Hers was a lonely, shadowed lot;
Or so the unperceiving thought,
Who looked no deeper than her face,
Devoid of chiselled lines of grace –
No farther than her humble grate,
And wondered how she bore her fate.

Yet she was neither lone nor sad;
So much of love her spirit had,
She found an ever-flowing spring
Of happiness in everything.

So near to her was Nature’s heart
It seemed a very living part
Of her own self; and bud and blade,
And heat and cold, and sun and shade,
And dawn and sunset, Spring and Fall,

NOTE.—Rahel Robert and Varnhagen von Ense were married, after many protestations on her part, in 1814. The marriage—so far as he was concerned at any rate—appears to have been satisfactory.


Now you have read them all; or if not all,
As many as in all conscience I should fancy
To be enough. There are no more of them—
Or none to burn your sleep, or to bring dreams
Of devils. If these are not sufficient, surely
You are a strange young man. I might live on
Alone, and for another forty years,
Or not quite forty,—are you happier now?—

Beginneth here the book called Decameron, otherwise Prince Galeotto, wherein are contained one hundred novels told in ten days by seven ladies and three young men.

PROEM.
[Voice: author]

The troops of ALMAGRO and ALPHONSO meet on the plain of CUZCO --.

A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.

Wrought was she of a painter's dream,--
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.

I pressed him that he tell to me
This masterpiece's history.
He turned--REturned--and thus beguiled
Me with the tale of Orlie Wilde:--

"We artists live ideally:
We breed our firmest facts of air;

The hollow winds of night no more
In wild, unequal cadence pour,
On musing fancy's wakeful ear,
The groan of agony severe
From yon dark vessel, which contains
The wretch new bound in hopeless chains!
Whose soul with keener anguish bleeds,
As AFRIC'S less'ning shore recedes--

No more where Ocean's unseen bound
Leaves a drear world of waters round,
Between the howling gust, shall rise
The stifled captive's latest sighs!--
No more shall suffocating death
Seize the pent victim's sinking breath;
The pang of that convulsive hour,

WITH BOWS TO KEATS AND KEITH'S
["The World's Most Famous Shoulders"]


Then I felt like some watcher of the skies
When a new planet swims into his ken,
Or like stout Cortez when with eagle eyes
He stared at the Pacific--and all his men
Looked at each other with a wild surmise--
Silent upon a peak in Darien."

A Vulcan and a Venus seldom part.
A blacksmith never us'd to filinge art
Beyond a lock and key, for Venus' sake
Hath cut a watch soe small that sence will ake
In searching every wire, and subtile sphere
Which his industrious skill hath order'd theire:
It scarce outswells a nut, and is soe light
A Ladies eare might well indure the weight.
Twas for a Mistrisse: pitty not his owne,
And yet not pitty when her worth is knowne,
Or els his love that ownes her: Either's name
Is carv'd within the plates: the witty frame

I

There was a time when meadow, grove, and stream,
The earth, and every common sight,
To me did seem
Apparelled in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;--
Turn wheresoe'er I may,
By night or day,
The things which I have seen I now can see no more.


II

The Rainbow comes and goes,
And lovely is the Rose,
The Moon doth with delight
Look round her when the heavens are bare,
Waters on a starry night
Are beautiful and fair;

There was a time when meadow, grove, and stream,
   The earth, and every common sight,
   To me did seem
   Apparell'd in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;--
   Turn wheresoe'er I may,
   By night or day,
The things which I have seen I now can see no more.

   The rainbow comes and goes,
   And lovely is the rose;
   The moon doth with delight