The times are nightfall, look, their light grows less;
The times are winter, watch, a world undone:
They waste, they wither worse; they as they run
Or bring more or more blazon man’s distress.
And I not help. Nor word now of success:
All is from wreck, here, there, to rescue one—
Work which to see scarce so much as begun
Makes welcome death, does dear forgetfulness.

Or what is else? There is your world within.
There rid the dragons, root out there the sin.
Your will is law in that small commonweal…

I

'There is a Thorn--it looks so old,
In truth, you'd find it hard to say
How it could ever have been young,
It looks so old and grey.
Not higher than a two years' child
It stands erect, this aged Thorn;
No leaves it has, no prickly points;
It is a mass of knotted joints,
A wretched thing forlorn.
It stands erect, and like a stone
With lichens is it overgrown.

II

'Like rock or stone, it is o'ergrown,
With lichens to the very top,
And hung with heavy tufts of moss,
A melancholy crop:

There's no wind along these seas,
Out oars for Stavenger!
Forward all for Stavenger!
So we must wake the white-ash breeze,
Let fall for Stavenger!
A long pull for Stavenger!

Oh, hear the benches creak and strain!
(A long pull for Stavenger!)
She thinks she smells the Northland rain!
(A long pull for Stavenger!)

She thinks she smells the Northland snow,
And she's as glad as we to go,

She thinks she smells the Northland rime,
And the dear dark nights of winter-time.

She wants to be at her own home pier,

Thus heav'nward all things tend. For all were once
Perfect, and all must be at length restor'd.
So God has greatly purpos'd; who would else
In his dishonour'd works himself endure
Dishonour, and be wrong'd without redress.
Haste then, and wheel away a shatter'd world,
Ye slow-revolving seasons! We would see
(A sight to which our eyes are strangers yet)
A world that does not dread and hate his laws,
And suffer for its crime: would learn how fair
The creature is that God pronounces good,

'Tis morning; and the sun, with ruddy orb
Ascending, fires th' horizon: while the clouds,
That crowd away before the driving wind,
More ardent as the disk emerges more,
Resemble most some city in a blaze,
Seen through the leafless wood. His slanting ray
Slides ineffectual down the snowy vale,
And, tinging all with his own rosy hue,
From ev'ry herb and ev'ry spiry blade
Stretches a length of shadow o'er the field.
Mine, spindling into longitude immense,
In spite of gravity, and sage remark

Hark! 'tis the twanging horn! O'er yonder bridge,
That with its wearisome but needful length
Bestrides the wintry flood, in which the moon
Sees her unwrinkled face reflected bright,
He comes, the herald of a noisy world,
With spatter'd boots, strapp'd waist, and frozen locks;
News from all nations lumb'ring at his back.
True to his charge, the close-pack'd load behind,
Yet careless what he brings, his one concern
Is to conduct it to the destin'd inn:
And, having dropp'd th' expected bag, pass on.

In the outskirts of the village
On the river's winding shores
Stand the Occidental plane-trees,
Stand the ancient sycamores.

One long century hath been numbered,
And another half-way told
Since the rustic Irish gleeman
Broke for them the virgin mould.

Deftly set to Celtic music
At his violin's sound they grew,
Through the moonlit eves of summer,
Making Amphion's fable true.

Rise again, thou poor Hugh Tallant!
Pass in erkin green along
With thy eyes brim full of laughter,

I

He bends his travel-tarnished feet
   To where she wastes in clay:
From day-dawn until eve he fares
   Along the wintry way;
From day-dawn until eve repairs
   Unto her mound to pray.

II

"Are these the gravestone shapes that meet
   My forward-straining view?
Or forms that cross a window-blind
   In circle, knot, and queue:
Gay forms, that cross and whirl and wind
   To music throbbing through?" -

III

MILES and miles of quiet houses, every house a harbour,
Each for some unquiet soul a haven and a home,
Pleasant fires for winter nights, for sun the trellised arbour,
Earth the solid underfoot, and heaven for a dome.

Washed by storms of cleansing rain, and sweetened with affliction,
The hidden wells of Love are heard in one low-murmuring voice
That rises from this close-meshed life so like a benediction
That, listening to it, in my heart I almost dare rejoice.

STRIKE the concertina's melancholy string!
Blow the spirit-stirring harp like anything!
Let the piano's martial blast
Rouse the Echoes of the Past,
For of AGIB, PRINCE OF TARTARY, I sing!

Of AGIB, who, amid Tartaric scenes,
Wrote a lot of ballet music in his teens:
His gentle spirit rolls
In the melody of souls -
Which is pretty, but I don't know what it means.

Of AGIB, who could readily, at sight,
Strum a march upon the loud Theodolite.
He would diligently play
On the Zoetrope all day,