Sung in honor of Rikki-Tikki-Tavi


Singer and tailor am I--
Doubled the joys that I know--
Proud of my lilt to the sky,
Proud of the house that I sew--
Over and under, so weave I my music--so weave I the house that
I sew.

Sing to your fledglings again,
Mother, O lift up your head!
Evil that plagued us is slain,
Death in the garden lies dead.
Terror that hid in the roses is impotent--flung on the dung-hill
and dead!

Who hath delivered us, who?
Tell me his nest and his name.

I hate political poems. Not for me,
the human wad that clogs the great high way.
A love that's everyone's business? Forget it. A drink
from the common trough? No, thanks. The public: yuck.

I

Said Cotton to Corn, t'other day,
As they met and exchang'd salute--
(Squire Corn in his carriage so gay,
Poor Cotton, half famish'd on foot):


II

"Great Squire, if it isn't uncivil
To hint at starvation before you,
Look down on a poor hungry devil,
And give him some bread, I implore you!"


III

Quoth Corn, then, in answer to Cotton,
Perceiving he meant to make free --
"Low fellow, you've surely forgotten
The distance between you and me!


IV

Could this early bliss but rest

Constant for one single hour!
But e'en now the humid West

Scatters many a vernal shower.
Should the verdure give me joy?

'Tis to it I owe the shade;
Soon will storms its bloom destroy,

Soon will Autumn bid it fade.

Eagerly thy portion seize,

If thou wouldst possess the fruit!
Fast begin to ripen these,

And the rest already shoot.
With each heavy storm of rain

Change comes o'er thy valley fair;
Once, alas! but not again

Can the same stream hold thee e'er.

...
Whan bells war rung, an mass was sung,
A wat a' man to bed were gone,
Clark Sanders came to Margret's window,
With mony a sad sigh and groan.

"Are ye sleeping, Margret," he says,
"Or are ye waking, presentlie?
Give me my faith and trouthe again,
A wat, trew-love, I gied to thee."

"Your faith and trouth ye's never get,
Nor our trew love shall never twain,
Till ye come with me in my bower,
And kiss me both cheek and chin."

"My mouth it is full cold, Margret,

Whan bells war rung, an mass was sung,
A wat a' man to bed were gone,
Clark Sanders came to Margret's window,
With mony a sad sigh and groan.

"Are ye sleeping, Margret," he says,
"Or are ye waking, presentlie?
Give me my faith and trouthe again,
A wat, trew-love, I gied to thee."

"Your faith and trouth ye's never get,
Nor our trew love shall never twain,
Till ye come with me in my bower,
And kiss me both cheek and chin."

"My mouth it is full cold, Margret,
It has the smell now of the ground;

Sweetest of sweets, I thank you: when displeasure
Did through my body wound my mind,
You took me thence, and in your house of pleasure
A dainty lodging me assigned.

Now I in you without a body move,
Rising and falling with your wings:
We both together sweetly live and love,
Yet say sometimes, "God help poor Kings".

Comfort, I'll die; for if you post from me
Sure I shall do so, and much more:
But if I travel in your company,
You know the way to heaven's door.

As sure as prehistoric fish grew legs
and sauntered off the beaches into forests
working up some irregular verbs for their
first conversation, so three-year-old children
enter the phase of name-calling.

Every day a new one arrives and is added
to the repertoire. You Dumb Goopyhead,
You Big Sewerface, You Poop-on-the-Floor
(a kind of Navaho ring to that one)
they yell from knee level, their little mugs
flushed with challenge.
Nothing Samuel Johnson would bother tossing out
in a pub, but then the toddlers are not trying

Burgum, I thank thee, thou hast let me see
That Bristol has impress'd her stamp on thee,
Thy generous spirit emulates the Mayor's,
Thy generous spirit with thy Bristol's pairs.
Gods! what would Burgum give to get a name,
And snatch his blundering dialect from shame!
What would he give, to hand his memory down
To time's remotest boundary?--A Crown.
Catcott, for thee, I know thy heart is good,
But ah! thy merit's seldom understood;
Too bigoted to whimsies, which thy youth
Received to venerate as Gospel truth,

The Princess was of ancient line,
Of royal race was she;
Like cameo her face was fine,
With sad serentiy:
Yet bent she toiled with dimming eye,
Her rice and milk to buy.
II
With lacework that for pity plead,
So out of date it seemed,
She sought to make her daily bread,
As of her past she dreamed:
And though sometimes I heard her sigh,
I never knew her cry.
III
Her patient heart was full of hope,
For health she gave God thanks,
Till one day in an envelope