My poem would eat nothing.
I tried giving it water
but it said no,

worrying me.
Day after day,
I held it up to the llight,

turning it over,
but it only pressed its lips
more tightly together.

It grew sullen, like a toad
through with being teased.
I offered it money,

my clothes, my car with a full tank.
But the poem stared at the floor.
Finally I cupped it in

my hands, and carried it gently
out into the soft air, into the
evening traffic, wondering how

'Does the blackened ruin, situated in the stony ground between Durraj and Mutathallam, which did not speak to me, when addressed, belong to the abode of Ummi Awfa?

'And is it her dwelling at the two stony meadows, seeming as though they were the renewed tattoo marks in the sinews of the wrist?

'The wild cows and the white deer are wandering about there, one herd behind the other, while their young are springing up from every lying-down place.

Stop, oh my friends, let us pause to weep over the remembrance of my beloved.
Here was her abode on the edge of the sandy desert between Dakhool and Howmal.


The traces of her encampment are not wholly obliterated even now.
For when the South wind blows the sand over them the North wind sweeps it away.


The courtyards and enclosures of the old home have become desolate;
The dung of the wild deer lies there thick as the seeds of pepper.


On the morning of our separation it was as if I stood in the gardens of our tribe,

Have the poets left in the garment a place for a patch to be patched by me; and did you know the abode of your beloved after reflection?2

The vestige of the house, which did not speak, confounded thee, until it spoke by means of signs, like one deaf and dumb.

Verily, I kept my she-camel there long grumbling, with a yearning at the blackened stones, keeping and standing firm in their own places.

It is the abode of a friend, languishing in her glance, submissive in the embrace, pleasant of smile.

Sometimes the poem
doesn't want to come;
it hides from the poet
like a playful cat
who has run
under the house
& lurks among slugs,
roots, spiders' eyes,
ledge so long out of the sun
that it is dank
with the breath of the Troll King.

Sometimes the poem
darts away
like a coy lover
who is afraid of being possessed,
of feeling too much,
of losing his essential
loneliness-which he calls
freedom.

Sometimes the poem
can't requite
the poet's passion.

The poem is a dance

The Pobble who has no toes
Had once as many as we;
When they said "Some day you may lose them all;"
He replied "Fish, fiddle-de-dee!"
And his Aunt Jobiska made him drink
Lavender water tinged with pink,
For she said "The World in general knows
There's nothing so good for a Pobble's toes!"

The Pobble who has no toes
Swam across the Bristol Channel;
But before he set out he wrapped his nose
In a piece of scarlet flannel.
For his Aunt Jobiska said "No harm
Can come to his toes if his nose is warm;

THE simple Jane was sent to bring
Fresh water from the neighb'ring spring;
The matter pressed, no time to waste,
Jane took her jug, and ran in haste
The well to reach, but in her flurry
(The more the speed the worse the hurry),
Tripped on a rolling stone, and broke
Her precious pitcher,--ah! no joke!
Nay, grave mishap! 'twere better far
To break her neck than such a jar!
Her dame would beat and soundly rate her,
No way could Jane propitiate her.
Without a sou new jug to buy!
'Twere better far for her to die!

'Twas in the year of 1889, and in the month of June,
Ten thousand people met with a fearful doom,
By the bursting of a dam in Pennsylvania State,
And were burned, and drowned by the flood-- oh! pity their fate!

The embankment of the dam was considered rather weak,
And by the swelled body of water the embankment did break,
And burst o'er the valley like a leaping river,
Which caused the spectators with fear to shiver.

And on rushed the mighty flood, like a roaring big wave,
Whilst the drowning people tried hard their lives to save;

On the Mountains of the Prairie,
On the great Red Pipe-stone Quarry,
Gitche Manito, the mighty,
He the Master of Life, descending,
On the red crags of the quarry
Stood erect, and called the nations,
Called the tribes of men together.
From his footprints flowed a river,
Leaped into the light of morning,
O'er the precipice plunging downward
Gleamed like Ishkoodah, the comet.
And the Spirit, stooping earthward,
With his finger on the meadow
Traced a winding pathway for it,
Saying to it, "Run in this way!"

Night, and a bitter sky, and strange birds crying,
The wan trees whisper and the winds make moan,
Here where in ultimate peace their bones are lying
In gaunt waste places that they made their own,
Beyond the ploughed lands where the corn is sown.

Death, and untrodden ways, and night before them,
From sheltering homes and friendly hearths they came;
Far from the mouldering dust of those that bore them
They rest in silence now and know no fame,
No proud stone speaks, no waters lip the name.