall tree.
I find that I am much taller,

Cat stands at the fridge,
Cries loudly for milk.
But I've filled her bowl.
Wild cat, I say, Sister,
Look, you have milk.
I clink my fingernail
Against the rim. Milk.
With down and liver,
A word I know she hears.
Her sad miaow. She runs
To me. She dips
In her whiskers but
Doesn't drink. As sometimes
I want the light on
When it is on. Or when
I saw the woman walking
toward my house and
I thought there's Frances.
Then looked in the car mirror
To be sure. She stalks
The room. She wants. Milk

I became a criminal when I fell in love.
Before that I was a waitress.

I didn't want to go to Chicago with you.
I wanted to marry you, I wanted
Your wife to suffer.

I wanted her life to be like a play
In which all the parts are sad parts.

Does a good person
Think this way? I deserve

Credit for my courage--

I sat in the dark on your front porch.
Everything was clear to me:
If your wife wouldn't let you go
That proved she didn't love you.
If she loved you
Wouldn't she want you to be happy?

[The following little Poems are written after the Model of the Old English Ballads, and are inscribed to those who admire the simplicity of that kind of versification.]


NEAR GLARIS, on a mountain's side,
Beneath a shad'wy wood,
With walls of ivy compass'd round,
An ancient Castle stood.

By all rever'd, by all ador'd,
There dwelt a wealthy dame;
One peerless daughter bless'd her age,
A maid of spotless fame !

While one fair son, a gallant boy,
Whose VIRTUE was his shield,
Led on the dauntless sons of war,

WITH a bridegroom's joyous bearing,

Mounts Sir Curt his noble beast,
To his mistress' home repairing,

There to hold his wedding feast;
When a threatening foe advances

From a desert, rocky spot;
For the fray they couch their lances,

Not delaying, speaking not.

Long the doubtful fight continues,

Victory then for Curt declares;
Conqueror, though with wearied sinews,

Forward on his road he fares.
When he sees, though strange it may be,

Something 'midst the foliage move;

This is SIR BARNABY BAMPTON BOO,
Last of a noble race,
BARNABY BAMPTON, coming to woo,
All at a deuce of a pace.
BARNABY BAMPTON BOO,
Here is a health to you:
Here is wishing you luck, you elderly buck -
BARNABY BAMPTON BOO!

The excellent women of Tuptonvee
Knew SIR BARNABY BOO;
One of them surely his bride would be,
But dickens a soul knew who.
Women of Tuptonvee,
Here is a health to ye
For a Baronet, dears, you would cut off your ears,
Women of Tuptonvee!

Here are old MR. and MRS. DE PLOW

(To Eleonora Duse)

We are anhungered after solitude,
Deep stillness pure of any speech or sound,
Soft quiet hovering over pools profound,
The silences that on the desert brood,
Above a windless hush of empty seas,
The broad unfurling banners of the dawn,
A faery forest where there sleeps a Faun;
Our souls are fain of solitudes like these.
O woman who divined our weariness,
And set the crown of silence on your art,
>From what undreamed-of depth within your heart
Have you sent forth the hush that makes us free

Civilized, crying: how to be human again; this will tell you how.
Turn outward, love things, not men, turn right away from humanity,
Let that doll lie. Consider if you like how the lilies grow,
Lean on the silent rock until you feel its divinity
Make your veins cold; look at the silent stars, let your eyes
Climb the great ladder out of the pit of yourself and man.
Things are so beautiful, your love will follow your eyes;
Things are the God; you will love God and not in vain,
For what we love, we grow to it, we share its nature. At length