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Three Quatrains

I

As long as Fame's imperious music rings
Will poets mock it with crowned words august;
And haggard men will clamber to be kings
As long as Glory weighs itself in dust.

II

Drink to the splendor of the unfulfilled,
Nor shudder for the revels that are done:
The wines that flushed Lucullus are all spilled,
The strings that Nero fingered are all gone.

III

We cannot crown ourselves with everything,
Nor can we coax the Fates for us to quarrel:
No matter what we are, or what we sing,

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Three Oranges

first time my father overheard me listening to
this bit of music he asked me,
"what is it?"
"it's called Love For Three Oranges,"
I informed him.
"boy," he said, "that's getting it
cheap."
he meant sex.
listening to it
I always imagined three oranges
sitting there,
you know how orange they can
get,
so mightily orange.
maybe Prokofiev had meant
what my father
thought.
if so, I preferred it the
other way
the most horrible thing
I could think of
was part of me being
what ejaculated out of the

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Thoughts of Phena

at news of her death

Not a line of her writing have I
Not a thread of her hair,
No mark of her late time as dame in her dwelling, whereby
I may picture her there;
And in vain do I urge my unsight
To conceive my lost prize
At her close, whom I knew when her dreams were upbrimming with light
And with laughter her eyes.

What scenes spread around her last days,
Sad, shining, or dim?
Did her gifts and compassions enray and enarch her sweet ways
With an aureate nimb?
Or did life-light decline from her years,

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Thou Art Indeed Just, Lord, If I Contend

Justus quidem tu es, Domine, si disputem tecum:
verumtamen justa loquar ad te:
Quare via impiorum prosperatur? &c.


Thou art indeed just, Lord, if I contend
With thee; but, sir, so what I plead is just.
Why do sinners' ways prosper? and why must
Disappointment all I endeavour end?

Wert thou my enemy, O thou my friend,
How wouldst thou worse, I wonder, than thou dost
Defeat, thwart me? Oh, the sots and thralls of lust
Do in spare hours more thrive than I that spend,
Sir, life upon thy cause. See, banks and brakes

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Those Were The Days

The sun came up before breakfast,
perfectly round and yellow, and we
dressed in the soft light and shook out
our long blond curls and waited
for Maid to brush them flat and place
the part just where it belonged.
We came down the carpeted stairs
one step at a time, in single file,
gleaming in our sailor suits, two
four year olds with unscratched knees
and scrubbed teeth. Breakfast came
on silver dishes with silver covers
and was set in table center, and Mother
handed out the portions of eggs

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Thorwaldsen

Not in the fabled influence of some star,
Benign or evil, do our fortunes lie;
We are the arbiters of destiny,
Lords of the life we either make or mar.
We are our own impediment and bar
To noble endings. With distracted eye
We let the golden moment pass us by,
Time's foolish spendthrifts, searching wide and far
For what lies close at hand. To serve our turn
We ask fair wind and favorable tide.
From the dead Danish sculptor let us learn
To make Occasion, not to be denied:
Against the sheer precipitous mountain-side

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Thomas Hood

The man who cloaked his bitterness within
This winding-sheet of puns and pleasantries,
God never gave to look with common eyes
Upon a world of anguish and of sin:
His brother was the branded man of Lynn;
And there are woven with his jollities
The nameless and eternal tragedies
That render hope and hopelessness akin.

We laugh, and crown him; but anon we feel
A still chord sorrow-swept,—a weird unrest
And thin dim shadows home to midnight steal,
As if the very ghost of mirth were dead—

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This was a PoetIt is That

448

This was a Poet—It is That
Distills amazing sense
From ordinary Meanings—
And Attar so immense

From the familiar species
That perished by the Door—
We wonder it was not Ourselves
Arrested it—before—

Of Pictures, the Discloser—
The Poet—it is He—
Entitles Us—by Contrast—
To ceaseless Poverty—

Of portion—so unconscious—
The Robbing—could not harm—
Himself—to Him—a Fortune—
Exterior—to Time—

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This Time, You Come to Me

All through our lovely married life
I've had to go away.
And it was always you, my dear,
Who was back home to stay.

It wasn't my own choosing,
But the Government, which said
That I must leave my family,
And sacred marriage bed.

The FBI was first to pry
Our soothing arms apart.
And, each time I returned to you
With ever swelling heart.

The Foreign Service, next, attempted
Separate our arms.
But I was not to be denied,
Returning to your charms.

I came back to you every time,

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