Why dost thou shade thy lovely face? O why
Does that eclipsing hand of thine deny
The sunshine of the Sun's enlivening eye?

Without thy light what light remains in me?
Thou art my life; my way, my light's in thee;
I live, I move, and by thy beams I see.

Thou art my life-if thou but turn away
My life's a thousand deaths. Thou art my way-
Without.thee, Love, I travel not but stray.

My light thou art-without thy glorious sight
My eyes are darken'd with eternal night.
My Love, thou art my way, my life, my light.

Now Serena be not coy,
Since we freely may enjoy
Sweet embraces, such delights,
As will shorten tedious nights.
Think that beauty will not stay
With you always, but away,
And that tyrannizing face
That now holds such perfect grace
Will both changed and ruined be;
So frail is all things as we see,
So subject unto conquering Time.
Then gather flowers in their prime,
Let them not fall and perish so;
Nature her bounties did bestow
On us that we might use them, and
'Tis coldness not to understand

There are no postage stamps that send letters
back to England three centuries ago,
no postage stamps that make letters
travel back until the grave hasn't been dug yet,
and John Donne stands looking out the window,
it is just beginning to rain this April morning,
and the birds are falling into the trees
like chess pieces into an unplayed game,
and John Donne sees the postman coming up the street,
the postman walks very carefully because his cane
is made of glass.

He travels after a winter sun,
Urging the cattle along a cold red road,
Calling to them, a voice they know,
He drives his beasts above Cabra.

The voice tells them home is warm.
They moo and make brute music with their hoofs.
He drives them with a flowering branch before him,
Smoke pluming their foreheads.

Boor, bond of the herd,
Tonight stretch full by the fire!
I bleed by the black stream
For my torn bough!

What we, when face to face we see
The Father of our souls, shall be,
John tells us, doth not yet appear;
Ah! did he tell what we are here!

A mind for thoughts to pass into,
A heart for loves to travel through,
Five senses to detect things near,
Is this the whole that we are here?

Rules baffle instincts--instinct rules,
Wise men are bad--and good are fools,
Facts evil--wishes vain appear,
We cannot go, why are we here?

O may we for assurance's sake,
Some arbitrary judgement take,

All through our lovely married life
I've had to go away.
And it was always you, my dear,
Who was back home to stay.

It wasn't my own choosing,
But the Government, which said
That I must leave my family,
And sacred marriage bed.

The FBI was first to pry
Our soothing arms apart.
And, each time I returned to you
With ever swelling heart.

The Foreign Service, next, attempted
Separate our arms.
But I was not to be denied,
Returning to your charms.

I came back to you every time,

It could be the name of a prehistoric beast
that roamed the Paleozoic earth, rising up
on its hind legs to show off its large vocabulary,
or some lover in a myth who is metamorphosed into a book.

It means treasury, but it is just a place
where words congregate with their relatives,
a big park where hundreds of family reunions
are always being held,
house, home, abode, dwelling, lodgings, and digs,
all sharing the same picnic basket and thermos;
hairy, hirsute, woolly, furry, fleecy, and shaggy

No Cautions of a Matron, Old and Sage,
Young Rattlehead to Prudence cou'd engage;
But forth the Offspring of her Bed wou'd go,
Nor reason gave, but that he wou'd do so.
Much Counsel was, at parting, thrown away,
Ev'n all, that Mother-Rat to Son cou'd say;
Who follow'd him with utmost reach of Sight,
Then, lost in Tears, and in abandon'd Plight,
Turn'd to her mournful Cell, and bid the World Good-Night.

But Fortune, kinder than her boding Thought,
In little time the Vagrant homewards brought,

Reflections on the poet's youth. An apostrophe to Selma. Oscar obtains leave to go to Inis-thona, an island of Scandinavia. The mournful story of Argon and Ruro, the two sons of the king of Inis-thona. Oscar revenges their death, and returns in triumph to Selma. A soliloquy by the poet himself.

Reply to Rudyard Kipling’s ‘He travels the fastest who travels alone.’

Who travels alone with his eye on the heights,
Though he laughs in the day time oft weeps on the nights;

For courage goes down at the set of the sun,
When the toil of the journey is all borne by one.

He speeds but to grief though full gaily he ride
Who travels alone without love at his side.

Who travels alone without lover of friend
But hurries from nothing, to naught at the end.

Though great be his winnings and high be his goal,