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The Plough of Time

Night closed my windows and
The sky became a crystal house
The crystal windows glowed
The moon
shown through them
through the whole house of crystal
A single star beamed down
its crystal cable
and drew a plough through the earth
unearthing bodies clasped together
couples embracing
around the earth
They clung together everywhere
emitting small cries
that did not reach the stars
The crystal earth turned
and the bodies with it
And the sky did not turn
nor the stars with it
The stars remained fixed

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The Pleiades

LAST night I saw the Pleiades again,
Faint as a drift of steam
From some tall chimney-stack;
And I remembered you as you were then:
Awoke dead worlds of dream,
And Time turned slowly back.

I saw the Pleiades through branches bare,
And close to mine your face
Soft glowing in the dark;
For Youth and Hope and Love and You were there
At our dear trysting-place
In that bleak London park.

And as we kissed the Pleiades looked down
From their immeasurable

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The Pleasures of Ordinary Life

I've had my share of necessary losses,
Of dreams I know no longer can come true.
I'm done now with the whys and the becauses.
It's time to make things good, not just make do.
It's time to stop complaining and pursue
The pleasures of an ordinary life.

I used to rail against my compromises.
I yearned for the wild music, the swift race.
But happiness arrived in new disguises:
Sun lighting a child's hair. A friend's embrace.
Slow dancing in a safe and quiet place.
The pleasures of an ordinary life.

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The Playmate

She is not Folly -- that I know.
Her steadfast eyelids tell me so
When, at the hour the lights divide,
She steals as summonsed to my side.

When, finger on the pursed lip
In secret, mirthful fellowship,
She, heralding new -- framed delights,
Breathes, "This shall be a Night of Nights!"

Then, out of Time and out of Space,
Is built an Hour and a Place
Where all an earnest, baffled Earth
Blunders and trips to make us mirth;

Whence from the trivial flux of Things,
Rise inconceived miscarryings,

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The Planet On The Table

Ariel was glad he had written his poems.
They were of a remembered time
Or of something seen that he liked.

Other makings of the sun
Were waste and welter
And the ripe shrub writhed.

His self and the sun were one
And his poems, although makings of his self,
Were no less makings of the sun.

It was not important that they survive.
What mattered was that they should bear
Some lineament or character,

Some affluence, if only half-perceived,
In the poverty of their words,

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The Plain

I was alone with a chair on a plain
Which lost itself in an empty horizon.

The plain was flawlessly paved.
Nothing, absolutely nothing but the chair and I
were there.

The sky was forever blue,
No sun gave life to it.

An inscrutable, insensible light
illuminated the infinite plain.

To me this eternal day seemed to be projected --
artificially-- from a different sphere.

I was never sleepy nor hungry nor thirsty,
never hot nor cold.

Time was only an abstruse ghost

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The Place of the Damned

All folks who pretend to religion and grace,
Allow there's a HELL, but dispute of the place:
But, if HELL may by logical rules be defined
The place of the damned -I'll tell you my mind.
Wherever the damned do chiefly abound,
Most certainly there is HELL to be found:
Damned poets, damned critics, damned blockheads, damned knaves,
Damned senators bribed, damned prostitute slaves;
Damned lawyers and judges, damned lords and damned squires;
Damned spies and informers, damned friends and damned liars;
Damned villains, corrupted in every station;

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The Philosopher

'Enough of thought, philosopher!
Too long hast thou been dreaming
Unlightened, in this chamber drear,
While summer's sun is beaming!
Space - sweeping soul, what sad refrain
Concludes thy musings once again?

'Oh, for the time when I shall sleep
Without identity,
And never care how rain may steep,
Or snow may cover me!
No promised heaven, these wild desires,
Could all, or half fulfil;
No threathened hell, with quenchless fires,
Subdue this quenchless will!'

'So said I, and still say the same;

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The Phantom Horsewoman

Queer are the ways of a man I know:
He comes and stands
In a careworn craze,
And looks at the sands
And in the seaward haze
With moveless hands
And face and gaze,
Then turns to go...
And what does he see when he gazes so?

They say he sees as an instant thing
More clear than today,
A sweet soft scene
That once was in play
By that briny green;
Yes, notes alway
Warm, real, and keen,
What his back years bring-
A phantom of his own figuring.

Of this vision of his they might say more:
Not only there

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The Perch

There is a fork in a branch
of an ancient, enormous maple,
one of a grove of such trees,
where I climb sometimes and sit and look out
over miles of valleys and low hills.
Today on skis I took a friend
to show her the trees. We set out
down the road, turned in at
the lane which a few weeks ago,
when the trees were almost empty
and the November snows had not yet come,
lay thickly covered in bright red
and yellow leaves, crossed the swamp,
passed the cellar hole holding
the remains of the 1850s farmhouse

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