I smile o'er the wrinkled blue­
Lo! the sea is fair,
Smooth as the flow of a maiden's hair;
And the welkin's light shines through
Into mid-sea caverns of beryl hue,
And the little waves laugh and the mermaids sing,
And the sea is a beautiful, sinuous thing!

I scowl in sullen guise­
The sea grows dark and dun,
The swift clouds hide the sun
But not the bale-light in my eyes,
And the frightened wind as it flies
Ruffles the billows with stormy wing,
And the sea is a terrible, treacherous thing!

When moonlight glimmers dim

I asked the old Negro, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane." "Hasn't it another name, lark, or thrush, or the like?" "No. Jus' Rachel-Jane."


I. IN WHICH A RACING AUTO COMES FROM THE EAST

This is the order of the music of the morning: —
First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn. . . .

Hark to the pace -horn, chase -horn, race -horn.

When sunset, a brass gong,
vibrate through Couva,
is then I see my soul, swiftly unsheathed,
like a white cattle bird growing more small
over the ocean of the evening canes,
and I sit quiet, waiting for it to return
like a hog-cattle blistered with mud,
because, for my spirit, India is too far.
And to that gong
sometimes bald clouds in saffron robes assemble
sacred to the evening,
sacred even to Ramlochan,
singing Indian hits from his jute hammock
while evening strokes the flanks
and silver horns of his maroon taxi,

I, too, would ease my old car to a stop
on the side of some country road
and count the stars or admire a sunset
or sit quietly through an afternoon....

I'd open the door and go walking
like James Wright across a meadow,
where I might touch a pony's ear and
break into blossom; or, like Hayden

Carruth, sustained by the sight
of cows grazing in pastures at night,
I'd stand speechless in the great darkness;
I'd even search on some well-traveled road

like Phil Levine in this week's New Yorker,

". . . our language, forged in the dark bycenturies of violent
pressure, underground,out of the stuff of dead life."

Thirsty and languorous after their long black sleep
The old gods crooned and shuffled and shook their heads.
Dry, dry. By railroad they set out
Across the desert of stars to drink the world
Our mouths had soaked
In the strange sentences we made
While they were asleep: a pollen-tinted
Slurry of passion and lapsed
Intention, whose imagined
Taste made the savage deities hiss and snort.

They shall see Him in the crimson flush
Of morning's early light,
In the drapery of sunset,
Around the couch of night.

When the clouds drop down their fatness,
In late and early rain,
They shall see His glorious footprints
On valley, hill and plain.

They shall see Him when the cyclone
Breathes terror through the land;
They shall see Him 'mid the murmurs
Of zephyrs soft and bland.

They shall see Him when the lips of health,
Breath vigor through each nerve,
When pestilence clasps hands with death,

Oh, greenly and fair in the lands of the sun,
The vines of the gourd and the rich melon run,
And the rock and the tree and the cottage enfold,
With broad leaves all greenness and blossoms all gold,
Like that which o'er Nineveh's prophet once grew,
While he waited to know that his warning was true,
And longed for the storm-cloud, and listened in vain
For the rush of the whirlwind and red fire-rain.

On the banks of the Xenil the dark Spanish maiden
Comes up with the fruit of the tangled vine laden;
And the Creole of Cuba laughs out to behold

A high bare field, brown from the plough, and borne
Aslant from sunset; amber wastes of sky
Washing the ridge; a clamour of crows that fly
In from the wide flats where the spent tides mourn
To yon their rocking roosts in pines wind-torn;
A line of grey snake-fence, that zigzags by
A pond and cattle; from the homestead nigh
The long deep summonings of the supper horn.
Black on the ridge, against that lonely flush,
A cart, and stoop-necked oxen; ranged beside

What instinct forces man to journey on,
Urged by a longing blind but dominant!
Nothing he sees can hold him, nothing daunt
His never failing eagerness. The sun
Setting in splendour every night has won
His vassalage; those towers flamboyant
Of airy cloudland palaces now haunt
His daylight wanderings. Forever done
With simple joys and quiet happiness
He guards the vision of the sunset sky;
Though faint with weariness he must possess
Some fragment of the sunset's majesty;
He spurns life's human friendships to profess

Sunset and silence! A man: around him earth savage, earth broken;
Beside him two horses -- a plough!
Earth savage, earth broken, the brutes, the dawn man there in the sunset,
And the Plough that is twin to the Sword, that is founder of cities!
"Brute-tamer, plough-maker, earth-breaker! Can'st hear? There are ages
between us.
Is it praying you are as you stand there alone in the sunset?
"Surely our sky-born gods can be naught to you, earth child and earth
master?
Surely your thoughts are of Pan, or of Wotan, or Dana?