The sea awoke at midnight from its sleep,
And round the pebbly beaches far and wide
I heard the first wave of the rising tide
Rush onward with uninterrupted sweep;
A voice out of the silence of the deep,
A sound mysteriously multiplied
As of a cataract from the mountain's side,
Or roar of winds upon a wooded steep.
So comes to us at times, from the unknown
And inaccessible solitudes of being,
The rushing of the sea-tides of the soul;
And inspirations, that we deem our own,
Are some divine of foreshadowing and foreseeing

I

The thick lids of Night closed upon me
Alone at the Bill
Of the Isle by the Race -
Many-caverned, bald, wrinkled of face -
And with darkness and silence the spirit was on me
To brood and be still.

II

No wind fanned the flats of the ocean,
Or promontory sides,
Or the ooze by the strand,
Or the bent-bearded slope of the land,
Whose base took its rest amid everlong motion
Of criss-crossing tides.

III

Soon from out of the Southward seemed nearing

I

   The thick lids of Night closed upon me
   Alone at the Bill
   Of the Isle by the Race {1} -
   Many-caverned, bald, wrinkled of face -
And with darkness and silence the spirit was on me
   To brood and be still.

II

   No wind fanned the flats of the ocean,
   Or promontory sides,
   Or the ooze by the strand,
   Or the bent-bearded slope of the land,

A BROADSIDE DISTRIBUTED IN SPRINGFIELD, ILLINOIS


Censers are swinging,
Over the town;
Censers are swinging,
Look overhead!
Censers are swinging,
Heaven comes down.
City, dead city,
Awake from the dead!

Censers, tremendous,
Gleam overhead.
Wind-harps are ringing,
Wind-harps unseen—
Calling and calling:—
"Wake from the dead.
Rise, little city,
Shine like a queen."

Soldiers of Christ
For battle grow keen.
Heaven-sent winds
Haunt alley and lane.
Singing of life

O you tender ones, walk now and then
into the breath that blows coldly past,
Upon your cheeks let it tremble and part;
behind you it will tremble together again.

O you blessed ones, you who are whole,
you who seem the beginning of hearts,
bows for the arrows and arrows' targets--
tear-bright, your lips more eternally smile.

Don't be afraid to suffer; return
that heaviness to the earth's own weight;
heavy are the mountains, heavy the seas.

Even the small trees you planted as children

A tree ascended there. Oh pure transendence!
Oh Orpheus sings! Oh tall tree in the ear!
And all things hushed. Yet even in that silence
a new beginning, beckoning, change appeared.

Creatures of stillness crowded from the bright
unbound forest, out of their lairs and nests;
and it was not from any dullness, not
from fear, that they were so quiet in themselves,

but from just listening. Bellow, roar, shriek
seemed small inside their hearts. And where there had been
at most a makeshift hut to receive the music,

Breathing: you invisible poem! Complete
interchange of our own
essence with world-space. You counterweight
in which I rythmically happen.

Single wave-motion whose
gradual sea I am:
you, most inclusive of all our possible seas-
space has grown warm.

How many regions in space have already been
inside me. There are winds that seem like
my wandering son.

Do you recognize me, air, full of places I once absorbed?
You who were the smooth bark,
roundness, and leaf of my words.

SCORN not the Sonnet; Critic, you have frown'd,
   Mindless of its just honours; with this key
   Shakespeare unlock'd his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
   With it Camöens sooth'd an exile's grief;
   The Sonnet glitter'd a gay myrtle leaf
Amid the cypress with which Dante crown'd
His visionary brow: a glow-worm lamp,
   It cheer'd mild Spenser, call'd from Faery-land

The songs of summer are over and past!
The swallow's forsaken the dripping eaves;
Ruined and black 'mid the sodden leaves
The nests are rudely swung in the blast:
And ever the wind like a soul in pain
Knocks and knocks at the window-pane.

The songs of summer are over and past!
Woe's me for a music sweeter than theirs--
The quick, light bound of a step on the stairs,
The greeting of lovers too sweet to last:
And ever the wind like a soul in pain
Knocks and knocks at the window-pane.

ARGUMENTAddress to the evening star:

An apostrophe to Fingal and his times. Minonasings before the king the song of the unfortunate Colma; and the bards exhibit other specimens of their poetical talents; according to an annual custom established by the monarchs of the ancient Caledonians.