wind

I
THE BRIDE

Where have You hidden Yourself,
And abandoned me in my groaning, O my Beloved?
You have fled like the hart,
Having wounded me.
I ran after You, crying; but You were gone.

II
O shepherds, you who go
Through the sheepcots up the hill,
If you shall see Him
Whom I love the most,
Tell Him I languish, suffer, and die.

III
In search of my Love
I will go over mountains and strands;
I will gather no flowers,
I will fear no wild beasts;

Once I loved a spider
When I was born a fly,
A velvet-footed spider
With a gown of rainbow-dye.
She ate my wings and gloated.
She bound me with a hair.
She drove me to her parlor
Above her winding stair.
To educate young spiders
She took me all apart.
My ghost came back to haunt her.
I saw her eat my heart.

[Upon the Plan of Xenophen's Judgment of Hercules]

SLOTH

Hither, dear Boy, direct thy wandring Eyes,
'Tis here the lovely Vale of Pleasure lies.
Debate no more -- to me thy self resign;
Her mossy Caves, her Groves, and all are mine.
For me the Goddess opes her various Pow'r,
Springs in a Tree, or blossoms in a Flow'r:
To please my Ear she breaths celestial Strains:
To please my Eye, with Lillies strews the Plains:
To form my Couch in mossy Beds she grows:
To gratify my Smell she blooms a Rose.

O sailors, did sweet eyes look after you
The day you sailed away from sunny Spain?
Bright eyes that followed fading ship and crew,
Melting in tender rain?

Did no one dream of that drear night to be,
Wild with the wind, fierce with the stinging snow,
When on yon granite point that frets the sea,
The ship met her death-blow?

Fifty long years ago these sailors died:
(None know how many sleep beneath the waves)
Fourteen gray headstones, rising side by side,
Point out their nameless graves,-

A BROADSIDE DISTRIBUTED IN SPRINGFIELD, ILLINOIS


Censers are swinging,
Over the town;
Censers are swinging,
Look overhead!
Censers are swinging,
Heaven comes down.
City, dead city,
Awake from the dead!

Censers, tremendous,
Gleam overhead.
Wind-harps are ringing,
Wind-harps unseen—
Calling and calling:—
"Wake from the dead.
Rise, little city,
Shine like a queen."

Soldiers of Christ
For battle grow keen.
Heaven-sent winds

O you tender ones, walk now and then
into the breath that blows coldly past,
Upon your cheeks let it tremble and part;
behind you it will tremble together again.

O you blessed ones, you who are whole,
you who seem the beginning of hearts,
bows for the arrows and arrows' targets--
tear-bright, your lips more eternally smile.

Don't be afraid to suffer; return
that heaviness to the earth's own weight;
heavy are the mountains, heavy the seas.

Even the small trees you planted as children

A tree ascended there. Oh pure transendence!
Oh Orpheus sings! Oh tall tree in the ear!
And all things hushed. Yet even in that silence
a new beginning, beckoning, change appeared.

Creatures of stillness crowded from the bright
unbound forest, out of their lairs and nests;
and it was not from any dullness, not
from fear, that they were so quiet in themselves,

but from just listening. Bellow, roar, shriek
seemed small inside their hearts. And where there had been
at most a makeshift hut to receive the music,

Breathing: you invisible poem! Complete
interchange of our own
essence with world-space. You counterweight
in which I rythmically happen.

Single wave-motion whose
gradual sea I am:
you, most inclusive of all our possible seas-
space has grown warm.

How many regions in space have already been
inside me. There are winds that seem like
my wandering son.

Do you recognize me, air, full of places I once absorbed?
You who were the smooth bark,
roundness, and leaf of my words.

The songs of summer are over and past!
The swallow's forsaken the dripping eaves;
Ruined and black 'mid the sodden leaves
The nests are rudely swung in the blast:
And ever the wind like a soul in pain
Knocks and knocks at the window-pane.

The songs of summer are over and past!
Woe's me for a music sweeter than theirs--
The quick, light bound of a step on the stairs,
The greeting of lovers too sweet to last:
And ever the wind like a soul in pain
Knocks and knocks at the window-pane.

ARGUMENTAddress to the evening star:

An apostrophe to Fingal and his times. Minonasings before the king the song of the unfortunate Colma; and the bards exhibit other specimens of their poetical talents; according to an annual custom established by the monarchs of the ancient Caledonians.